Plot Summary: Rebecca's narrative takes the form of a flashback. The heroine, who remains nameless, lives in Europe with her husband, Maxim de Winter, traveling from hotel to hotel, harboring memories of a beautiful home called Manderley, which, we learn, has been destroyed by fire. The story begins with her memories of how she and Maxim first met, in Monte Carlo, years before. In her flashback, the heroine is working as the young traveling companion to a wealthy American named Mrs. Van Hopper. In her flashback, Maxim is staying at the same hotel as the heroine and her employer, and after knowing the heroine for only a few weeks, he proposes marriage. She accepts, and he marries her and takes her back to his ancestral estate of Manderley. But a dark cloud hangs over their marriage: Maxim's first wife, Rebecca, drowned in a cove near Manderley the previous year, and her ghost haunts the newlyweds' home. Rebecca's devoted housekeeper, the sinister Mrs. Danvers, is still in charge of Manderley, and she frightens…
Usually during the seventeenth-century, siblings were very competitive towards each other to later in life acquire their parent’s fortunes and estates. However Rebecca did allow Thomas to move into her house with his family, but she kept the most expensive and valuable thing in the house to herself. “Her possession of the great bed suggests that she keenly aware of her place in this household, although what she claimed by right would have been perceived as self-indulgence by her son and daughter-in-law. Such rivalry only fueled the antagonism between mother and son, as furniture became a symbolic weapon in the contest for control over people and space (Cream 14-15). Clearly Rebecca knew that she was at the head of this household, unlike what usually was known at this time, for the man of the house to be at the head. Thomas probably didn’t feel a sense of manhood living in this house. People around town also knew this and he didn’t like the fact that his mother was the one that had all the power over the family, which in return gave him motivate to kill his…
If anyone turns on the television to a major league baseball game, it is easy to notice the players’ gloves. Many professional baseball players have two favorite brands of gloves. Some prefer a Wilson gloves and others prefer a Rawlings glove. Both gloves are made with tremendous quality, so basically it comes down to which glove the player would rather use. After using both gloves; I prefer to use a Wilson glove. Although many people think of Wilson and Rawlings gloves to be similar, they are actually different because of the type of leather, the price, and the inner and outer lacing.…
This Victorian poem is about the narrator (a fallen woman), the Lord and Kate. It is a ballad which tells the story from the narrator’s perspective about being shunned by society after her ‘experiences’ with the lord. The poem’s female speaker recalls her contentment in her humble surroundings until the local ‘Lord of the Manor’ took her to be his lover. He discarded her when she became pregnant and his affections turned to another village girl, Kate, whom he then married. Although the speaker’s community condemned the speaker as a ‘fallen’ woman, she reflects that her love for the lord was more faithful than Kate’s. She is proud of the son she bore him and is sure that the man is unhappy that he and Kate remain childless. Some readers think that she feels more betrayed by her cousin than the lord. This poem is a dramatic monologue written in the Victorian era.…
Regency England displays Emma’s naivety in which her pride and vanity causes her to meddle with other characters, blindsided by her own wrongdoings. The omniscient voice “The real evils, indeed, of Emma’s situation were the power of having too much her own way, and a disposition to think a little too well of herself…” aligns the reader with Emma encouraging her own imaginative mind and vanity where her actions cause her to act in problematic ways other characters. The repetition of personal pronouns, “I have none of the usual inducements of women to marry…I never have been in love…I do not think I ever shall.” explores Emma’s belief that her wealth allows her to be financially secure with reassurance that others will not treat her like Miss Bates for her decision to remain single. The use of narrator’s anthypophora in “Why she did not like Jane Fairfax...she saw in her the really accomplished young woman, which she wanted to be thought herself.” exhibits Emma’s jealousy as she sees Jane as a threat to her ego because she may carry more accomplishments than herself which leads to her initial dislike of Jane. The prominence of pride and vanity creates problems as a consequence as it blindsides one’s better judgement. One’s importance of materialistic items continues to be a main feature in the modern…
“Emma Woodhouse, handsome, clever, and rich, with a comfortable home and a happy disposition...”(pg.1,chap.1) lived in nineteenth century Regency England, where social status was dictated by wealth and breeding, which as a rule could only be inherited. This insured that wealth stayed within family circles and that the poor could not rise up the social ladder and make a better life for themselves. If one was of good breeding and wealth, such as Emma, one would be high ranking in society almost regardless of what one would do, as long as one did not violate the rigid rules of upper class life. Because women did not travel much in those days, especially not for entertainment, Emma was largely confined to her father's large estate with nothing much to do. Her family's status made it socially unacceptable for her to do much else apart from sitting around, pursuing the fine arts, in order to show how wealthy they were. The limited availability of entertainment and places to go gives the audience a strong sense of the confined nature of an upper class woman's existence at that time.…
