The object chosen to analyze from the Metropolitan Museum of Art is the Queen Mother Pendant Mask: Iyoba. It was created in the 16th century in Nigeria at the Court of Benin and is classified as a bone/ivory-sculpture.The culture involved is the Edo peoples. The medium used is ivory, iron, copper with dimensions H. 9 3/8 x W. 5 x D. 3 1/4 in. (23.8 x 12.7 x 8.3 cm). The accession Number is 1978.412.323. In simplistic terms the piece chosen is an ivory pendant depicting the image of the Queen Mother also known as an Iyoba.…
It is said that the Africa culture stands out more than any other culture In the World. With a rich and diverse culture African culture is known to change from county to county, many cultures along with traditions are found in Africa which makes Africa diverse, unique and mesmerizing in many ways to the world. Africa culture is all about the ethnic group’s family traditions, the literature, art and music shows the religion along with the social paths of their culture. (Nafisa Baxamusa, 2011)…
Macy Cook Dr. Sally Struthers Art 2430-90 16 April 2017 Museum Paper The piece I analyzed from the Dayton Art Institute is Bamikele People, Elephant Mask Costume. The acquisition number of this piece is 1999.76. According to the Dayton Art Institute,” this piece was purchased from funds provided by Dianna Komminsk” (“Kuosi Society Costume” 2017). The object was approximately made in the 20th century in a country in central Africa by the name of Cameroon.…
mask to hide her true identity, that is later introduced in the chapter. This mask represented the…
Culture Artifact 1: Incan Mask Picture/Source Incan mask (Inca Mask 1) Description/Source After people died in the Inca civilization, this mask was placed over their heads as part of the mummification process. The different designs on the mask resemble different ideas. For example, a gilded mask represents the Sun God. (Inca Mask 1) Artifact 2: Sun Temple Picture/Source Sun temple (PERU, MACHU PICCHU.…
The mask is a form of deception or illusion. Sometimes, it can be worn as both. It hides the true emotions of slaves, keeping the slave master from knowing what is going on in their minds. The mask also allows the slave to have an identity without the master's detection. The mask gives the illusion that the slave is exactly how the masters believe, ignorant, incapable of true emotion, and unable to think for themselves.…
Along with its own language, each tribe has unique artistic expressions connected with its spiritual beliefs. Every tribe has its own social norms and spiritual beliefs. It is not uncommon for tribes to recognize higher power through various forms of art such as sculptures or drawings. Each artifact has a very specific use and helps connect them to the spiritual world. Through the work of the Tot Isu and Korwar I will explore how the people of Northwest New Guinea and the Solomon Islands use images to connect to the spiritual world.…
Masks – artistic style throughout the whole show, everyone has something a little bit twisted about their costume to symbolize the disturbed elements within the play. Also symbolism of the word to ‘bear’ something bear the guilt or weight of Leontes. If the actor of Leontes was the one to wear the bear mask could symbolize how Antigonous is bearing the weight of the task Leonte’s has set him.…
The Kwakwaka’wakw is a tribe that built a prosperous culture that reflects their natural environment ;it is located in British Columbia, Canada. Many things that souley set apart the Kwakwaka’wakw from others are their degree of diversity in their types of masks. In particular the transitional eagle mask. The transitional eagle mask was used in celebration and during a potlatch. The masks were only one part of a costume that included a cloak made of red cedar bark. Many of the masks that were made embellish variety of complex brightly colored surfaces. These masks used elements such as the formline style. In the display at the Brooklyn Museum the mask provide and example that of the formline style, the mask in the museum displays a color…
On the other hand, the other painting that I chose is The Act of Judith and it’s also was painted by Jerome Paul Witkin on 1979-80. However, The painting features what looks to be a middle-aged Native American woman offering a mask that she has made to a person whose hand is only seen. Evidence supporting my observation of her as a Native includes her hairstyle, dress, and darker skin tone. The conclusion that she made the mask comes from the work space she is in, the tools surrounding her, and the paint…
The Bissagos Islands on the Atlantic coast of Guinea-Bissau are home to the Bidjogo peoples. Similar to other African peoples, the Bidjogo possess unique forms of art. The dugn’be “the ox raised in the village” mask is a rather intriguing piece of art. The mask is commonly used in initiation ceremonies. This mask, made in the second quarter of the twentieth century, is an excellent example of how wonderful African art is. The piece is 15 ½ by 19 by 9 inches. Many would consider the art life-sized, or slightly smaller. A wide variety of materials were used in its construction. Although much of the bull is comprised of wood, elements such as glass, cow horns, fiber, and pigment have been specifically arranged to mimic a real bull. The majority…
The mask of Agamemnon was found in Shaft Grave V by Schliemann on the Treasury of Atreus it is one of the most famous artworks that have been found. The mask of Agamemnon is a gold funeral mask. It was made using the repoussé method. This technique makes it look like it was hammered. The hair on the mask looks like it was engraved. The mask is crooked. The ears are not in proportion, the moustache looks like it was put on wrong and everything on this mask looks wrong. The beard on the mask is V shaped. Most funerary masks are flat, but this one is not.. The mask is three dimensional and it looks like the ears were cut out rather than made together with the rest of the mask. The hair on the mask is very detailed; one can…
There is a feeling that proper sense of African history awaits a new generation which is to say, shifting away from primitivism. Stereotypical accounts of savagery are less likely to be foremost in minds of institutions and it is hoped that vivid sense of the true culture behind the making the artwork prevails. How the society lived is now sourced from research to Benin itself as in the Horniman museum in London. Its research gives oral and visual evidence a role in reflecting the plaques from Benin and properly interpreting them. In 1897 Steve and Dalton had very little true insight into what they were looking at. Statements like ‘A God, or king considered a God’ (Read and Dalton 1897 in Brown, 2008) is juxtaposed with more detailed descriptions of soldiers interacting with the Oba in the descriptive description on Plaques in the Horniman museum. How the society lived is now sourced from research to Benin itself and it uses oral and visual evidence to its role in reflecting the plaques and properly interpreting them. Reinterpretation of the art was possible due to accurate research which Steve and Dalton believed impossible due to their affinity with the accepted norms of conventional thought. Present day exhibitions now run the risk of over aestheticizing the Benin sculptures. Many feel it is a risk worth taking, if by aestheticizing it you can win the…
In Suzanne Preston Blier’s article Enduring Myths of African Art, she articulates seven of the most common myths believed around the world surrounding African art. Of those seven myths, one that stands most true is the myth that African art is bound by place; the idea that African art in particular travels nowhere and its ideas are constrained to just the cultures they are sculpted in. Blier states, “The African art of myth is also frequently presented, incorrectly again, as an art rigidly bound by place.”1 She continues to express how most of the African art objects and styles studied are judiciously ascribed to particular regions and cultures as if they have no ability to circulate…
Can you think of any other cultures or examples who would make masks to honor important figures? (Ancient Egyptians, ancient Romans, memorial statues/ busts…)…