For example, there may be instances when an audience is silenced. Silence is a phenomenon unfortunately not explained by the fieldwork of critical studies, nor does the CS take it into account. This shortcoming potentially renders the entire framework problematically narrow. In her article, “The Little Mermaid’s Silent Secret Dilemma”, Lene Hansen attempts to highlight these flaws in the CS’ speech act framework. She stresses that voice and body are extremely important constructs of subjectivity but that when ‘security as silence’ descends, the construction of subjectivity can fundamentally endanger the actor. This silence occurs “when insecurity cannot be voiced, when raising something as a security problem is impossible or might even aggravate the threat being
For example, there may be instances when an audience is silenced. Silence is a phenomenon unfortunately not explained by the fieldwork of critical studies, nor does the CS take it into account. This shortcoming potentially renders the entire framework problematically narrow. In her article, “The Little Mermaid’s Silent Secret Dilemma”, Lene Hansen attempts to highlight these flaws in the CS’ speech act framework. She stresses that voice and body are extremely important constructs of subjectivity but that when ‘security as silence’ descends, the construction of subjectivity can fundamentally endanger the actor. This silence occurs “when insecurity cannot be voiced, when raising something as a security problem is impossible or might even aggravate the threat being