For this poem he uses a near perfect iambic pentameter. This means each line has 10 syllables, which are arranged so that one unstressed syllable is followed by a stresses syllable. For example, the stressed syllables in this line are bold and in italic “I have been one ac-quaint-ed with the night.” The way Frost writes this is very difficult and could account for some of the strange sounding ways that he phrases his lines. Although it is strange, it actually plays a key part in the structure of this poem. The steady syllable rhythm is almost the sound of footsteps when you say it aloud. This connects with the poem in the fact that he is walking around at night by himself, maybe to only hear the sound of his footsteps. He is using this syllable extension to give the reader a sense of being with him walking through the streets that he is talking
For this poem he uses a near perfect iambic pentameter. This means each line has 10 syllables, which are arranged so that one unstressed syllable is followed by a stresses syllable. For example, the stressed syllables in this line are bold and in italic “I have been one ac-quaint-ed with the night.” The way Frost writes this is very difficult and could account for some of the strange sounding ways that he phrases his lines. Although it is strange, it actually plays a key part in the structure of this poem. The steady syllable rhythm is almost the sound of footsteps when you say it aloud. This connects with the poem in the fact that he is walking around at night by himself, maybe to only hear the sound of his footsteps. He is using this syllable extension to give the reader a sense of being with him walking through the streets that he is talking