Emma presents her audience with the ills of a socially stratified society and its repressive constraints manifested through her characters. The conservative social structure of Regency England is established through a clearly defined social organisation which is responsible for determining class by a families inherited wealth and lineage. The eponymous character is presented as the regency stereotype of the upper-class elitist, with the preliminary stages of the novel reflecting the context through the establishment of Emma’s social superiorty. “Emma Woodhouse, clever, handsome, and rich with a comfortable lifestyle and happy disposition seemed to unite some of the best blessings in existence.” The opening sentence uses a trochaic rhythm to reveal the heroines place in the higher echelons of Highbury society. Emma’s moral development and her “disposition to think a little to well of herself” as stated by the omniscient narrator amplifies Emma’s vanity gently satirising the…
This bond of female friendship is responsible to shape Eliza’s thoughts and actions to some extent and helped the plot of novel to grow in a significant manner. The theme of sisterhood remains prominent with Foster’s work; The Coquette and The Boarding School can be quoted for example. Such bond of female love and enmity is evident at various junctures across popular romantic novels, where women come to the rescue of each other, but somewhere down the line happen to scrutinize each other for the prospect they are vying as women. Jane Austen’s masterpiece, Pride and Prejudice offers a parallel theme of female love and rivalry, where the female characters, though bears enormous love for each other, but are also competent with each other in pursuit of a better match making for themselves.…
While the protagonist’s name remained unknown, the first wife’s name on the other hand, seemed to appear in every page of the story. This is the author’s way of directly comparing and contrasting the main character with the titular character. In a way, it shows that even when Rebecca’s been long dead and gone her presence and her appeal is much stronger than that of the second wife. Rebecca left a long-lasting impact on the characters surrounding her, from the caretaker of the house, to every acquaintance of the husband. The only one who seemed to notice or bother about the new wife was the husband, Maxim de Winter.…
In his novel, the author takes us on a momentous journey which sees the protagonist, a naive young boy, Leo Colston; lose his childhood innocence as a result of his involvement in a forbidden love affair between the sister of his aristocratic friend and a farmer on the estate they manage. The forthcoming tragedies wholly depend on the social constraints of those days. This setting is therefore of great significance to the enjoyment of the novel. As the story continues, Leo becomes drawn deeper and deeper into their dangerous game of dishonesty and desire, until his role brings him to a shocking and premature revelation awakening him into the secrets of the adult world and the evocation of the boundaries of Edwardian society.…
Many people find themselves caught up in the everyday acts of vanity and honesty. Everyday people make decisions out of honesty or out of vanity. The changing of our society in everyday life is due to vanity. Even though most people are constantly acting out of vanity, you will find in some cases when circumstances change, people act more honestly, but ultimately vanity rules over honesty.…
Instead “she allowed herself to marry a petty clerk in the office of the Board of Education” (31). All the while she dreamed of living the life of the rich, with beautiful possessions all around her and all her wants answered. Oh how happy she thought she could have been. But her dreams are always short lived by the everyday evidence of their middle class furniture, food and conversation.…
Lady Catherine's interrogation of Elizabeth is almost thrilling; she has asked Elizabeth to confirm the ‘scandalous falsehood’ of the marriage between her and Mr. Darcy. Elizabeth is astonished by her address, but does not answer her directly. While Lady Catherine repeats her questions several times, Elizabeth does ‘not chuse to answer.’ Her intelligence allows her to bypass the question. Lady Catherine is trying various ways stop the marriage that actually isn’t happening between Elizabeth and Darcy by threatening to spread the ‘gossip’ about Lydia’s, ‘patched up business’, but she doesn’t realise it was in fact Darcy who did this. It is ironic that a repetition of this kind of injudicious interference with Darcy, has actually gave him the courage to propose to Elizabeth, the opposite of her intentions. Lady Catherine tries to trick Elizabeth into feeling guilty, because of her inferior birth as it would ‘… ruin him in the opinion of his friends and make him the contempt of the world.’ She does not want to accept the idea of new classing boundaries being drawn. The way, in which society works is that no one marries ‘beneath’ them, therefore society won’t change and Lady Catherine's superiority will be stable.…
Contemplating about things I have done, I realized that my pursuit for beauty and perfection is one of the reasons that drove me to spend time on these activities. This desire, however, is not my main motive.…
Even after the narrator finds out the truth about Rebecca’s personality and her complicated relationship with Maxim, She can’t feel completely assured of Maxim’s love and her identity as Mrs. de Winter. it takes her a lot of effort and analyzing before she is certain she has found herself.…