The one person who was often forgotten in this tragedy was Azaria. The horror of this tiny baby being clasped in the jaws of a wild animal and dragged from her bed and taken off into the night to be eaten, was ignored, while the scientists, police and lawyers squabbled over her bloodstained clothing. Even her mother's protest during the trial that "this is not some object we're talking about. It's my little girl." elicited no signs of remorse from her accusers. Little Azaria was never given a real funeral and there is no gravesite at which people can kneel and pay their respects. But she will never be forgotten by the family who loved her and named her Azaria - "blessed of God."…
In the state of liminality, Agamemnon is given the choice of returning Chryseis back to the priest of Apollo, Chryses, who offered a ransom for his kidnapped daughter. The king of Mycenae is aware of the choices he makes: in one way if he returns Chryseis to her father he will be looked down as a coward who lost empowerment of beauty and in the other hand if he does so, he would become a good leader by not endangering the lives of his soldiers. However due to his character and pride, Agamemnon decides to keep the crucible of beauty as he believes nothing is more powerful than empowerment. His ugly decision showed that he wasn’t making any contributions to the community, which follows to the second phase of the king’s rite of passage.…
In the first play Agamemnon, we get the first glimpse of the oncoming fate in the house of Atreus. The sacrificial death of Iphigenia mentioned in Agamemnon 875 was the first spark that caused this cycle of bloodshed to begin and led to the death of the king. The following passage is the words of the chorus following the unfortunate murder of Agamemnon.…
The events surrounding Hamlet’s life are far more explored than those in Agamemnon. Though we learn that Agamemnon’s family members are traitors, Hamlet’s family members have sadder, more twisted intentions that we learn about in more detail. We don’t know that Agamemnon was a generally ‘good’ person because we do not delve into his personality the way we do with Hamlet. It is clear that Hamlet was indeed a ‘good’ person who had love for his father. The surrounding events where Claudius, his uncle, kills Hamlet’s father for power and his mother marries Claudius were alone enough to watch our protagonist’s quick and sudden downfall commence. As any ‘good’ person would, Hamlet’s responses to these events surrounding his life were painful, mad, and full of self-doubt.…
‘Medea’ begins with the Nurse and Tutor of the children discussing how Jason has ‘betrayed his own sons and mistress, for a royal bed’ after he took her from her family and home country. This creates sympathy for Medea by showing her as a wronged wife who has been betrayed by her fame hungry husband, making Jason out to be the villain. The Nurse also mentions Medea convincing Pelias’ daughters to kill their father to help Jason, showing how far she went for the man she loves and making the betrayal seem even worse; she’s given up everything for him and now cannot go home because of it.…
However, on a more profound level, Medea 's immoderate course of revenge instills within the audience a sense that her course of revenge has been essentially counter-productive to achieving true justice. In her pursuit of revenge, Medea murders her innocent children, indicating that she has committed an indisputably barbaric injustice, while seeking to exert justice on Jason. To a lesser extent, this also applies to Glauce and Creon. Although they have been involved in Jason 's abandonment of Medea through…
So from the beginning of the play the protagonist is in a pitiful state. This was not the case with the protagonist of Agamemnon. In Hamlet the protagonist was driven to avenge his own father death and in the process ended up killing 4 innocent person. His own love of his live Ophelia, and mom, Queen Gertrude was killed by the poisonous drink which was meant for Hamlet. Ophelia's father and brother ended up dead. In Agamemnon only two innocent lives were lost, Cassandra and Iphigenia. In my opinion i think Agamemnon deserved his tragic end. He had made many mistakes, he abused Clytemnestra then killed his husband and married her, then after sacrificed his own daughter.…
It has been said that Agamemnon is the most unfortunate character in the Odyssey, but truthfully, Clytemnestra had to witness her husband’s death, and suffer the consequences for the murder her lover…
Medea when she decides it is time for her to kill her children struggles with the idea for a minute, " do not be a coward, do not think of them, and how you are their mother Oh I am an unhappy women."(Pg 40). This is how a traditional Athenian woman would think, but she would be unable to commit to her plans and kill her…
play explains that Medea has no objection to murdering when it suites her, as she has killed both her brother and Jason's…
