narrative of Krishna’s childhood is then unfolded revealing his divine self. At the end the great underwater sequence shows Krishna subjugating the demon snake Kaliya followed by the ritual of aarti and celebration. PIFF 2013 100 Years Of Indian Cinema Sant Tukaram Sant Tukaram 1936-35 mm-130-Marathi-Black And White-India Director: Vishnupant Govind Damle‚ Sheikh Fattelal Cast: Vishnupant Pagnis‚ Gouri‚ Pandit Damle‚ Kusum Bhagwat‚ Bhagwat‚ Master Chhotu‚ B. Nandrekar‚ Shankar Kulkarni‚ Shanta
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The liberation of women in Japanese cinema The purpose of this work is to investigate the social position of women in Japanese cinema from its beginnings to the present. The main aspect is the link between the masculine dominance and the objectification of women‚ combined with Freudian theories of castration anxiety‚ as well as Lacanian ‘mirror stage’. These theories play a crucial role in this work as the representation of power‚ demonstrated through objectification‚ may affect the gender equilibrium
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Humanizing Terrorism in Indian Cinema A closer look at Mani Ratnam’s Roja and Dil Se Nationalism‚ as professor Sumita Chakravarty describes it‚ is the “integrity of the nation-state and the imagined belongingness of its citizens (Chakravarty‚ 2000).” This notion of nationalism and nationwide unity has been a recurrent theme in the films explored in the course South Asian Cinema. Many of the films have been interpreted as national
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the largest motion picture theatre exhibitor in Canada. The Toronto-based partnership serves approximately 60 million customers under the following five brands: Cineplex Odeon‚ Galaxy‚ Famous Players (including Coliseum‚ Colossus‚ and SilverCity)‚ Cinema City‚ and Scotiabank Theatres. This portfolio utilizes multi-branding to target a wide scope of quality seeking segments without damaging its premium end brands. Critical Success Factors in the Movie Theatre Industry The core service of exhibition
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themselves. She has been the subject of countless works of art and literature‚ from the ancient epics and cave paintings and voluptuous statuary of the Ajanta and Ellora caves and the temple art of Khajuraho to the modern day novels‚ calendars and cinema. Whether bejeweled and ornamented or concealed behind a veil‚ revered as mother and goddess or despised as a widow‚ she has most often been portrayed as a graceful‚ sensuous and mysterious creature‚ loving and gentle‚ in need of protection and guidance
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STATEMENT TO THE PROBLEM Cinema is meant and believed to entertain‚ to take the viewer to a world that is starkly different from the real one‚ a world which provides escape from the daily grind of life. Cinema is a popular media of mass consumption which plays a key role in moulding opinions‚ constructing images and reinforcing dominant cultural values. Hindi cinema has been a major point of reference for Indian culture in this century. It has shaped and expressed the changing scenarios of modern
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Bollywood‚ the greatest dream factory on the Indian subcontinent‚ is the most productive film industry in the world. It makes up to eight hundreds films a year‚ twice as many as Hollywood‚ and about fourteen million Indian people go to the cinema everyday. Films are made so fast that sometimes actors on set shoot scenes for four different films at a time‚ using the same backgrounds and the same storylines. III. What makes Bollywood films unusual ? Like any film industry
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Jan 11 2004 Hyderbad‚ India Sex and violence in films is no child’s play. Actress Raveena Tandon realised that to her discomfort at the inaugural function of the 13th International Children’s Film Festival recently. There were reportedly a lot of red faces in Hyderabad when some children sang and danced to the tune of raunchy film numbers during the opening festivities. While both Andhra Pradesh chief minister Chandrababu Naidu and Union I&B Minister Ravi Shankar Prasad expressed
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British Cinema History Emergent British Cinema 1880-1900 Modern cinema is generally regarded as descending from the work of the French Lumière brothers in 1892‚ and their show first came to London in 1896. However‚ the first moving pictures developed on celluloid film were made in Hyde Park in 1889 by William Friese Greene‚ a British inventor‚ who patented the process in 1890. The film is the first known instance of a projected moving image. At the end of the 19th America had started to experiment
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Nicoară Cosmin – CFM RO – an 1 European cinema is more complex than American cinema. The above statement does not entirely reflect the reality. At the level of creative expressions‚ the relationship between these two continents has always been‚ to say the very least‚ a two-way road. The exchanges concerning Hollywood and the international cinema scene are long-standing and deeply rooted. During the formation of classical Hollywood cinema‚ many of its key architects were in fact European emigrants
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