1980s Graffiti Art Movement
Next, graffiti is acknowledged by many people and it causes no harm to people.
The first place that graffiti receives acknowledgement from is other graffiti writers. In “Documenting Illegal Art: Collaborative Software, Online Environment and New York City’s 1970s and 1980s Graffiti Art Movement” by Rachel Masilamani, she talked about the social movement of graffiti. She wrote, “At its heart, graffiti is about documenting presence; it is a way of saying ‘I was here,’ but up until the early 1970s writers were probably not documenting their own their own work or creative processes. As the movement grew, however, many writers began informally documenting their work and the work of their peers” (Masilamani 6). Graffiti writers write for other graffiti
The first place that graffiti receives acknowledgement from is other graffiti writers. In “Documenting Illegal Art: Collaborative Software, Online Environment and New York City’s 1970s and 1980s Graffiti Art Movement” by Rachel Masilamani, she talked about the social movement of graffiti. She wrote, “At its heart, graffiti is about documenting presence; it is a way of saying ‘I was here,’ but up until the early 1970s writers were probably not documenting their own their own work or creative processes. As the movement grew, however, many writers began informally documenting their work and the work of their peers” (Masilamani 6). Graffiti writers write for other graffiti