In the state of liminality, Agamemnon is given the choice of returning Chryseis back to the priest of Apollo, Chryses, who offered a ransom for his kidnapped daughter. The king of Mycenae is aware of the choices he makes: in one way if he returns Chryseis to her father he will be looked down as a coward who lost empowerment of beauty and in the other hand if he does so, he would become a good leader by not endangering the lives of his soldiers. However due to his character and pride, Agamemnon decides to keep the crucible of beauty as he believes nothing is more powerful than empowerment. His ugly decision showed that he wasn’t making any contributions to the community, which follows to the second phase of the king’s rite of passage.…
Antigone violated the laws set forth the land of Thebes by her uncle Creon and planned to defy Creon’s order and bury Polynices. Antigone possesses a remarkable ability to remember the past. Whereas her father Oedipus defies Tiresias, the prophet who has helped him so many times, and whereas he seems almost to have forgotten his encounter with Laius at the three-way crossroads, Antigone begins her play by talking about the many griefs that her father handed down to his children. With such acknowledgment, readers cannot help to sympathize for Antigone. Sympathy not only divides the people of Thebes to want sympathize for the Antigone but want to support the principles of society but also the readers.…
In the first play Agamemnon, we get the first glimpse of the oncoming fate in the house of Atreus. The sacrificial death of Iphigenia mentioned in Agamemnon 875 was the first spark that caused this cycle of bloodshed to begin and led to the death of the king. The following passage is the words of the chorus following the unfortunate murder of Agamemnon.…
Clytemnestra, a very prevalent character in Aeschlyus’ play Agamemnon, stands as a center point among the most famous speeches in the history of Greek literature. Breaking with the traditions of other plays written during this time period, Clytemnestra wields considerable political power during the time period in which women were sidelines from affairs of the state. Possessing a “male strength heart,” as stated by the watchmen in the beginning of the play, Clytemnestra not only is able to attain political control but she also has the ability to deceive those that surround her. The chorus makes the queen’s deceiving ways apparent to the audience when noting to the Herald not to take everything Clytemnestra says at face-value, for they have learned…
When a person is accused of a crime they are either found innocent or guilty. This is the basic idea of justice and it is what many feel needs to happen if someone has done something controversial. In the play Oresteia by Aeschylus, the story of Clytemnestra’s guilt or innocence is questioned. She does many things that people are not too happy with and those controversial actions throughout the story, mainly in the first part Agamemnon get her into the trouble. As we explore the case that builds against her innocence by exploring the killings of Agamemnon and Cassandra and boastful expression about the killings.…
writers from Aeschylus to present day ones have discussed these issues in detail in their…
So from the beginning of the play the protagonist is in a pitiful state. This was not the case with the protagonist of Agamemnon. In Hamlet the protagonist was driven to avenge his own father death and in the process ended up killing 4 innocent person. His own love of his live Ophelia, and mom, Queen Gertrude was killed by the poisonous drink which was meant for Hamlet. Ophelia's father and brother ended up dead. In Agamemnon only two innocent lives were lost, Cassandra and Iphigenia. In my opinion i think Agamemnon deserved his tragic end. He had made many mistakes, he abused Clytemnestra then killed his husband and married her, then after sacrificed his own daughter.…
It has been said that Agamemnon is the most unfortunate character in the Odyssey, but truthfully, Clytemnestra had to witness her husband’s death, and suffer the consequences for the murder her lover…
I believe that Agamemnon is a protagonist character with selfish intentions in the play, Agamemnon. Although, he does make a few errors in his period of ruling. Overall, I believe he is a hubris person as he holds great pride in himself, his actions and his decisions. I believe that his intentions of his actions are only meant for his own benefit and that he believes no one else’s value should be more than his value. He has very little effect but, a very important role in the storyline. He could not have changed or effected any actions that occur from the moment of his victory from Tory to his death because of the mistakes he had committed early in his life, such as the sacrifice of his daughter. Despite his previous mistakes, he continued to make decisions for his personal advantage, such as bringing Cassandra as his Trojan princess.…