It is impulsive at the beginning of the play to feel sorry for Medea. The Nurse’s speech informs us of how arduous it was for Medea to come to Greece with Jason, on the Argo. She murdered her own father, King Pelias, as well as her brother and saved Jason from a serpent guarding the Golden Fleece, allowing him to escape. She betrayed her own people for Jason because she was ‘smitten with love’. Now that Jason is leaving her, she is just a simple foreigner living in Greece, seen as a woman of lower class to those born there. Medea cannot return to her homeland and, husbandless, she is disgraced. She cries that she has ‘no haven from this calamity’. When Jason first enters the play, he is confronted by Medea declaring all that she has done with him. Jason tells Medea that she should consider herself lucky and after being confronted, is quick to dismiss all of what Medea stated. Jason is convinced that it was thanks to Aphrodite, not Medea, that his life was spared on the Argo. He proclaims that she should be grateful to him for bringing her to a superior land.…
She wants him to suffer at the fate of her own children. Her revenge was selfish. Medea involved the two things she knew would hurt Jason the most—her own children. According to the First Corinthian Woman, “It would be better for you, Medea if the earth opened her jaws and took you down into darkness. But one thing you will not do, for you cannot, you will not hurt your own children, though wrath like plague-boils aches, your mind in a fire-haze bites the purple apples of pain. No blood-lapping beast of the field, she-bear nor lioness, nor the lean wolf-bitch, hurts her own tender whelps; nor the yellow-eyed, seythe-beaked, and storm shouldered eagle that tears the lambs has ever made prey of the fruit of her own tree.”(2.115-126). Keep in mind that the Corinthian Women are the conscious of Corinth. Through this quote the First Corinthian Women has stated that Medea could not harm her own children. She even gives examples of the most dangerous predators that don’t even harm their own young. This is evidence that Medea went beyond the state of justice; but she went well into the state of vengeance. Medea knew what she was doing and quite frankly she could care less about anything other than what she thought of what was seeking revenge on…
Iago is not to blame for the deaths of Othello, Desdemona, Roderigo, and Emilia because there is no hard evidence that pins him to the crimes. Iago himself did not kill anyone himself so his hands are clean and it would be unjustly to put the blame on him. Not only did Iago not kill anybody but he did not forcly make somebody kill someone else, all Iago did was give his opinion say what he thought. Iago himself even said to his wife,”I told him what I thought, and told no more. That what he found himself was apt and true.” In this instant Iago is referring to Othello and the the death of Desdemona. Othello is the guilty one for strangling his wife because he acted on his accord and was forced by nobody to do so. The only thing that Iago is guilty of is caring for his friend too much…
Knowing of all the sacrifices Medea had made for him, Jason still felt no obligation to remain with her and left her for the promise of a "real" Greek princess. Medea's love for Jason was so great and his betrayal damaged her mind so drastically, that revenge was the only comfort she held in her power. She killed his bride, using the cleverest chess piece available, Jason's own children. When she realized the consequences of her actions, she was forced to make a harrowing decision. Ferguson elaborates,"[After sending the poison dress] Medea kills her children, partly to make Jason childless, partly because since they must surely die, it is better they should perish by her hand." (263). Mitchell-Boyask justifies Medea's actions in this way, "Medea may seem at time a frightening character, but compare her real, ethical concerns with the rather shallow and…
The child is used as a sacrifice for the people of Omelas, to ensure that the population lives with prosperity and peace. The child serves multiple functions in the society, and one of them is the scapegoat. To live in Omelas it becomes a rite of passage to know the existence of the child and the narrator explains what the people think of it, “Some of the them understand why, and some do not, but they all understand that their happiness, the beauty of their city, the tenderness of their friendships, the health of their children, the wisdom of their scholars, the skill of their makers, even the abundance of their harvest and the kindly weathers of their skies, depend wholly on this child’s abominable misery” (LeGuin 534). The quote describes the purpose of the child’s imprisonment, that if he wasn’t in misery, the whole town will be in desolation. In the story, it is shown that the child remembers a time before he was imprisoned, often calling out to his mother. It is known that he used to call out to be able to be freed, showing that he did not sign up to take the role of a martyr. Thus, they begin to live in acceptance of this fact, if they ever falter the narrator states, “To exchange all the goodness and grace of every life in Omelas for that single improvement… that would be to let the guilt within the walls indeed” (LeGuin 530). The Omelas people are able to live with themselves by denying the guilt they feel,…