Similarly, both women's decision and actions starts their tragic path. Antigone is decided to bury her brother, Polynices, being aware that disobeying will lead to death. While talking to her sister, Ismene, she said "he has no right to keep from my own"60. Antigone believes that as the woman of the family is her responsibility to bury her brother and it's the law of god which should overrule the law of state. She doesn't fear confrontation and admits to Creon that it was her who bury his body at the time of accusation. Antigonie says "give me glory! What greater glory could I win than to give my own brother decent burial?"561 She believed her death was her glory. Her pride and ambitious way to be remembered made her fearless of death.…
Antigone’s passionate monologue portrays her character as a compassionate sister possessing considerable honor and admirable morality. As she awaits her inevitable execution at the hands of king Creon, Antigone muses over her willful decision to properly bury her brother, Polyneices. King Creon had made…
Antigone is a play about the tension caused when two individuals have conflicting claims regarding law. In this case, the moral superiority of the laws of the city, represented by Creon, and the laws of the gods, represented bt Antigone. In contrast, Oedipus The King is driven by the tensions within Oedipus himself. That play both begins and concludes within the public domain, the plot being driven by the plague that troubles the city, and which is so graphically brought to life by the Priest. In both Antigone (ll179-82) and Oedipus The King (ll29-31) the city is likened to a storm tossed ship, and it cannot be merely coincidence that Oedipus The King was written at the beginning of the Peloponnesian War, a time when Athens itself was suffering the effects of plague. Oedipus The King reaches its climax with a now blinded Oedipus daring to show himself to the people of Thebes, forgetting that he is no longer the leader of the state. In Antigone, it is Creons abuse of absolute power that leads to his tragic downfall. Whilst Oedipus determinedly tried to get to the root of his peoples ills, ultimately discovering that he was in fact the cause of them, Creon morphs from a supposedly caring leader into a tyrannical despot, eager to take the law into his own hands. It is the actions of Antigone that helps to bring about Creons fall from grace, as her steadfast refusal to accept the law of the city over the rule of the gods exposes the true motives of Creon, and leads to both her own death but also to the end of Creons world. He claims to favour the interests of the city over all but then shows his true colours by both acting and ranting like a tyrant. Antigone is steadfast and determined in her aim - she fully believes that the rule of god must take precedence in this matter regarding death, as well as revealing her belief that it is the family that is more important…
Antigone was very courageous, brave and bold. Despite the danger she would be in, and regardless of the consequences she was very loyal to her brother Polyneices and buried him with honor and courage. Even though she knew that she would be in big trouble, she still did it, she did it because he was her brother. “He is my brother, and he is your brother, too.”…
Antigone is a daughter of the marriage between King Oedipus of Thebes and his mother Jocasta. She is the subject of a popular story in which she attempts to secure a burial for her brother Polynices, even though he is seen as a traitor to Thebes and the law forbids even mourning for him, punishable by death. The burial of Polynices takes place during Oedipus' reign in Thebes, before Oedipus marries Jocasta. Sophocles' tragedies Oedipus at Colonus and Antigone, it occurs in the years after Oedipus' banishment and death, and Antigone has to struggle against Creon. After Oedipus' death, it was decided that the two brothers, Eteocles and Polynices were to reign over Thebes’s taking turns. Eteocles, however, did not want to give away his power causing Polynices to leave Thebes to set up an army. In the fight against Thebes, the two brothers kill each other. After this event, Creon declares that, as punishment, Polynices' body must be left on the plain outside the city to rot and be eaten by animals. Eteocles, on the other hand had been buried as tradition warranted. Antigone determines this to be against the laws of the gods, and is determined to bury her brother regardless of Creon's law. She attempts to persuade her sister Ismene to join her, but fails. Antigone buries her brother by herself; eventually Creon's guards discover this and capture her. Antigone is brought before Creon, where she declares that she knew Creon's law but chose to break it, but she…
Antigone proves herself to be a very loyal family member when she states, “That must be your excuse, I suppose. But as for me, I will bury the brother I love” (Pro. 64-65). She cares not of the law set forth by Creon when it conflicts with her beliefs concerning loyalty to loved ones. She chose the law of the gods above all other decrees, disregarding that the cost is her life. Even after the body’s guards brush off the thin layer of dust to negate the effect of the prompt burial given by Antigone, the heroine risks life and limb to see that Polynieces receives a proper burial, and she is arrested in the process. Her retort to Creon’s accusations was, “I do. I deny nothing.” Antigone is confident in her choice at this point. She even stands up for Ismene’s fraud confession, and she will “not have [Ismene] help” because Antigone’s loyalty to her family is too great (1. 132).…
Enemies are a threat to one's personal public life. In Antigone, Creon states “An enemy is an enemy, even dead.” Creon’s unwillingness to show compassion and compromise to bring healing to his kingdom have tragic consequences.…
