Regency England displays Emma’s naivety in which her pride and vanity causes her to meddle with other characters, blindsided by her own wrongdoings. The omniscient voice “The real evils, indeed, of Emma’s situation were the power of having too much her own way, and a disposition to think a little too well of herself…” aligns the reader with Emma encouraging her own imaginative mind and vanity where her actions cause her to act in problematic ways other characters. The repetition of personal pronouns, “I have none of the usual inducements of women to marry…I never have been in love…I do not think I ever shall.” explores Emma’s belief that her wealth allows her to be financially secure with reassurance that others will not treat her like Miss Bates for her decision to remain single. The use of narrator’s anthypophora in “Why she did not like Jane Fairfax...she saw in her the really accomplished young woman, which she wanted to be thought herself.” exhibits Emma’s jealousy as she sees Jane as a threat to her ego because she may carry more accomplishments than herself which leads to her initial dislike of Jane. The prominence of pride and vanity creates problems as a consequence as it blindsides one’s better judgement. One’s importance of materialistic items continues to be a main feature in the modern…
Jane strives to please the men in her her life, this started at a young age due to the detached love she held as a child. Jane’s parents both died when she was young and was brought in by her uncle to be raised with her cousins. Jane became the pupil her uncle never had, and because of this she was resented by her aunt Reed. The resentment Jane felt throughout…
By characterizing Mildred as shallow, apathetic, and not particularly intelligent, Bradbury uses her as a specimen to exemplify the personalities and characteristics of the people living in the city at this time. She is portrayed as a shell of a human being without any spirituality or emotion which also illuminates the mindsets and values of the rest of the people in the city. The avoidance of confrontation of oneself is extremely substantial when taking into consideration the fact that the people living in the city were in “the cave,” a gloomy and dismal part of one’s mind, body, and soul. Mildred’s insipid lifestyle and characterization indicate the meaninglessness in which she lives and that she is vacant of any thoughts or feelings. Bradbury uses Mildred as a representation of the characteristics of everyone living in the city.…
One such example is when the attorney general Henderson tells Mrs. Peters that because she is married to the sheriff, she is married to the law and therefore is a reliable follower of the law. Mrs. Peters' response "Not--just that way," is very interesting in that it suggests that over the course of the play, she has found a different aspect of her identity, perhaps and an empowered woman and not just a housewife. Another interesting quote from Glaspell’s play is when Mrs. Hale states that women "all go through the same things--it's all just a different kind of the same thing." While Minnie Wright’s dealt with her particular situation differently than either Mrs. Peters or Mrs. Hale, they all seem to reject male dominancy to some degree. This concept of female identity and solidarity has a huge impact on the outcome of the play, as Mrs. Hale and Mrs. Peters decide, despite breaking the law, to conceal the evidence they uncovered that could be used to convict Mrs. Wright for the murder of her…
After living at Lowood for eight years, Jane Eyre became content with her life with the help of Miss Temple her “mother, governess, and…companion” (Charlotte Bronte 100). Her lack of affection as a child made Jane seek praise,…
On the hand, E. M. Forster ’s society’s view on marriage is a little different. In A Room With A View Mrs. Honeychurch, the mother of the protagonist Lucy Honeychurch, is the matriarch. Mrs. Honeychurch is from the victorian era, making her beliefs about marriage more about economic reasons, but as the novel goes on the reader can see a change in her attitude. At first, Mrs. Honeychurch is seen wanting her daughter, Lucy, to marry a man named Cecil because, “he’s good, he’s clever, he’s rich, he’s well connected” (Forster, p. 86). And it also becomes even more clear that Mrs. Honeychurch really wants this marriage to take place when she finds out how her son, Freddy, responds to Cecil when he asks his permission to marry…
Besides their similarities, Miss Hancock and Charlottes mother are so different that they contrast each other. Miss Hancock is unmarried woman who encourages Charlotte to be expressive. On the other hand, Charlotte’s Mother doesn’t support or care much about Charlotte’s enthusiasm for the subject. As a child, playing with toys wasn’t allowed because it made a mess “A toy ceased to be a toy once it left the toy cupboard” (p 65). Miss Hancock loves teaching children, so if she were Charlotte’s mother, she would tell her to make as much of a mess as she wants. Miss Hancock and Charlotte’s mother are an example of character foil.…
Shows class systems of how a male dominated naturalist society conduct what happens and everybody avoids her as they do not want to get in trouble with the second highest character- Curley since his wife is his possession.…
Love, morality, and determination are tested to its farthest limits in Charlotte Brontë’s classic Victorian novel, Jane Eyre, due to several situations and characters. One character in particular, Bertha Mason, is an eminently unrealistic character yet she can be considered one of the more capital characters that influences other much more plausible elements and actions in the story, especially those of Jane Eyre and Edward Rochester. Bertha Mason, an insane and overly aggressive wife that Rochester had hidden away for many years in his attic, was just one of the boundaries Jane Eyre and Rochester had to overpass, but possibly the most important. She creates many awkward and unrealistic actions in the story that consequently make her, as a whole, an unrealistic character.…
