The play’s emotional energy derives not from the simple discrepancy of man and mask in Tartuffe (“Is not a face quite different from a mask?” inquires the normative character Cleante, who has no trouble making such distinctions.), but from the struggle for erotic, psychic, and economic power in which people employ their masks.…
Louis Nowra uses various characters to communicate the challenges of people when having to pretend to be someone else. This is shown in the way of how Louis Nowra uses the play-within a play technique where characters have to pretend to be someone else, at times with great difficulty. For example we have Ruth who constantly needs guiding as she finds it hard to pretend to be someone else. Her…
In Six Characters in Search of an Author, Luigi Pirandello also explores family dynamics in his absurdist and existential play. The characters, bound by the limits the author sets them in their story, struggle with the aftereffect and consequences of their actions as they continuously relive their story. The mother, who is similarly weak-willed, is quick to defend her affair, and laments her dead lover and the fate of her children, the two youngest dead, her oldest son despising her, and her daughter pitying her. However, her lamentation and knowledge of what happens to her children alienates her from them, and causes separation, anxiety and death of the two youngest children.…
One of the most fundamental questions in philosophy is the appearance vs. reality. We find ourselves asking the question of what is genuinely "real," and what is viewed merely as just an "appearance," and not real? It becomes difficult when we assume there is a difference in the two to determine which is which. Generally, what we label as "real" is regarded as external and eternal. What we refer to as just an appearance is regarded as temporary and internal. Many early as well as modern day authors use the theme of appearance vs. reality to portray a character in a certain way. One of the most appreciated one of these authors is William Shakespeare. The theme of Appearance vs. Reality is extremely noted in Williams Shakespeare's "Hamlet". Also, the Italian political theorist Niccolo Machiavelli is the other one who examines the issues of reality and appearance.…
Maestro, a beautifully crafted novel written by the author Peter Goldsworthy, deals with the exploration of numerous aspects including the main contention of whose reality. It presents the unrealistic views or false realities that we humans can perceive wrongly of ourselves and others. As this is proven in the novel, the main protagonist Paul Crabbe has many artificial views of what he perceives himself to be and the type of person Edward Keller (Maestro) is. However, our realities can ultimately change for the better once we have the realisation of what is actually occurring.…
Columbina is the perky maid of the 'Old Man', Pantalone. She is better dressed than the male servants as she is also a lady's maid. She usually wears a knee length dress and an apron. The colouring of her clothes can be different in different acts, depending on her relationships with the characters and the scenario. She can be in a similar scheme to Arlecchino (where she is sometimes known as Arlecchina with similar diamonds and triangles), or if she is assigned to a rival family of Arlecchino's, she can be in that scheme. In cases where she is an independent character, she can be in blacks and whites in the spirit of a French Maid.…
Deception was a common theme among the two plays, and it was used to mask the sorrows one has had to experience in life. Often, one falls into the hands of deception not only to deceive others, but mainly to deceive themselves from the truth they cannot bear to face. It is important to accept the mistakes and forgive, in order to…
I do agree that the characters in this scene are portrayed in a very ambiguous manner. At this point in the play, many of the characters are masking their real feelings; this is usually quite apparent in their language and behaviour on stage.…
The character Malvolio (meaning literally "I mean ill will) is immediately affected by the implications of his name. His personage is implied directly to be one of negative and somewhat disagreeable nature, which is continued and supported throughout the play, leading to his downfall and mockery which both initially seem to be thoroughly deserved, due to his numerous defects of personality.…
When reading over this piece my interpretation of it is that I am a father that is 44 years old that is speaking to his son about his life at the age of manhood (18 years old). The reason that I am speaking to my son about his life is because I see him suffering the same way that I have. I see my son having the same exact troubles with expectations from society, School, Family, Friends, Co-workers and everyone in-between. Although my son is striving to achieve these expectations that all these external forces have placed on him, he feels miserable. Simply because he’s not living up to his own expectations of becoming a magician, due to the fact that he works fulltime hours at a pizza store when being a full time student at college. He simply doesn’t have time…
How funny it is, to think we could ever really know another human being. Oh we muddle through all right, mostly in peace, at some level of adequacy but you never have a clue as to what exactly is going on in anybody’s head, or as to why another person does anything. Nobody understands anybody, heck, nobody understands themselves. I doubt our minds could even grasp the whole truth about anything, let alone a person. One mind can only think up its own questions and biases; it rarely surprises itself. Our mental frameworks are never quite perfect, everything’s blurrier and everyone’s uglier up close. This is correspondingly illustrated by Director Sofia Coppola’s film, The Virgin Suicides, a town where ideas are real and reality is shadow. She…
In the Renaissance-era romantic comedy, "Twelfth Night", William Shakespeare presents to us an entertaining play riddled with humorous plots and, in some instances, comical and witty exchanges between the characters in the play. In a novel peppered with subtle notions of deceit and illusion, it is fascinating how some of the most revealing truths about the characters actually lie beneath the innocent banters. Under the influence of illusion and deception, the figures in the play are often lost in their own reverie, failing to realise the bare naked truths behind the events that have played out. An insightful judge of characters, Feste is both impudent and witty at the same time, neither mincing his words nor masking his emotions. It is perhaps due to his pragmatic nature that he is able to be so perceptive and astute in his judgment of the characters. His remark of Orsino's mind as one which is very opal only serves to prove the above-mentioned claim. Over the following paragraphs, I will endeavor to uncover the truth behind Feste's statement.…
In life, Appearance is how and what someone appears to be; judging people on what is on the outside, it is basically how it seems. Reality is the real version of something to deal with. Appearance versus reality is a very important theme in William Shakespeare’s Macbeth. In this play, there are three characters that are deceived by what appears to be real, and the tragic consequences that follow this error in judgment. They are King Duncan, who trusted Macbeth too much; Lady Macbeth, who got tricked by the three witches and herself; and Macbeth, who got tricked by the witches and the people around him.…
He treats the characters as players of his game, manipulating their lives and playing off their superstitious beliefs. The narrator is always visible on stage, acting as a Mephistophelean puppeteer of sorts who manipulates the lives and families of Mrs. Johnstone and Mrs. Lyons.…
All things have an appearance, whether it's good or bad. But many times appearances can mislead people and cause them to form unjust opinions. Throughout Shakespeare's tragic novel Macbeth, instances like this take place in every scene. Whether it is Lady Macbeth, the three witches, the King's sons Malcolm and Donalbain, the servants, or even Macbeth himself. No one of nothing was ever as it seemed.…