When U2’s Bono sings “women of the future hold the big revelations” (Bono “Get On Your Boots”), he is referencing the rise of women’s roles in Africa in the twenty-first century. Yet, this phrase can also apply to women in other time periods such as in ancient Greece seen in the Sophocles’ play entitled Antigone. In Antigone, the protagonist, Antigone, is a daughter of the house of Lauis, which is a noble, ruling family that has been through much affliction from deaths in the family. When a law forbids Antigone to honor her traitorous (to the state) brother in a proper burial, Antigone disobeys it to honor the gods’ instructions. This act eventually leads to the deaths of Antigone and other main characters. For the twenty-first century reader, it is important to understand how gender roles and relationships vary from time period to time period in order to fully appreciate the equal status of women in today’s society. The authors of the feminist play, Antigone, portrays the society’s perspective of women as vindictive people, the limitations of women, and the growing strong-willed quality of some women that start to rise in the respective time period.…
"Morality is always the product of terror; its chains and strait-waistcoats are fashioned by those who dare not trust others, because they dare not trust themselves, to walk in liberty," writes author Aldous Huxley. In "Antigone" the root of Creon's immoral behavior is not an inability to distinguish between what is wrong and what is right, but, rather, a fear or a terror of what may occur if he were to choose the morally right way to operate. "Very well, I am afraid, then. Does that satisfy you? I am afraid that if you insist upon it, I shall have you killed. And I don't want to (46)." Antigone acts in the complete opposite manner to Creon. She, as Creon can, is able to differentiate from right and wrong and is not afraid of the consequences of what acting on her morals may bring. These consequences have almost a reverse effect when compared with Creon; when faced with the consequences, she expects…
After Creon lost both of his nephews he made a decree banning the burial of one of them. After his niece buried her brother, Creon was in a difficult position in which he had to decide if he was going to continue to be consistent with his law and punish his niece, or to go against his morals and change his decree. Creon desires to be a sovereign king, therefore, he chooses to punish his niece after she broke the law by going against the decree he made. Sophocles portrays Antigone as the protagonist, and Creon as the protagonist, but after a closer look, it becomes evident that Creon was trying to run his kingdom in a way that his subjects would respect him, rather than in a way that favours his family members.…
Compared with her sister, Antigone seems unruly and passionate about her struggle. Antigone is the opposite of Ismene, being slender and outspoken. She refuses to obey Creon, who is not only a man, but also her king, her uncle, and her future father-in-law. It is possible that she choose to take a stand against Creon simply because he symbolizes everything that would block a feminist from progressing as a woman in Thebes. Antigone is essentially battling against a symbolic figure that modern-day feminists have been battling against for years. Without the support of her sister, Antigone decides to march on…
On this day of great regret, I, Creon have decided to not fight with destiny and give Polyneices a proper burial, and to release Antigone from her cave of slow death. If I do not release Antigone, the prophet Tiresias has said that my beloved son Haimon will die. Oh, this is quite the calamity, I must hurry to go release Antigone before this predicament worsens, but first I will give Polyneices a genuine burial. I must follow the mighty laws of all gods and serve them to the day of my death.…
Antigone is an award winning play by Sophocles, one of the three best Greek dramatists of all time. Antigone is a mythical princess of Thebes. She is the product of the accidental incestuous marriage between King Oedipus and Jocasta, whom is Oedipus’ mother as well. Antigone had two brothers and a sister: Polynices, Eteocles, and her sister, Ismene. After Oedipus discovered that he had married his mother, he fled, leaving Thebes to be ruled by his sons. Polynices and Eteocles had their differences arguing over the throne. Polynices left Thebes and returned with an army to declare war on Thebes. The two brothers killed each other during the war, leaving Thebes to be ruled by Jocasta’s brother Creon,…
The protagonist of a tragedy is always someone who is passionate for what their mission is; they want their dream to become reality. Antigone is determined to be the ‘hero’ by burying her brother who has died, and she is killed in this process. Antigone disregards the danger and sacrifices her life for the honoring of her brother. Her heroism is displayed when she states, “Think Death less than a friend?…
What is Antigone, in the Phenomenology of Spirit, doing for Hegel? What point does the tragedy help to articulate? Essentially, Antigone serves to illustrate the dissolution of the Ethical World, the Sittlichkeit of ancient Greece, the first manifestation of Spirit proper. But how exactly does this work? When we unpack the role of Antigone in the Phenomenology questions and ambiguities emerge. Does Hegel choose sides in the conflict between Antigone and Creon? Is Antigone an individual? Is she like the slave? These questions, which arise in close connection to one another, must be answered if we are to thoroughly examine the contribution Antigone makes to the Phenomenology. The answers to these questions might be no, and they might even stem from mistaken interpretation, but that is far from obvious, especially to the uninitiated reader of Hegel. Articulating how such questions emerge and interrelate will help us to illuminate Spirit’s movement through the Ethical World.…