Analysis Of World War I: Feelings Of War

Feelings of War During the World War I, the literature had a conversion of the emotions and purposes of how writers told their stories through the poetry. As a consequence, of the tragically situation on war, James Campbell (1999) incorporated to the poetry the ideology of combat gnosticism that is defined as “the belief that combat represents a qualitatively separate order of experience that is difficult if not impossible to communicate to any who have not under gone an identical experience” (Campbell, 1999, p. 204); notably, it substantiates how the soldiers in World War I ambition to express their misfortune. Moreover, Campbell exposes an essential type of literary that support combat gnosticism; a realistic text founded on the direct combat experience of soldiers, which he names as the trench lyric (Campbell, 1999, p. 204). The transformation of literary poetry during World War I, controvert the last romantic and positive poetry previously to war.
The experience of Owen during World War I provided him enough thoughts to put on paper as poems fully of melancholic emotions; Owed poems represent the combat gnosticism ideology because they expose how realistic was the experience on war to Owed, also how he transformed his literary feelings in a trench lyric. After Owed was diagnosed as having shell shock he was sent to Craiglockhart Hydropathic (Owen, 2007); where this feelings of wrath were recreated on poetry, reflecting the bewilderment of knowing the untruth of patriotism. in his poem Dulce et Decorum est (1921). In his poem, Dulce et Decorum est, Wilfred Owed employs combat gnosticism to challenge reader’s beliefs about how war is sold to society with the idea of blind patriotism, leaving readers with doubt about their former