It shows, especially when the relationship turns into a predictable case of mistaken sexual orientation ("Lesbian? I thought she was a Pisces."). Jess and Jules have a believable friendship, so we're invested in their eventual fight when a romance develops between Jess and Joe, with whom Jules has an infatuation as well. The romance is refreshing because it's not important to Jess' succeeding or being happy; it only complements her success on the field. All of it turns out all right, of course, and there's a big game with an American agent who's come to watch Jess and Jules. A lot of nice messages develop from the characters. Jess does what she wants but it's only when she confronts her parents truthfully that she is able to do play with a clean conscience. There's also a respect for and comfort with the characters' culture that could come only from one who has lived it, and director Gurinder Chadha's cheerful reverence comes through
It shows, especially when the relationship turns into a predictable case of mistaken sexual orientation ("Lesbian? I thought she was a Pisces."). Jess and Jules have a believable friendship, so we're invested in their eventual fight when a romance develops between Jess and Joe, with whom Jules has an infatuation as well. The romance is refreshing because it's not important to Jess' succeeding or being happy; it only complements her success on the field. All of it turns out all right, of course, and there's a big game with an American agent who's come to watch Jess and Jules. A lot of nice messages develop from the characters. Jess does what she wants but it's only when she confronts her parents truthfully that she is able to do play with a clean conscience. There's also a respect for and comfort with the characters' culture that could come only from one who has lived it, and director Gurinder Chadha's cheerful reverence comes through