17th Century Treatment of Woman in Literature
Portrayal of women in the middle ages:
By the Middle Ages, it was commonly accepted that Eve was principally to blame for the disobedience that led to the fall of humanity. Greek ideas had replaced Jewish in Christian thinking, including the notion that the soul was good but the body evil. Heretical though this might have been, it didn’t stop sexuality being regarded as somehow evil. One of the few recorded medieval women writers, the mystic Margery Kempe, aspired to celibacy even within marriage. As it becomes apparent in a few select works representing women in medieval literature, includingThe Book of Margery Kempe, Beowulf, Sir Gawain and the Green Knight, and Le Morte Darthur, in the middle ages or medieval period, restrictions placed on women underwent a significant change. At the beginning of this period, women’s roles were very narrowly prescribed and women did not have much to do with life outside of the home. As this age went on, however, women gradually began to express more opinions and have a greater and more equal role in society. Two earlier medieval texts, Beowulf and Sir Gawain and the Green Knight offer readers two simple categories of women, those who are or are not confined. Later, with the writings of Margery Kempe, the strict duality begins to disappear and the reader is confronted with a woman who is blend of each of these ideas of women. While she is confined by her society, she is unconfined by its conventions such as marriage and traditional gender roles. In general, however, each text presents an example of a “proper” and confined woman as well as the complete opposite; almost so that the reader can see what evils can occur if a woman is not confined. The women in Beowulf, at least on first glance, might appear to be glorified waitresses and sexual objects, but their role is far more complicated than this. When it is stated in one of the important quotes from “Beowulf” that, “A queen should weave peace” As confined in a marriage, women
By the Middle Ages, it was commonly accepted that Eve was principally to blame for the disobedience that led to the fall of humanity. Greek ideas had replaced Jewish in Christian thinking, including the notion that the soul was good but the body evil. Heretical though this might have been, it didn’t stop sexuality being regarded as somehow evil. One of the few recorded medieval women writers, the mystic Margery Kempe, aspired to celibacy even within marriage. As it becomes apparent in a few select works representing women in medieval literature, includingThe Book of Margery Kempe, Beowulf, Sir Gawain and the Green Knight, and Le Morte Darthur, in the middle ages or medieval period, restrictions placed on women underwent a significant change. At the beginning of this period, women’s roles were very narrowly prescribed and women did not have much to do with life outside of the home. As this age went on, however, women gradually began to express more opinions and have a greater and more equal role in society. Two earlier medieval texts, Beowulf and Sir Gawain and the Green Knight offer readers two simple categories of women, those who are or are not confined. Later, with the writings of Margery Kempe, the strict duality begins to disappear and the reader is confronted with a woman who is blend of each of these ideas of women. While she is confined by her society, she is unconfined by its conventions such as marriage and traditional gender roles. In general, however, each text presents an example of a “proper” and confined woman as well as the complete opposite; almost so that the reader can see what evils can occur if a woman is not confined. The women in Beowulf, at least on first glance, might appear to be glorified waitresses and sexual objects, but their role is far more complicated than this. When it is stated in one of the important quotes from “Beowulf” that, “A queen should weave peace” As confined in a marriage, women