He outlines the events that brought about the execution but before it all, prefaces with “the martyr as a hero by accident is a recurring irony in our history.” Burgos is no exception to this sentiment. Rizal, the next to fall quite strongly into this sentiment was inspired by Burgos’s plight, referred to Joaquin as “the Successor of …show more content…
He explicitly says that the “drama of the propaganda may be divided into three acts, the initial phase dominated by Rodriguez Valera; a second phase represented by Father Pelaez; and a third culmination in Burgos.” The following essays focus more specifically on Rizal. The fourth essay entitled “the Anatomy of the Anti-Hero” paints two different personas as illustrated by Guerrero and Radaic, both resisting the title of hero. The former painted Rizal’s nationalism as “political rather than social or economic” while the latter claimed he was “anxious, nervous, insecure.” And so, his heroism seemed questionable to Joaquin as Rizal is a Creole, or someone who did not seem entirely embody a Filipino. Joaquin does not end his critique on hereos with Rizal. In fact, the following chapters explores people like Andres Bonifacio, Emilio Aguinaldo, Apolinario Mabini, and Antonio Luna from their upbringing to their position in society and in the revolution.
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