In her article “True Womanhood Revisited”, published in 2002, Mary Louise Roberts describes her reading experience with Barbara Welter’s paper “The Cult of True Womanhood, 1820–1860”, published in 1970s. At the first glance, Roberts seems to devalue Welter’s article by identifying its flaws and praising the advancement of the contemporary research. At the second glance, however, it becomes evident that Roberts is not as critically disposed to the paper: she re-reads it, explains some seeming flaws of the article and mentions that the modern research is literally based on “The Cult”. Taking all above-mentioned into consideration, the author of this paper believes that the value of Barbara Welter’s article still prevails over its faults.…
Rape culture is an idea that helped define a generation in the 1970’s and continues to hold significance in modern society. Although the term itself has been recently coined, the norms of rape culture have been seen in civilizations for centuries. Sir Gawain and the Green Knight, a 14th century poem, displays ideas of rape and dominance within its stanzas. From a feminist lens, the role of Lady Bertilak is symbolic of Rape Culture through a display of dominance and disrespect from her husband and Sir Gawain, her objectification as a pawn in her husband’s games, the theme of hunting as it creates a parallel between the bedroom scenes and the actual hunt, and her representation of the whole female population.…
In many accounts that we have read women have used their power to goad their husbands, sons or lover, and none of them ended well, indicating women’s being individualist and are determined to gain what they want regardless of how the outcome can be. Moreover, Tacitusis’ text about “woman is the ruling sex” correlates Odin’s advice warning men about women’s manipulative and ruling…
In novels and play writes such as Barbara Kingsolver’s, The Poisonwood Bible and Euripides, Medea, the theme Role of women arises: women in many societies are subjugated and displayed as the inferior gender, when they are truly the strongest; they carry all the pain and suffering of society, the wars and the deaths; thus they are the pedestal that keeps everyone up. In order to reveal theme Kingsolver and Euripides make use of literary devices such as symbolism, imagery and diction. Using all three literary devices Kingsolver reveals that women such as Orleana believe that they are just rag dolls that are pulled, pushed and just there, even so realize how strong they really are; that if it was not for them their children would not be able to live. Medea on the other hand represents all the pains and struggles of women and is attempting to inform all women that they have the power and must stand up for themselves.…
The king is seen as very selfish in this lay. He has used his daughter as, “a comfort,” since his wife died. Besides the fact that he was incestuous, he was only thinking of his own pleasure and happiness. Did he ever stop to think of the emotional toil his actions had on his daughter? Furthering his selfish motives, he wanted, “to prevent anyone seeking his daughter’s hand.” The king wanted his daughter all to himself and would go to extreme lengths to keep it that way. Even if having the love of…
He locked her up and had his way with her whenever he pleased. This made his nephew very irate and caused him to turn his back on him and go to war against Soumaoro. “Since you are not ashamed to commit incest by taking my wife, I am freed from all ties with you from this day forward. Henceforth I shall be on the side of your enemies.” (Sundiata, 42). This is one reason why people would go to war against each other. Most men are very protective of their women. The idea of another man having his wife or daughter locked up to have his way with her caused…
The character arc that helps explain this the most is Prince Maven. He is the “forgotten prince”, “the shadow of the flame” (the powers Prince Cal and Prince Maven have is control over fire), but he is the deadliest secret keeper because no one ever expects him to turn out to be evil. (Aveyard, 2016, p. 105-106). In the beginning, Maven is an innocent kid controlled by his mother, and he believes that he is unloved by his father and his brother. He is forced into an arranged marriage with the main character, Mare Barrow; however, even though it is forced both end up developing feeling for one another. About ¾ of the way through the novel, we find out that all along he has been keeping the secret of overthrowing his father and going into power. Maven plans to have his brother kill their father, thus creating a dead king and traitor prince. When this secret is revealed, and the plan sadly works, it brings Maven into power. The consequence is Maven not only losses his father, but also his brother Cal and Mare. Maven even gives Mare the chance to come with him and rule the kingdom, but she denies him, and his heart is crushed (Aveyard, 2016). He destroys everything that ever meant anything to him. It is morally wrong to hurt people and yourself for your own…
No matter how many years have passed, whether is be decades or centuries, all women are the same: manipulative, deceptive, and emotional. In William Shakespeare’s play Macbeth, there is no greater prime example other than Lady Macbeth herself on how women are the downfall of men. By probing into the small, but very important character’s mind, there will be an almost surreal realization of how much influence women actually have on men.…
Throughout the texts we have read in class, including in the ones examined closely in this paper (namely Lanval, The Wife’s Lament, and Chaucer’s The Wife of Bath’s Tale) women consistently appear as powerful beings. This introduces a certain amount of threat simply because the woman’s position in medieval society was largely guided by the principles in the Bible – and thus, women were treated as “lesser” according to writings that stated that they weren’t allowed to teach, were to submit to the men in their life, and were to avoid “playing the whore” (Leviticus 21:9). The texts, then, will often attempt to rid those women of their powerful status or explain why they do not deserve it. At the very least,…
Mariam and Laila are forced, by punishment up to execution, to remain loyal and patient to their husband and while in public. Even while the alternative was cruel, “Mariam chewed. Something in the back of her mouth cracked”, while Rasheed left her to “spit out pebbles, blood, and the fragments of two broken molars”. (p. 104) Enduring injustices like this are nothing short of common for women in developing countries. Men control women through manipulation and fear, powerful, ugly tools that spawn from greed and selfishness. When a person is pushed past fear of death, their only option becomes to…
The "Book of Night Women" by Marlon James is an incredibly authentic-feeling novel that brings into play many deep issues for being a piece of fiction. I found this book to be a real page-turner that helped, among other things, to widen my understanding of the institution of slavery in the West Indies as well as the dynamics of the relationships between the slave and master. It is this often confusing relationship that I wish to further explore in this paper.…
Shakespeare's Twelfth Night drastically changed the way people viewed men and women in the Elizabethan age. For decades, women have been perceived as “emotional (irrational), weak, nurturing, and submissive” while men have been viewed as “rational, strong, protective, and decisive” (Feminist 84). In contrast, Viola, Lady Olivia, and Maria are powerful characters in the play who challenge the era’s scientific theory that females were merely defective males.…
Shahrzad’s character is elaborated on more in One Thousand and One Nights than in Arabian Nights and Days through her stories. Shahrzad’s stories often display a relationship between identity and faith. She shows how in many of her character’s situations, if they had no faith or wit they would not have escaped. This shows her connection between identity and faith, as well as her characters connection between the two. In Arabian Nights and Days, Shahrzad’s situation is her being married King Shahryiar whom had murdered many virgins and innocent people. She shows her faith by continuing to be patient and pretending to be happy with him. She states “I sacrificed myself in order to stem the torrent of blood” (Mahfouz 2). This displays her sacrifice of happiness for other virgins because she fascinated the king with her stories and is continuing to be with him so that he does not go back to marrying a virgin, deflowering her, then killing her. Her identity is greatly affected by her faith because her faith is pushing her to continue to be patient with the man she is married to so that he does not kill any more virgins. If Shahrzad did not have her faith, she would try to escape and the outcome would result in King Shahriyar continuing his murderous ways.…
Unfaithful, Shahrayar kills her and swears to marry a different woman each night before killing…
Abu-Lughod first describes the forms of resistance of the Bedouin women to their patriarchal culture. She expresses that women keep secrets from their husbands, elders, or any other male figure, and converse with other women. This creates a sort of sisterhood that is not supposed to exist under the male dominated culture that sexually separates the men from the women (Abu-Lughod 43). She continues by citing examples the Bedouin…