At the end of the prologue, Angelou states that, "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." (4)
The razor to the throat is symbolic of authority. To a Southern black girl in the 1930's and 40's, authority is almost everyone. Young black female was the absolute bottom of the barrel. She must let herself be ruled by all sorts. Older black kids, black adults, and anyone white. Likewise, these people are ready to pounce on her should she do the least little thing wrong. Everyone was reprimanded for one thing or another as a child. No one enjoyed it. Imagine being surrounded by people, just waiting for you to slip up so that they can yell at you, punish you, etcetera. Through this, Angelou gaines your sypathy, and you may very well find yourself in awe that Angelou made it through such a childhood with her sanity intact.
When a young Maya Angelou's grandmother tried to take her to a white dentist who owed her a favor, the dentist said, "'Annie, my policy is I'd rather stick my hand in a dog's mouth than a nigger's.'" (189) This adds upon the point made earlier. The pain of a toothache combined with the pain of wounded pride. Maya Angelou has massive amounts of pride. She spent most of her years in Stamps, Georgia being insulted by one thing or another. Some of the occasions were insulting (the dentist), while some