Stafford’s poem can come to an evaluation, questioning if his decision was wise or unwise. The speaker in Stafford’s poem is wise for pushing the deer and its fawn over the Wilson River. In stanza one,the speaker says “It is usually best to roll them into the canyon:” (Stafford 3). Many would question why is it best to roll them into the canyon, but you have to take other people’s lives into consideration. With the speaker already traveling in the dark down a curvy narrow road, he’s risking his life as well as others would be.…
“All the Light We Cannot See” by Anthony Doerr is a Pulitzer Award winner that was published in the year of 2014. Throughout the novel, Marie-Laure is faced with blindness, World War Two, along with many other personal issues she faces throughout the novel. Another major character of the novel, is Werner, who along with his sister Jutta are both orphans. Because of the fact that both Werner and Jutta are orphans, Werner decides to help the two of them out by becoming part of Hitler’s Youth. Throughout the novel, the setting changes quite frequently due to the change in the novel that both the characters face. A key point into understanding the frequent setting change is the use of changing point of views that the author has adapted to the story…
574). From this line is easy to identify that is at night time, in a road with a river on the side and that the narrator is aware of the risk other people can encounter if the dead body is left in the road. In addition to all the information given by Stafford, he also put in motion the connection between the human worlds, meaning the person who found the deer, and the natural world which is the deer. The similarity between the nature and the human world in the poem is the pregnancy of the deer, which is something humans have in their life. Which is when Stafford mentions, “My fingers touching her side brought me the reason – her side was warm; her fawn lay there waiting, alive, still never to be born” (574). Also, a story of what happen to the deer can be perceived when Stafford mentions, “By glow of the tail-light I stumbled back of the car and stood by the heap, a doe, a recent killing” (p. 574). Clearly a car, most likely, killed the…
The travelers in Robert Gray’s poems Flame and Dangling Wire, and Arrivals and Departures undergo negative experiences that, although constitute as new knowledge, result in them viewing the world as a more destructive place. Exposure to death and destruction are commonalities in the poems, which in turn disillusion the journeyers. Flames and Dangling Wire creates dark imagery of a desolate, defective future that has been destroyed by the pollution of man. Men are compared to “scavengers/ as in hell the devils/ might pick about through souls” and are presenting people as incomplete figures of humanity. This simile provides insight into the idea that man’s eternal existence is futile because the world, which in the past was civil, has become a place of mockery where “the horse-laughs”. Similarly, the journeyer in Arrivals and Departures is confronted with death, leading him to question what is morally right. The sound of “the engines’ then almost subliminal thump would stop” suggests that the continuous heartbeat of…
The tone in "Traveling Through the Dark" is angry and sad because the speaker does not want another deer to be killed by a hit and run. The decision to save the deer 's baby is in the speakers hands and he decides not to save the baby so that it can avoid the fate of its mother. The speaker seems sad about his decision by stating "I thought hard for us all" (17, Stafford).…
William Strafford’s “Traveling through the Dark” is a well developed short poem, but it lacks the depth of Rod Mckuen’s “Thoughts on Capital Punishment.” These two poems present animals killed by automobiles, but Mckuen’s approach differs from Strafford’s in two ways. First, Mckuen uses poetic language more strongly than Strafford. Second, “Thoughts on Capital Punishment” points out a more distinct, clearly stated, complex theme.…
This essay discusses the poem “The Road Not Taken” by Robert Frost. This poem describes a man who is walking in the woods. As he is walking, he finds that the path he is on splits into two roads. He is forced to decide which road to take in order to continue his journey. Throughout the rest of the poem, he describes the experience of his journey. Frost uses many poetic devices throughout this poem. He uses metaphor to describe the road as a part of life. He also uses rhyme scheme to show the important phrases and words to help the reader understand and comprehend the message behind the poem. Finally, Frost makes use of alliteration and similes to draw the reader closer to the text and compare his experience to other occurrences…
Poetry is a very powerful mechanism through which writers can tell their readers something about themselves or the world around them. The language within “Traveling Through the Dark” by William Stafford and “Woodchucks” by Maxine Kumin display the speakers’ psychology and what sort of relationships they have with the animals and their deaths in their respective works. Despite being similar in a few aspects, these two works are very different.…