For the protagonists in both Aeschylus’ Orestia and Sophocles’ Antigone, there are two forms of justice – justice on earth and justice with the gods. Justice on earth is determined by external traditional structure, the rule of law, in which one is directly accountable to and punishable by a jury of peers. Justice with the gods is an independent, internal communication – there are no circumscribed rules to be followed, no general policy applied to each and every person, no external interference and no public judgement. The protagonists seem to rank justice with the gods over justice on earth and, as a result, act in accordance with the former even if it is in direct opposition to the latter. More often than not, violence is used as a means…
The Greek tragedies, “Medea” and “Antigone” are best understood when studied in terms of the central conflict and the resolution. Both “Antigone’ and “Medea” were written in the beginning of the sixth century B.C. in Greece, and are similar tragic Greek plays. “Antigone” takes place in the city of Thebes, and the protagonist is Antigone, daughter of Oedipus. Antigone faces an external conflict; she struggles with the new King, her uncle Creon, as she strives to do right by her dead brothers. On the other hand, “Medea” takes place in the city of Corinth. The protagonist is Medea, wife of Jason. She also faces an external conflict; she is rejected by her lover and plots inane revenge by murdering the children they both love.…
It seems that as readers, we are expected to feel an immense amount of rage towards Clytemnestra for murdering Agamemnon while feeling sympathy towards Electra due to her great amount of suffering as a result of it. However, almost every portion of this situation could be debated as whether such person was acting out of justifiable vengeance or some sort of self-advantage. Clytemnestra claims that she killed Agamemnon in order to make him pay for the sacrificing of their daughter, which raises the question if even Agamemnon was acting justly to begin with. Regardless, with the information we are given, it is reasonable to conclude that this is merely a cheap excuse for her behavior; the truth being that she performed the act in order to marry Aegisthus. Therefore, the reader is able to perceive Clytemnestra as an unredeemable villain while holding Electra in a rather heroic light. But what severely contradicts this view is Electra’s verbal argument against her mother’s actions, which is that even if Clytemnestra did murder Agamemnon over her daughter’s death, justice cannot be brought about by answering a murder with another murder. This assertion attaches a large sense of hypocrisy on Electra’s character and motives, for that is exactly what she is plotting to do. Her mind appears to be incredibly unstable and it becomes clear that she is not internally processing her decisions in a proper manner, but instead plotting a rash and thoughtless…
Agamemnon shows the “old way” of justice. Law was divine, and all punishment came from the gods, therefore, the punishments could not be refuted. In the play, Agamemnon kills his daughter…
Agamemnon is the son of King Atreus of Mycenae and Queen Aerope, the brother of Menelaus and the husband of Clytemnestra. Agamemnon and Clytemnestra had four children: one son, Orestes, and three daughters, Iphigenia, Electra and Chrysothemis. He was the king of Mycenae. When Helen, the wife of Menelaus, was abducted by Paris of Troy, Agamemnon was the commander of the Greeks in the ensuing Trojan War. Upon Agamemnon's return from Troy he was murdered by Aegisthus, the lover of his wife Clytemnestra. But according to some later versions of the book, Clytemnestra herself does the killing, or they do it together.…
In ancient Greek literature, there are two types of drama’s. There was the comedic drama, and the tragic drama. The difference between these two dramas would be decided by the fate of the hero at the sisation of the play. Tragedy being the most popular, was the biggest part of Greek society. This is proven by all of the plays, stories, and works the Greeks created concerning this topic. Tragic plays were so heavily conducted that all of them began to share common traits. These similarities are present in two of the most popular Greek tragedies, Oedipus the King and Medea. Both Oedipus the King and Medea have the protagonist’s exhibit excessive stubbornness and steadfastness in their stories which ultimately leads to their downfall.…