Inertia is what keeps an object in its rest state or moving at constant velocity. In other words, it is the tendency for objects to resist a change in their motion. The only thing inertia depends on is the mass of the object, so heavier objects have more inertia and it is harder to change its motion. When you accelerate quickly, you get pushed back against the seat. Because of inertia, your body keeps traveling at the same velocity as before the acceleration. Inertia can also be experienced when the car turns sharply and you get pushed to the opposite side because the body wants to continue in a straight line. This tendency (for objects to be kept in its rest state or keep moving at its…
In the article “The sculptures of Alacahoyuk: A key to religious symbolism in Hittite representational art”, a Professor of Hittitology, Piotr Taracha, proposes that Alacahoyuk was one of The Hittites holy cities. According to Piotr Taracha, Alacahoyuk is located in Northern Anatolia just above the capital, Hattusa. The significance of the site Alacahoyuk is analyzed for its architectural composition that is associated with Hittite religion. The sculpture, The Sphinx Gate is structures as an entry way into the remains of an important Hittite center, Alacahoyuk. The towers depict images of two figures of a royal status said to be the sun-goddess and the tutelary God (page111). Along the brick walls are scenes of cult and hunting the role the pair play in religion and sustenance. (Page 110).His interpretations concluded from the Sphinx Gate show depictions of hunting scenes that is compared to other Hittite art. In these scenes we see the Sun…
The sculptures' color is natural granodiorite. The detail level is high, which makes the sculpture appear more realistic. They have carved the details out and worked with them to make them as smooth as possible. It is detailed; you can see the female shapes in the breasts and in the hip area. When you go down to the detail level, especially the face and hands are prominent. The head is a lioness head and the eyes are small and intense. It is easily to spot that there is lionesses’ head, because of the high detail level. You can see all the shapes, from the ears to the mouth. When you the face on profile you can see that it looks very lifelike. Her hand also looks lifelike, together with her feet. The knees are prominent an easily noticeable through the clothes. The artist have made a sculpture that has several female attributes such as her sitting position, with a straight back and narrow shoulders. Whereas her hips are wider than they would have been on a man. Also her torso are seen as thinner than on an average…
When the tomb of Nefertiretenes was adapted for Raemkai's use, only a few changes were made to the reliefs. The most important concerned the upper standing figures of the tomb owner on the False Door. Originally, both of these were noticeably obese, and their kilts were of calf-length. During the Old Kingdom it was the custom to include among the mostly idealizing images of a tomb owner at least one representation showing him as a mature heavy-set…
Walking through LACMA there was a section that caught my eye and found it to be of interest to me. That section was the Greek, Roman, and Etruscan Art which was located on the Ahmanson Building, Level 3. There were various unique pieces such as vases, jewelry and sculptures. I chose the sculpture of Hope Athena to do my visual analysis because I found it to be beautiful. Athena was a Greek goddess of wisdom and war. The sculpture at LACMA is a Roman, 2nd century copy after a Greek original of the late 5th century BC School of Pheidias. The sculpture was made out of marble with neutral colors. In parts the color was dull with hues of ivory and golden brown. The shape of the body was rectangular with broad shoulders. The sculpture had her arms missing. Her head was round with hair coming down in vertical waves. She was wearing a warrior helmet from my view point I could not tell what the helmet had on it. The helmet gave her a powerful look. Her facial expression seemed reflective with facial features being symmetrical and smooth. The eye sockets were hollow and dark. Her nose was chipped and her upper and lower lips were thin. One of the focal points for me was how her robe or drapery had such detail throughout the sculpture. It wrapped around her body with great detail with vertical creases and folds giving the sculpture a realistic look. The vertical lines toward the bottom of robe had great detail and were distributed equally and her feet and toes…
The desire for the finer things in life is eternal, and the strive for beauty and elegance can be seen in all ages. In regards to Islamic pottery, the elaborate and decorative nature of pieces from Kashan cannot be beaten. Now I will analyze a specific production from Kashan, a lustre bowl produced during the Seljuq Period (11th to 13th centuries), labeled as “Object D-12” in the UCSB Jewel Room and depicted below: In this image one can see the same line of eyebrows, drawn out eyes, and thin lips on the center figure that can also be seen on the polo player of Object D-12. Both men also have a halo surrounding them, enshrining them with a sense of importance and holiness. In this piece, dated at the early 13th century, the center figure appears…
