Taking Francis as the first example, Cormier’s chosen main character and narrator gains the reader’s preference, but this is done through pity and sympathy for him as he has “no face”, after his return to Frenchtown in Monument, since the “war is over”. These are generally unusual feelings to express towards a hero, different to admiration and gratitude. In the descriptions of the young, pre-war Francis, he is portrayed as timid, weak and lacking in confidence, forever living in the “agony of embarrassment” as he believes he is incapable of anything! Although the passiveness suggests innocence, it is not usually a trait of heroes, implying that heroes are not often a case of innocence. The war destroys Francis’ innocence through his dangerous storage of anger and the inevitable loss of his youthful naivety and inexperience. Psychologically the war infects Francis as it did with so many others, “impatient” to join “that great crusade for freedom” by “fighting the Japs and the Germans”. Suddenly, Francis becomes a…