Preview

Aaron Douglas. Bio Essay

Good Essays
Open Document
Open Document
949 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Aaron Douglas. Bio Essay
Aaron Douglas “Aaron Douglas was an African American painter and graphic artist who played a leading role in the Harlem Renaissance of the 1920s and 1930s. His first major commission, to illustrate Alain Leroy Locke’s book, The New Negro, prompted requests for graphic from other Harlem Renaissance writers. By 1939, Douglas started teaching at Fisk University, where he remained for the next 27 years (Biography 1).” He made numerous contributions at Fisk University. On May 26, 1899, Aaron Douglas was born in Topeka, Kansas. During his time in the Harlem Renaissance, Douglas helped to guide the artistic and literary movement. “He is sometime referred to as the ‘Father of Black American Art. Douglas developed an interest in art early on, finding some of his inspiration from his mother’s love for painting watercolors (Biography 1).” Proceeding graduation in 1917 from Topeka, Kansas, Douglas enrolled in the University of Nebraska, which is also known as Lincoln. “There he pursued his passion for creating art, earning his Bachelor of Fine Arts Degree in 1922 (Biography 1).” At the same time, he connected with students of Lincoln High School in Kansas City, Missouri to share his interest of art with them. After two years of bonding with his pupils, Douglas decided to migrate to New York City. New York’s Harlem neighborhood had a thriving art scene; therefore it would not take any time for Douglas to get use to New York. Reaching New York in 1925, Douglas swiftly became familiar with the Harlem’s cultural life. He began his career in New York as an apprentice for Winold Reiss, a German artist whom he met through Charles S. Johnson. Being an apprentice for Reiss only lasted two years before he continued on to became the editor of Opportunity, the National Urban League’s magazine. “Through his covers for Opportunity and The Crisis, Douglas set forth a new vision for the black artists. His strong, geometric forms and Egyptian profiles resulted in a style later described by

You May Also Find These Documents Helpful

  • Good Essays

    The Harlem Renaissance was a literary, artistic, and intellectual movement that kindled a new black cultural identity, spanning the 1920s and to the mid-1930s. While reading the article “Black Renaissance: A Brief History of the Concept” I learned that the Harlem Renaissance was once a debatable topic. Ernest J. Mitchell wrote the article, explaining how the term “Harlem Renaissance” did not originate in the era that it claims to describe. The movement “Harlem Renaissance” did not appear in print before 1940 and it only gained widespread appeal in the 1960s. During the four preceding decades, writers had mostly referred to it as “Negro Renaissance.”…

    • 105 Words
    • 1 Page
    Good Essays
  • Satisfactory Essays

    Aaron Douglas the African-American painter and graphic artist of the Harlem Renaissance that took place in the year 1920s through 1930s. The famous art of Aaron Douglas was not only beautiful but it was done with style, delectation, and time. Aaron illustration’s was blended popularity with the European and American Artistic. Aaron Douglas first major commission was to illustrate “Alain LeRoy Locke’s book”. Aaron Douglas was important to the Harlem Renaissance for various reason.…

    • 76 Words
    • 1 Page
    Satisfactory Essays
  • Powerful Essays

    Davis was born in Philadelphia, Pennsylvania in 1892 to parents that were artists. His father was a newspaper art director and his mother was a sculptor. His family moved to East Orange, New Jersey when he was nine years old. He attended school in New Jersey and left high school in 1909 before graduating to attend Henri’s School of Art in New York City. He became acquainted and formed friendships with mentors, John Sloan and George Luks. These men were all part of “The Eight”. These men were all part of the Realist Art Movement and focused on poverty and the realities of urban life for real people.…

    • 2263 Words
    • 10 Pages
    Powerful Essays
  • Satisfactory Essays

    I think the narrative of Frederick Douglas this book is a good book for my hero’ journey, because I should always know what was happening when slavery was around. I can learn about how slaves were treated also what they did to get there freedom. Also how slaves went through there hero’s journey even if they didn’t have any freedom. It can teach me to never give up and to persevere even if you are a slave.…

    • 234 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    There were so many paintings to choose from when it comes to Aaron Douglass and it really does show the impact he had on his generation. This is the main painting that stuck out to me that Douglass created because it creates a certain emotion and struggle of the African people. The painting shows people in chains and in the back round two ships which suggesting the transformation of the black culture as slaves to the United States, paintings like these are so important because it shows the African Americas past and the many things they had to endure. What is exceptional about this painting is the many colors Douglass blended in the watercolors, which shows the chains on the people sticking out in a sense. Now that we have…

    • 154 Words
    • 1 Page
    Good Essays
  • Good Essays

    One of the major differences between the New Negro and the African American is the viewpoint on the culture. The aspects of the culture that is being focused on is the literary, and the fine arts. “In Harlem Renaissance literature,…

