Language, particularly imagery, plays an integral role in the construction of Will and Angelica’s relationship throughout the novel. At their first encounter in the section ‘Spa Water,’ the atmosphere is portrayed, through the use of vivid sensual imagery, appealing to the reader’s sense of aesthetic judgement. Olfactory imagery is used describing “lavender…trapped in the activated stream.” This pleasant odour is complimented with auditory imagery, “Handel trickles” into the baths. This imagery evokes synaesthesia for readers and clearly constructs Will and Angelica’s relationship as blossoming…
The distressing experience for the widower is reflected once more in the landscape. Murray describes his emotions by personifying the landscape in “…the Christmas paddocks aching in the heat.” In this comparison Murray presents…
the author uses imagery in this chapter to show the pain Lily has for the loss of her mother. The quote…
Intense imagery, contrasts, comparisons, and parallelism are used in conveying the complexity of her feelings toward nature. She ties in the similarities between the terror-striking reaction to the great horned owl and the heart-striking happiness of a field of roses.…
In the short story “The Scarlet Ibis,” the author conveyed a story about brotherhood between two brothers. The narrator was overwhelmed by his internal conflict of guilt and felt that his actions were having its consequences. Doodle, the main character of the story, lived a life that consisted of constant struggles. His brother, the narrator, helped him through his external conflict, but one day, he pushed him too far. The color red appears constantly throughout the short story and to express the theme and conflicts the short story was comprised of. The Scarlet Ibis, Doodle’s death, and the love the narrator had for Doodle were all elements that were represented by symbolism through the color red. The love and pride the narrator had…
John Steinbeck's short story "The Chrysanthemums" is centered on the protagonist named Elisa Allen. The vivid portrayal of her character in different parts of the story makes the reader wonder who she really is. Steinbeck started by portraying her as a strong and knowledgeable gardener, with a sense of masculinity, following which she is portrayed as someone who yearns for sexual attention in her sensual encounter with the tinker, and concluded with her being described as a beautiful, feminine lady, and then back to her masculine self all within a span of a few hours. The evolution in the expressions, emotions, and the portrayal of Elisa Allen is an important element of Steinbeck’s “The Chyrsanthemums.”…
The poem is divided into three stanzas, the first dealing with Smith 's memories of the past when his mother was alive; whilst the remaining two explore the present. The first stanza, dealing with the past, is twice as long as the remaining two. It may therefore be assumed that Crichton Smith uses the structure to reflect the fact that to him the past seems more substantial or dominant than the present.…
There are multiple literary elements that combine together to create the theme and mood of a story. In the short story, “The Scarlet Ibis,” the author, James Hurst, demonstrates the use of literary elements and the importance of vital life lessons. The mood in this short story is deeply nostalgic and melancholy. The narrator faces the difficult obstacle of his pride vs. Himself (which is also the critical theme of the story). In the story, Hurst uses the elements of setting, foreshadowing, and symbolism to create a bittersweet, nostalgic memory of the character of Doodle.…
Also, the use of schadenfrude by characters is a common theme throughout many of the stories, and although Strout has shown the ineffectiveness earlier in the book, “Tulips” goes on to deliver the message of how to proceed through life after experiencing loss and after the realization that schadenfrude will not heal a person.…
In “The Flowers,” a little girl is walking along in the woods behind her house like she had done many times before, but when she begins to “circle back to the house,” she steps into the head of a dead man. This man is the victim of a violent and tragic death. He has been beaten “he had had large, white teeth, all of them cracked or broken,” and has been hanged “It was the remains of a noose.” The little girl, until this…
Ovid seems like a man who has a well-built resume of being familiar with women as well as learned from other stories. The majority things he said in the book I am already familiar with and while I was reading I laughed at how time affects this topic very little.…
Oliver uses juxtaposition to convey her complex feelings on nature. Nature is so complex that even very similar animals have very differing aspects. Oliver can “imagine the screech owl on her wrist” and she can learn from the snowy owl, but the great horned owl will cause her to “fall” if it “should touch her.” Even though this great horned owl is terrifying, Oliver still is in amazement of it. She says it would become the “center of her life.” From the vivid description of the bloodthirsty owl, Oliver jumps to, of all things, flowers. Poppies or lupines, and roses. They are "red and pink and white tents of softness." This sudden change, this juxtaposition, emphasizes again her complex response to nature. One minute she sees death on the wing, and then flowers enrapture her. But soon the flowers take on a kind…
The imagery creates the very distinct contrast between terrifying and beautiful parts of nature. The frightening great horned owl has “razor-tipped toes” that “rasp the limb” and a “hooked beak” that makes a “heavy, crisp, breathy snapping.” The physical form is rough and rugged, reminiscent of a terrifying being. The owl is presented with characteristics of the “night” and “blackness,” The flowers, on the other hand, are like “red and pink and white tents.” The color contrast reinforces the complete oppositeness of the flowers and the owl.…
This example of imagery alone has already pulled in the reader, piquing their interest by creating a picture that we have all, without a doubt, seen before. Another form of figurative language used by Ackerman is at the end of paragraph three when she writes, “With their camouflage gone, we see these colors for the first time all year, and marvel, but they were always there, hidden like a vivid secret beneath the hot glowing greens of summer.” (p 981). By pointing out to her readers that the true colors of the leaves that we are so fascinated by have actually been there all year long, she sums up her previous description that explains how chlorophyll gradually breaks down, thus revealing these magnificent colors. Through her explanation and use of figurative language, Diane Ackerman points out to her readers how much change is going on around us without us even realizing…
[“Wild Flowers” is undoubtedly one of E. Caldwell's masterpieces. The story being multiordinal the depth of its content opens up to him who can see not only through its rather simple surface plot but through the metaphoric and symbolic layers as well.]…