Even though the Italians said the Gothic architecture is “barbaric” and should discontinue the style, surprisingly the style is still being constructed to this day. I chose the St. John the Divine because it has so much similarity to the Cathedral of Notre Dame, Paris. Even though the St. John the Divine is unfinished, it is a very big tourist attraction, just like the Cathedral of Notre Dame. They both have the whole gothic style look, such as the wheel windows, that you notice, almost always, first and stained glass windows. The only difference that is noticeably is how the Cathedral of Notre Dame has a different front look then St. John the Divine.…
The artist I had chosen for my PowerPoint presentation was Georgia O’Keeffe. The first example of her work is Easter Sunrise was made in 1953 and is an oil on canvas painting. Easter Sunrise depicts a mountain side and shining from the corner of the mountain is a brilliant white cross. As far as the technical excellence of this painting, the colors are varying degrees of browns, gold and white. Georgia O’Keeffe uses form really well.…
However not all of the works in this wing held religious connotation . An image that appealed to me was a depiction of how Cleopatra committed suicide, "Suicide of Cleopatra" painted by Guercino . This image stuck to me because of the widely known legend that Cleopatra used cobras to commit suicide. Cleopatra looking away as she inserts her hand into a bowl of deadly snakes demonstrates this . Another secular image was one done by Dutch artist Pieter Claesz named…
The art piece that I selected for my analysis is called The Triumph of Divine Love by Peter Paul Rubens. The artwork is an oil painting on canvas, circa 1625. This piece of art was commission by Isabella Clara Eugenia, Infanta of Spain and Portugal. The Triumph of Divine Love was one of eleven art pieces in a series portraying the Eucharist cycle, an important issue in the Catholic-Protestant strife. Its purpose was to aid in the Catholic Reformation and the artwork was to be displayed at the Convento de las Descalzas Reales in Madrid. (Ringling Museum n.d.)…
Jack-in-the-Pulpit No.4 by Georgia O'Keeffe was painted in 1030 with oil on canvas and is a part of a series of six artworks depicting the flower; No.4 depicts a close up view of a petal on a Jack-in-the-Pulpit flower. The petal is painted vertically on the canvas, and is an abstract take on the petal. At first glance it is not obvious that the painting is a petal; when looking at the painting your eye is drawn to the bottom of the petal where it would connect to the flower. Then, there is an implied line that brings your eye up the painting to the ruffled edge of the petal; the edge makes it discernible that the painting is of a petal. The shape of the petal makes it look as if it is in the midst of blooming.…
When taking a trip to the Norton Museum of Art I chose a one dimensioned painting called Adam that was located on the first floor. The artist is Nicholas Carone and was painted in 1956. To the left of the painting, Adam, was another painting named Personage which was painted by Robert Mothewell in 1943. Personage is an abstract oil painting on canvas with multiple different colors. To the right of Adam was a sculpture called Sea Quarry and was created by Theodore Roszak. The sculpture was not an obvious choice that it was a sea animal at first. I had to stand there for a minute and really look at the sculpture to being to see what it was really intended for the sculpture to be. Returning to my original choice, Adam by Nicholas Carone, it is also an oil painting done on canvas. Carone first started with a plane black picture and continued to manipulate it with white paint color and other lines using different thick and thin brushes. The picture was made to represent and recreate light and shadow but is opaque. It uses several different elements of art including color, value, line, shape, and space. “Adam”s composition is curved lines and is known as an Abstract Expressionism type of art.…
The most helpful resource that I found whilst translating the first eighteen verses of St. John’s Gospel was also the most detrimental. At some moments, comparing my own translation to others could lead to a better understanding of the overall passage, but it could also become more muddled if the other translator and I had different ideas as to what the original text meant. There were, of course, other times where both the other translations and mine came to the same idea, but worded it differently, which is simply aesthetic. In its totality, St. John’s Gospel was a challenge to translate, through comparing, searching for vocabulary, and tying everything together in a way that didn’t sound like a child wrote it, I was given a deeper understanding…
In the history of art, we have seen many paintings which share the same content, but were done by different artists in different movements. Each of the artists has a different style, different ways to observe what they see to translate into a painting. An example is the “The Regatta” by Theo van Rysselberghe in 1892, and the “Slave Ship” by Joseph Mallord William Turner in 1840.…