    • 1171 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    In the book entitled "Harlem Renaissance" by Nathan Irvin Huggins a story is told about the time period before World War I and the following years in which a "Black Metropolis" was created unlike the world had ever seen. It was the largest and by far the most important black community in the world. It brought together black intellectuals from all over the world to this new "Black Mecca" with dreams of prosperity and change. Their common goal was the prosperity of the New Negro as Alain Locke called them. This New Negro was one that was cultured, educated, artistic, and would bring prosperity to the African-American. All these were the promises of the Harlem Renaissance. I think that his thesis was in the opening sentence when he talks about Harlem. When people saw Harlem, they saw opportunity, they saw a place where they could escape and enjoy artistic freedom. They saw liberation, they saw hope, they saw a place where confidence was in abundance. That confidence translated to the belief that reform could be attained. Sadly, Nathan Irvin Huggins points out that all they were was deceived by their dream. They all saw in Harlem much more than what was really there. A common belief was that they could use their talents as a way of bridging the gap between the races. Unfortunately racism has been so deep rooted in the white American psyche that it would take more than the New Negro proving he had artistic talent to be accepted as one and the same. Huggins also cites that their art was compromised by the fact that it was intended for white patrons and was not a full reflection of them. Another mistake they made was not organizing a grass roots movement. The black political leaders failed to become a unified voting force and were unable to obtain true political power needed to bring about change.…

    • 1753 Words
    • 5 Pages
    Powerful Essays
  • Powerful Essays

    Locke argues that the New Negro brought forth a significant mission: to reinstate the black race’s prestige and esteem. Alain Locke describes this regeneration as ‘Negro Zionism’. It cannot be discounted that the Old Negro has contributed vastly to American society through art, music, and other ways that shaped America into being what it is today. Being the balance of society, the Old Negro contributed in ways such as labor and spirituality. Locke argues that it is with this sudden contribution that the New Negro is able to be the beneficiary of the significant efforts by the Old…

    • 1745 Words
    • 7 Pages
    Powerful Essays
  • Powerful Essays

    History

    • 2687 Words
    • 11 Pages

    In Palmer Hayden’s painting, “Fetiche et Fleurs,” (1926), he expresses the culture and traditions of the African and African-American culture. Hayden’s painting connects with the…

    • 2687 Words
    • 11 Pages
    Powerful Essays
  • Good Essays

    Art to me is an individual’s way of expressing themselves in a very complex or unique way other than writing in simple text. One of my favorite black history pieces of artwork is the painting of “The Street To Mbari”. This masterpiece was painted by Jacob Lawerence, a profound African American born in Atlantic City, New Jersey in 1917. Lawerence was notorious for his paintings using the tempera method, in which he enjoyed the most out of all of his many crafts and talents.…

    • 465 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    Within any group of people there is always going to be some form of judgment and African American people of the early twentieth century Harlem are no different. Throughout this course students have been immersed into the culture of 1920s Harlem and through this immersion many significant issues have surfaced from the artist of the time period. A major issue that has been repetitive throughout all forms of art during this period is colorism. Colorism which can also be called color conscientiousness, intra-racism, being color-struck, or having a color complex is a long standing epidemic focusing on physical appearance with a large concentration on the color of one’s skin (Carpenter 1). It is an ideology that is largely used in African American art dating as far back as slave folk literature and still being a dominant force in present day African American literature, but was a defining form of expression during the Harlem Renaissance. Although colorism is not gender specific I have found that it plays a more dominantly negative role in the lives of women and through literary and secondary source supports this paper will further express what colorism is and the affect it has on the women who face it at such a high racially tense time.…

    • 2849 Words
    • 12 Pages
    Powerful Essays
  • Satisfactory Essays

    Yolanda Cornelia “Nikki” Giovanni is one of the world’s most renowned black poets, as well as an author, commentator, writer, and educator. Born in Knoxville, Tennessee, raised in Cincinnati, Giovanni has been an involved activist and writer since the early 1960s. After leaving high school in the eleventh grade, she entered the historically black Fisk University where she graduated with a BA in History in 1967. During her time at Fisk, Giovanni became a major activist in the Black Arts Movement, a loose coalition of African American intellectuals who wrote politically and artistically radical poems aimed at raising awareness of black rights and promoting the struggle for racial equality (Fowler). She also became one of the leading poets in the Black Power wing of activists. Also while at Fisk, she led the organizing of the civil rights organization, The Student Nonviolent Coordinating Committee (Ward). After graduation, Giovanni entered graduate school at the University of Pennsylvania, and later, Columbia University.…

    • 356 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Painter Aaron Douglas, the "father" of African Art, stated in 1925, "Let 's bare our arms and plunge them deep through laughter, through pain, through sorrow, through hope, through disappointment, into the very depths of the souls of our people and drag forth material crude, rough, neglected. Then let 's sing it, dance it, write it, paint it" ("Harlem Renaissance" 1, par. 4). These words of triumph and strife epitomize the state of living during the Harlem Renaissance in the United States. Liberation, cultural pride, and expression in the arts embodied this period in American history. Beginning at the end of World War I and continuing on until the brink of the Great Depression of the 1930 's, feelings of both acceptance and segregation contrived discord between blacks and whites living among one another. Effecting black Americans as well as America in general, this movement had a profound impact on our country that to this day is apparent in everyday life.…

    • 856 Words
    • 4 Pages
    Good Essays
  • Better Essays

    Cited: Adams, Russell. African American Studies and the State of Art. Durham, North Carolina: Carolina Academic Press, 1998. 31-40…

    • 1163 Words
    • 5 Pages
    Better Essays
  • Powerful Essays

    "For the first time since the plantation days artists began to touch new material, to understand new tools and to accept eagerly the challenge of Black poetry, Black song and Black scholarship."1…

    • 1511 Words
    • 7 Pages
    Powerful Essays

Related Topics