Elizabeth undergoes a sudden change of character after finding out and Mr. Wickham's past, leaving her distressed and unsettled that his character was not one she had previously expected him to possess.Through the internal turmoil Elizabeth experiences emotionally, she comes to terms with the idea that her judgement of others is not always correct. Finding herself torn between believing Wickham is still the kind man she met in Meryton, and seeing him as the greedy, gambling soldier that Mr. Darcy has made him out to be, Elizabeth is forced to choose not only which opinion she wants to believe, but also if she wishes to recognize the faults in her judgements. Preceding both the letter of confession written by Mr. Darcy, and Lydia's plan to…
Pride’s regency era was exceedingly religious and thus of high moral judgment. It’s highly restrictive and conservative society implemented the necessity of explicit social conventions, repression of high feeling and moderation of action, all of a patriarchal nature in which women were seen as less morally strong as men, therefore in need of tighter control and judgement. “Lizzy shall be brought to reason... she is a very headstrong, foolish girl and does not know her own interest; but I will make her know it.” Mrs bennet uses high modality to reflect how heavily women were constrained by pressure to adhere to marriage and its associated expectations in the regency Era, unable to exercise their own agency and moral righteousness as a result. “”I know not whether she would altogether be a very desirable wife to a man in my situation, who naturally looks for happiness... because if liable to such defects of temper, she could not contribute much to my felicity. “ Characterisation of Mr Collins is used by Austen to convey the idea that mercenary is a realistic motivation for marriage, however not an ideal one. During this context, marriage determined a women's financial security and opportunities for social advancement due to narrow earning capacity for gentry and nobility. Through the recontextualization of Pride…
In terms of wrongly used etiquette, Willoughby perfectly illustrates this misuse by presenting himself in a way that meets the expectations of Regency England era etiquette according to the Dashwood women, especially Marianne. At his first impression, Willoughby presents himself in an aesthetically pleasing way that demonstrates proper etiquette; moreover, his presence instantly intrigues Elinor, Marianne, and Mrs. Dashwood, who conclude “his manly beauty and more than common gracefulness were instantly the theme of general admiration” (Austen 33). While his ingenious appearance on the surface flawlessly demonstrates mannerisms that fall in alignment with societies expectations, beneath the disguise of etiquette lies a whole different character. When describing his true morals, Colonel Brandon reveals how Willoughby impregnated the daughter of a women he previously loved, Eliza, and left her to fend for herself; therefore, he concludes Willoughby’s character when he states, “His character is now before you; expensive, dissipated, and worse than both” (Austen 148). Correspondingly, Austen also establishes character who reflects a similar, Lucy Steele, who uses unnatural mannerism to alter other perception of her.…
Charlotte Bronte’s novel Jane Eyre explores one woman’s life in 19th century England. Jane lives in a society whose culture is shallow and apathetic to virtue. Even though she is exemplary in character and intellect, these attributes are forgotten in place of class and beauty. Jane struggles with the harsh judgment she faces for being poor and conventionally unattractive. Jane departs from Victorian ideals and argues that equality must supersede gender roles and conditions of one’s birth. Phyllis Yeo contends that Jane is inconsistent. She states that whenJane characterizes Bertha Mason as a monster because of her mental status, this fails to uphold her ideals. I disagree that the characterization of Bertha makes Jane an imperfect character.…
In E.M. Forster’s A Room with a View, the protagonist, Lucy Honeychurch, is conflicted between her love for George Emerson, and the behaviors required of her by proper English society, like continuing with her engagement to Cecil Vyse, a London socialite. Her lies to everyone around her due to her passions absolutely consume her and she prepares to “flee” the country on an exotic vacation instead of dealing with her romantic feelings towards George. Cecil is a misogynistic man with outdated Victorian ideals that don’t mix well with Lucy’s liberal Edwardian ones; beyond this, his low opinion of Lucy’s acquaintances, due to their lower status in relation to him, coupled with his desire for Lucy to be “[used] as a peg for [his] silly notions of…
The Edwardian class system encouraged attitudes of condescension and arrogance, demoralising those of a lower status and restricting the privileged few to sheltered life with strict behavioural codes. Forster critiques the hypocritical ideals of the upper classes, they may have material possessions, however, these do not satisfy the freedom and happiness they ultimately desire. Miss Lavish’s pretentious and condescending attitude, proclaiming ‘they walk through my Italy like a pair of cows’, highlights Forster’s use of similes which greater emphasises arrogance shown towards lower classed citizens. The strict codes that are upheld within the elite classes allow for a sheltered life of privilege; however these privileges are not all what one wants out of life. Lucy witnesses passionate love for the first time and due to social class regulations, we see imagery of Lucy emerging with jealousy ‘Lucy had a spasm of envy. Granted that they wished to misbehave, it was pleasant for them to be able to do so,’ which exposes her envious of a lower class that aren’t bound with regulations. Lucy, George and Mr Emerson are capable…