There was also a portrait of what will forever be known as "The Last Supper". This is Leonardo 's visual interpretation of the evening before Christ was betrayed by one of his disciples, when He gathered them all together to eat and tell them of the fact that He was aware of the tragedy that was to come. "The Last Supper" had certainly been painted before but Leonardo 's version was first to depict 'real people '. The technical perspective is incredible! You can see that every single element of the painting directs one 's attention straight to the mid-point of the composition, Christ 's head. It is arguably the greatest example of one point perspective ever created.…
From the Baroque period through the Postmodern era there are three artist that stands out to me with their work. Rembrandt’s Resurrection of Christ is a wonderful piece of art with its reflection of the Roman Soldiers and the reassuring presence of Christ. In 1808 Goya’s Third Day of May is a work that was created during the realism period. Which due to the war during this time it affected many artists by changing the content of their work to real life events. Like many others during this era this painting was based on an actual event that took place during real life events. Created from 1609-1611 Sir Pete Ruben’s The Massacre of the Innocent’s, is one true painting of art as it captures only a moment of the terror but as well as all human emotions are expressed within it. Of these painting and event I will discuss what influenced them to create such are and what inspired their painting. Some of the art created could have been tribute due to the political, social, or economic change in events.…
The Gospel of Mark and the Gospel of John each present an illustration of Jesus in both humanity and divinity. However, each gospel portrays Jesus in a different way. The Gospel of Mark focuses on the mortality aspect of Jesus such as the concern of dying. On the contrary the Gospel of John focuses on the spirituality aspect of Jesus, and the revelation of Jesus and the Father being one. Despite the differences in portrayal of Jesus leading up to the Last Supper. Throughout this event both Gospels portrays Jesus’ crucifixion, however, Mark present Jesus similarly to the Passover Lamb. John on the other hand reveals Jesus’ parting in preparation of what to come so that they may believe.…
During the Middle Ages, religion played an immense role in art. Medieval paintings focused around the idea of worshipping God. The church influenced many of the medieval artists making these religious masterpieces (World Book 527). Medieval paintings were unrealistic and did not portray lifelike figures. There was no depth and the backgrounds were typically gold. The central figures in paintings were painted larger than the less significant objects. Painters wanted their creations to focus on a deep religious meaning and strengthen the church through the paintings (World Book 234). The Holy Land and the Roman Catholic Church were the central landscapes in medieval paintings. There were an extensive variety of mediums used by the artists. Examples included frescos, stained glass, and murals (End of Europe’s Middle Ages). Sculpture was another form of art. “Statues of the holy family, saints, and rulers lined the inside of Gothic churches, and relief sculptures adorned the walls” (Modern World 142). Much of the medieval artistic expertise went into the creation of Gothic churches in devotion to God (End of Europe’s Middle Ages).…
There weren’t huge strides in graphic design, until a few hundred years later when in 1750 the Industrial Revolution changed mass urban culture and the entire world. This transition marked not only social and economic change, from agriculture and commercial society to the modern urban areas. It also brought with it new machinery such as the steam engine, and the use of iron and coal as new energy sources. Retail, transportation and factories became a vital part of the work forces and so changed the way graphic art was not only designed but also the way it was marketed. Printing became all about mass communication in the 19th century. This rise of mass communication brought with it inevitable change and revelations. The first being that newspapers like Winslow Homer’s Baillou’s Pictorial and Honore Daumier’s Macaire Bill Poster were overdone and unnecessarily ornamented. The second revelation of the Industrial Revolution was that artists were becoming aware of the public’s reaction to these advertisements and those negative reactions. Because of this artist’s of the time decided to take design more seriously in the future. With these big, busy…
Here is an image. I do consider the following picture art because of its elements and formats, its influence from the Northern Renaissance, its significance to the Impressionism Movement, and its similarities to the Egyptian movement.…
The art that I found the most interesting in the book “Gardner Art through Ages: The Western Perspective” was a painting named Birth of the Virgin. This painting is on chapter 14 page 415 and is figure 14-14. It is a large triptych meaning three part panel. The panel is separated by two white piers and includes arches at the top of each section. It was painted with Tempera on wood. It was created by Pietro Lorenzetti, an Italian Gothic painter of the Sienese school. Pietro Lorenzetti was a student of Duccio di Buonisegna. This painting has a dimension of 6’1’’ x 5’11’. It was originally located and created for the altar of Saint Savinus in the Siena Cathedral, Siena, Italy, in 1342. It is now housed in Museo dell’Opera del Duomo, Siena, Italy. This painting appears to be a boxlike scene. It is three dimensional and gives a…