In the novel, All the Light We Cannot See, there are flashback scenes that display the times prior to the character’s involvement into the war. These always seem to hold emotional value to the characters, as well as readers. For example, “The girl climbs into the swing and pendulums back and forth, pumping her legs, and watching her opens some valves in Werner’s soul. This is life, he thinks, this is why we live, to play like this on a day when winter is finally releasing its grip” (Doerr 366). This passage, although not a flashback, acts like one in a way. To put this in other words, the girl shows similar traits and/or actions of Jutta, Werner’s younger sister, which, for Werner, takes him back to his own childhood where a carefree lifestyle…
In the first poem by William Stafford, a person kills a deer while coming around a curve in the road. This person feels very horrible about the mistake and feels like they need to do something about the deer. When the speaker finds out that the dead deer is pregnant they feel even worse about the accident. The car in this poem is personified which makes the reader come to the conclusion that technology is killing nature or the theme of man versus nature. The language is very sympathetic both for the driver and the deer. The author uses the word “group” on line 16 making more than just the driver, deer and baby bee there but also the car and all of nature. Following this with “I could hear the wilderness listen” on page 16 also personifies the woods.…
In a Journey, a traveller can gain new perspectives of themselves and the world around them by taking on opportunities to learn. The novel ‘Raw’ by Scott Monk demonstrates these ideas by writing about a young boy named Brett, who hates authoritative figures such as the police. A change is perspective is shown in the late chapters when Brett is at the farm, meeting new friends and learning how lucky he is. What also changes Brett’s attitude to himself, other people that are the friends that he makes during the novel and a girl that he is willing to meet, even if he goes the prison. Brett’s punish for escaping from the Farm has change view of making decisions. Instead of judging and disliking a person, Brett has shown to change his views of other people on his journey. The Poem, ‘The road not taken’ by Robert Frost also exhibits the opportunity to gain new perspectives in the poem, through the use of an extended metaphor about the journey of life. This is shown in the poem when the persona apologises for not being able to take both sides of the road. Disappointment is shown when the persona gives a ‘sigh’. This shows how melancholic he is by giving a deep audible breath. A personal voice is used in the poem to create immediacy.…
The purpose of “Acquainted with the Night” is to show the loneliness one can have going through depression. Almost feeling like everything is sad, even objects or things that don't have feelings. This poem illustrates someone sad and lonely one night walking down the street “unwilling to explain.” The title of this poem holds significance because “acquainted” means to know someone, whereas this piece is about not having anyone and being lonely. On the other hand, “ Out, Out--” was written to portray a story about a young boy cutting wood with his father when his sister calls him in for dinner, he gets excited and jumps up and down and almost cuts his hand off completely with a buzz saw. When the doctor came to help and amputate his hand, the…
During the Modern Era of the late 19th century and the early 20th century, many artists were turning away from the idea of painting realistic images. Photography, having just been developed for public use a few decades earlier, made artists of the day focus less on painting as an precise copy of what is seen, as had been done for centuries. Since the Middle Ages, most artists painted exact representations of life. Starting in the late 1800s, though, many artists were starting to embrace the theory of art as an impression of what is seen. Impressionism, the art movement that began in the 1870s in France, was the first real development of this new concept of painting. Impressionists, such as Claude Monet, sought to put on canvas how they saw light and nature. Unlike the artists from centuries before, the Impressionists were not interested in painting images of nobility or religion; instead they focused more on painting ordinary people and nature. Post-Impressionism, which occurred about a decade later, still used similar subject…
It’s a cold evening on a tight curvy road high up in the canyon. In this remote setting, the driver sees a dead deer in the roadway. I believe it’s not the first time for the driver to be in this situation as there is a line in the poem that says normally the best course of action is to roll them into the canyon. This makes sense that deer are frequently struck by vehicles on this road.…
8:30 AM in the living room of the Tyrone family's summer home, August, 1912. The room is adjacent to the kitchen and dining room, and there are stairs leading up to the upstairs bedrooms. The living room is handsome and full of books; the collection is impressive, and all the more so because the books have the look of having been read. The Tyrone family has just finished having breakfast, and Mary and James Tyrone Tyrone enter. Mary is fifty-four, striking, but with a worn look. Her hands are knotted from rheumatism, and she continuously wrings them nervously. James Tyrone is sixty-five but looks younger, handsome and healthy looking. He has a fine voice, a sign of his trade as an actor.…