Koko is a group composing of 6 musicians, led by Madou Koné, the singer and balafon player.…
Music from the hispanic carribean has become a major part of the culture accross major cities in the United States, which there has been many influences on music in the Hispanic Carribean. There’s a variety of genres with music in the Hispanic Carribean such as merengue, salsa, Spanish-language hip hop, Latin jazz, reggaeton, and many others. There’s many culture differences between the Hispanic Carribean nations, but according to the reading, “a certain pan-Latino sense of identity, of shared values and heritage, is evident”. Latinos in America have been influencing musical styles in this country for decades, and the reading also mentions that Spanish culture in America have influenced musical styles in the United States since the last two centuries, as well as assimilating influences.…
Instruments like drums and guitars were used, and changes in tone, along with clapping and stomping [8], are traits that made African music so distinctive. Improvisation and the call and response method described the type of music that was so highly different from that of the Europeans. The variation in rhythm is another trait that distinguishes African music from that of Europeans.…
There are several different types of traditional Shona musics, including mbira, singing, and drumming. Very often, this music is accompanied by dancing and participation by the audience.[2] In Shona music, there is little distinction between the performer and the audience; both are actively involved in the music making, and both are important in the religious ceremonies where Shona Music is often heard.[3] In mbira music, “the performer of the kushaura (lead mbira part) often acts also as the lead vocalist, selecting a known melody or mbira pattern to accompany selected lyrics, usually a phrase or a few lines of text which are then commented upon via improvisation. The performer of the kutsinira (second mbira part) plays a pattern which interlocks with the kushaura in a way that creates the repeated notes which identify mbira music. The kutsinira part is often the same part as the kushaura, but played a half a beat later. The mbira players are accompanied by another less active singer who plays the hosho (a rattle) and responds to the improvised lyrics of the singer, and most importantly embellishes and complements the lead vocal melody.”[4]…
The music has presented ever-changing throughout history. A variety of musicians has passed through each century leaving a lasting impression on the world. Each musician gave you a piece of him or her and how he or she saw the world of music and life through his or her eyes (Kamien, 2011). The write will elaborate on two well-known musicians of the 20th century, and then contrast and compare a 20th century musician song and a modern day song which both had aspects of controversial issues within each work.…
In Suzanne Preston Blier’s article Enduring Myths of African Art, she articulates seven of the most common myths believed around the world surrounding African art. Of those seven myths, one that stands most true is the myth that African art is bound by place; the idea that African art in particular travels nowhere and its ideas are constrained to just the cultures they are sculpted in. Blier states, “The African art of myth is also frequently presented, incorrectly again, as an art rigidly bound by place.”1 She continues to express how most of the African art objects and styles studied are judiciously ascribed to particular regions and cultures as if they have no ability to circulate…
“Music is a moral law. It gives soul to the universe, wings to the mind, flight to the imagination, and charm and gaiety to life and to everything,” quoted by Plato. Music is a way in where you can escape all things in life. It’s like your exit out of all matters. You play it when you’re mad, sad, happy, or just simply need a little uplifting. There are different genres of music. You have pop, rock, classical, R&B, hip hop, contemporary gospel, jazz, blues, and much more. However, gospel has been transformed throughout time. Stated by Dr. William Reynolds, “Christian song is never static, never quite the same from one generation to another” (Doucette 6). It’s common for each generation following the next to change the sound of how a song was…
In this paper, I think that the history and development of southern folk music may serve as an important role for seeing and growing of the southern race relations. I am not suggesting a causal relationship but an interactional one. Both the southern race relations and southern music are reflections of the social structure of the rural south. In the segregated south, white and black musical customs display the same differences, which have historically characterized white/black relations. This is not a lyrical study. Rather, it is a socio-historical analysis of regional popular culture, which focuses upon the interaction between two important features of that culture, race,…
often hidden. An example is in the song "Gospel Train" with the lyrics, "Get on…
The mix of culture seems to justify a departure from traditional presentation of music and culture of the Caribbean. Caribbean music was influenced by the triple cultural: Amerindian, African and European. Caribbean music styles can be classified into folk, classical, or commercial popular categories.Caribbean Music contain the traditional music and the features of other countries and area. It creates its own unique style. Caribbean Music absorbed African music Percussion Music. The Caribbean can make good use of drums and other strong beat instruments. Samba,Rumba, Merengue, Reggae,Calypso, and Soca are also relate to the African dancing. Therefore, vigorous music is one of important Caribbean Music Characteristics. Because of the the effect on the west side, Caribbean Music always has a strong Latin style, which makes Caribbean Music more charming.…
When people talk about music, do they ever wonder where all these great expressions come from? Music is general is such a broad subject, but in the case of American music, there is one important root: The African American Spirituals. These Negro Spiritual songs like, "Swing Low, Sweet Chariot,” "The Wings of Atalanta," "Been a -listening," and "The Dawn of freedom" express the sorrow and suffering of African American people to the world (Dilks, Hansen, Parfitt, 2011). In the late 18th and early 19th century these songs became popular and have influenced future American music genre (Jones, 2004)). This influence can be seen in blues, jazz, rock and roll, hip-hop, and rap.…
Humans from the coast of West Africa arrived to the New World as slaves. Stripped of everything familiar, they brought with them their traditional ways of using music to record historic events, expressions, and to accompany rituals. While toiling in the tobacco fields of Virginia, slaves were not permitted to speak to each other. So, they resorted to their African tradition. They sang!…
As time progressed, the public started to become increasingly progressive. With the age of the Social Dance Revolution and the rise of women in the work force on the cusp, women in particular began to shed the traditional ideas of courtship and modesty. The 1920’s song “Sweet mama tree top tall; Wont you kindly turn your damper down” tells of an African American woman that is representative of the women of this time period. This song utilized a black woman to both appeal to the free-spirited figure that women craved to be, but also to alert them to stay in line for the men. The main lyric of the song “turn your damper down” serves as a double entendre. In literal terms, a “damper” is an object used to regulate the amount of heat that flows through a stove.…
Lose Yourself- EminemLose Yourself is a song about a young rap artist who has one shot to make it big. If he succeeds he can finally become rich and famous and get away from the normal life. This has always been his dream and he now has the chance to get it.…
West African music first influence American music when slaves were brought to the south. Much of this West African music was mostly sung by slaves and developed into songs of churches and work songs on the plantations. The Spirituals and hymns and the filed hollers was popular in the slavery days and led by drum music. After the Civil War freed blacks from the deep South as well as blacks from the West Indies arrived in New Orleans and brought their music with them. Slave music had an impact on Mistrals and Ragtime, which influenced Jazz and of course Jazz has had a tremendous influence on popular R & B and Rock and Roll music.…