1 Examine the funerary sculpture from Upper Egypt, 2200-2000 B.C.E., on page 54 of your textbook…
With this idea in mind, giving the sculpture realistic qualities helps view recognize who the subject was for the sculpture. Also, the king looks unfazed in this sculpture in…
The first detail is the head of Athena; the sculpture’s face was broad with soft, naturalistic facial features. Athena’s head is slightly turn to the left and looking down at the viewer. The sculpture has hollowed eyes, suggesting that they could have gemstones in the eye sockets.…
This old kingdom statuette is called The Standing Man and stand about three feet tall. As you can see his body is connected to a block of stone to give the piece stability, and reduce the risk of his limbs cracking off. They also probably did this because artists weren't as skilled to create free-standing sculptures without anything supporting parts of it. One of the most promenade factors that is shown in this is the stance. His body is made with less anatomical mistakes than previous arts, but at the same time is still a bit ridged in the upper half. His legs show a large stride and this was done with many other works of Egyptian art. His proportions are out of scale in some parts such as his feet and neck but improvement is definitely being used.…
Statues come in many different forms, sizes, styles, and reasons. After watching our online video and I saw a statue from “The New Kingdom” of the infamous Pharaoh Akhenaten. I was intrigued by the unusual features of this statue. They were unlike the traditional features on a statue I am accustomed to. My research was to find out a little more about this Pharaoh and why he was featured so radically different from the typical statues I was accustomed seeing from ancient times including that of ancient Egyptian tradition. I took a look at some historical facts to see if they may help put the pieces of the puzzle together.…
The subjects featured in the artwork are Pharaoh Menkaure and Queen Khamerernebty. At first glance, the part of the sculpture that seems to stand out the most are the heads of the pharaoh and the queen. The faces and headdress appear more detailed than the rest of their bodies and have a sharper quality to them than the smoothness of the bodies. Of course, seeing the image at a different angle or under a different light could potentially make other areas of the sculpture stand out more.…
The statue is made of limestone, it is four to five inches long, and it was found in modern Austria, dating from about 22,000 to 21,000 BCE. The female figure has exaggerated breasts which would mean she could provide plenty of food for her child as well as a very large belly meaning she could provide heat and warmth for herself, her child and her significant other which back then could have made the difference between survival and death. She has very wide hips which support a connection to childbearing and delineated genitals which suggests that she is very fertile. In the Paleolithic era female figurines vastly outnumbered the male representation which may have been because women played a crucial role in the Paleolithic culture because they have spiritual and religious influence.…
It was the summer of 2007, the day after the fourth of july. Fireworks were still going off. The atmosphere was light, filled with laughter and smiles. Nobody had noticed my cousin’s body drop to the pavement but me.I was staring at the group of masked people when it all happened. I vividly remember them approaching him whilst pointing a gun to his head. After tugging onto my mother’s pink silk shirt and pointing towards my cousin, it was chaotic. Everyone had ran towards him except for my aunt. My aunt’s feet were glued to the pavement and her mouth stood agape. A tear ran down her cheek and she then collapsed. A couple days after my cousin’s neurosurgery, my aunt remained the same. During his recovery she never really spoke unless she needed…
Bones and mummies of the dead have long been preserved as objects of reverence by many ancient cultures. (Verze 5) A prime example is the people of Jericho in the Neolithic Jordan River Valley. They would bury their dead under their houses, and there, the first evidence of skull plastering was found. Skull plastering in ancient cultures consisted of an orignal skull with a plaster face molded around it, and decorated to look like the face of the deceased. This was followed by the people of the Middle Ages building over skulls of missing persons to avoid the problem of decomposition when they were displayed for identification (Verze 6). Next was wax-modeling, which was greatly appreciated during the renaissance, and developed further in the 18th century. At this point, wax modeling was used almost exclusively for academic anatomical purposes. They did, however, start to focus more on anatomical correctness in skulls; this juxtaposes the previous practices of using more superficial features for reconstruction. It wasn’t until the 19th century that the role of facial reconstruction in communities shifted from identification to crime detection. This was the turning point which bred a new era in facial reconstruction.…