This painting was made by Sandro Botticelli in Florence, Italy during the Renaissance. It is still in Florence and is on display at the Galleria Degli Uffizi.…
The Articles written by Jean Young and Greg Miller both focus in what Suzan-Lori Parks intentions were when writing the play Venus. After reading both articles I am siding with Jean Young’s article, "The Re-Objectification and Re-Commodification or Saartjie Baartman in Suzan-Lori Parks's Venus" that Parks is re-objectifying Saartjie Baartman. Throughout this article it explains how Baartman is portrayed as a free women able to make her own decisions, but this is wrong because Baartman is actually a victim. This shows how the play continues to objectify Baartman. Later in the article Young states, “Parks's stage representation in Venus creates the illusion that Baartman was a free and liberated woman who enjoyed her status as a sex object and/or…
Admittedly, I never truly looked at amazing pieces of Art. I recently did research on two interesting pieces of Paleolithic art, The Venus of Willendorf and The Venus of Laussel. It was fascinating to learn about each piece of art and what the story is behind each one.…
Crais and Scully, have meticulously and skillfully pieced together the life and times of Sara or Sartjee Baartman. The Authors have given us insight as to whom Sara Baartman the Gonaqua woman was opposed to the Hottentot Venus that she was worldly famous for. For centuries Sara Baartman has embodied westerner’s ideologies of the primitive, savage, and uncivilized Africans. The ghost of Sara Baartman will forever haunt history and our present day lives as long as beliefs in racial supremacy and anti-feminist theories are supported by her very existence.…
We should take into consideration the aspect of those things and people thought of as beautiful tend to be appreciated more by society. The reason is that this kind of beauty is determined not from an aesthetical or physical point of view, but from a societal perspective. In this case, one of the simplest examples can be the trend on women’s bodies. In the Renaissance period being fat meant to show the value of the human body and pureness. Women were considered beautiful and sexy if they had healthy plumper figures unlike skinny thin models are considered nowadays. The historical evidence for this is well documented in the pieces of art and literature. For example, women portrayed by Peter Paul Rubens represent the body weight preferences of Europeans at those times. In his paintings The Judgment of Paris (1632) and Venus at a Mirror (1614) all of the women are over-weight or obese, which was considered attractive. At the same time, Venus portrayed in Sandro Botticelli’s The Birth of Venus (1485) painting, is very thin and skinny that contradicts with the well-known common standards of beauty in the Renaissance. So, it is hard to say whether Ruben’s and Botticelli’s painted women represented their personal preferences or those of their people and their times? Hence, we can’t be absolutely sure if people really respected fat women more than thin ones. This leads us to the conclusion that the society dictates specific standards, but the real personal attitudes may be different. Although, who knows? Anyway, that proves my last dimension of beauty appreciation that plays an important role in this…
As Hesiod explains, from the start, the formation of the first woman was unnatural and monstrous. The gods molded this creature from clay and adored her with untold beauty. They then placed her into the civilized world and as she steps foot both God and men become overpowered by “... the wonders [that] possessed both immortal gods and mortal men, when they saw the thorny deception, irresistible for men.” (Hesiod 42) The female, like all other monsters, is a hybrid with morphological oddities and extraordinary physical powers that threaten Greek society. And since she is not “fully human”, she bridges between the divine powers of the gods and the destructive power of nature. Her formation from the earth, furthermore, goes beyond the boundaries…
Found sometime during 1908, George Grant MacCurdy an Anthropologist unearthed a palm sized figurine of a woman. This woman has been given the name Venus of Willendorf. Willendorf was a nearby village in Australia, where the palm sized artifact was found. Venus of Willendorf’s place in history has been debated over the years. Technology advancements have made a more possible guess to her age being somewhere between 24,000-22,000 BCE. (pg.1)…
In 1908, archaeologist Josef Szombathy’s workman Josef Veram uncovered the figure that has come to be known as the Venus of Willendorf. Found at a Paleolithic dig site in Willendorf, Austria, the Venus of Willendorf is a small limestone figure of a women. 53 years later, in Çatalhöyük, Turkey James Mellaart dug up the Seated Mother Goddess, or Seated Woman of Çatalhöyük. This figure was also clearly a women, but it was larger, and made out of clay as compared to the Venus of Willendorf. Though they came from very different parts of the world, historians soon recognized the striking similarities between the two figures. Despite the differences between where they were found, and the time periods they came from, the two figures had undeniable similarities. Both had largely defined…
The Venus of Willendorf is one of the oldest and most famous early images of a human. She represents what use to be the “ideal woman” with her curvy figure and the emphasis on fertility seen in the features of her sculpted body. This paper will analyze the Venus of Willendorf sculpture in terms of its formal analysis.…
Venus de Willendorf is a statuette that first appeared during the Upper Paleolithic period. The exaggerated carvings of the body parts were how the artists of that time viewed women, fat and fertile. History often takes from the past to reinvent the future. Today’s society has the Barbie doll. Ruth Handler created it in 1959. Its long legs and slim figure has been worship by so many, that real women have undergone intense cosmetic surgeries to resemble the doll. Both figurines have gained notoriety based on the representation of women of their era, displayed their own meaning of beauty and cultures’ perception of it.…
Sandro Botticelli’s, The Birth of Venus, and Titian’s, Venus of Urbino are two paintings featuring the female nude, Venus as the main figure of the paintings. She is a classical representation of beauty and sensuality. Although these paintings have similar attributes such as the use of linear perspective, chiaroscuro, and their similar period style they have different hidden meanings. The Birth of Venus shows the story of how Venus came to be and portrays different gods and goddesses while in The Venus of Urbino, it is more of an allegory for marriage.…
The Venus of Willendorf (Venus of Willendorf: 1-3) is an example of such. It is a small figure of a large woman. She has very large breast with skinny little arms rested on top of them. Her breast lay on her even larger stomach, which hangs down to just above her pubic area. Her pubic area and belly button are well defined but there is only small evidence of nipples. Starting at her wide hips her thighs touch and press together down to the knees, and then become much smaller than the rest of her. Her head is completely wrapped with what seem to be braids, with no face visible. This figure, at first glance, and second, isn’t one of beauty. After all, it is a rather plump nude woman with no face. But, looking closer and noticing where the emphasis lies gives it a different look. The woman’s breasts, stomach, and pubic area grab the most attention; all three of these being attributes of a woman’s fertility. It seems as though they are being used to show a celebration of her fertility and ability to have strong children like her. Looking deeper into this figure it can go from something ugly to something special.…
When thinking of sculptures, one of the first that comes to mind is David. This statue was created of marble between 1501 and 1504 and stands over 14 feet high. David is a symbol that represents strength and anger. The statue had intended political connotations for the ruling of the Medici family. Michelangelo used David as model of "heroic courage" to demonstrate that "spiritual strength can be more effective than arms". Michelangelo insisted that David should stand as a symbol of the republic and act as a warning that Florence shall be governed justly and bravely". This was the first time since antiquity that a large nude statue be exhibited in a public place.…
Europa was found on 8 January 1610 by Galileo Galilei. The disclosure, alongside three other Jovian moons, was the first run through a moon was found circling a planet other than Earth. The disclosure of the four Galilean satellites fortified the view that planets in our nearby planetary group circle the sun, rather than Earth. Galileo evidently had watched Europa on 7 January 1610, however had been not able separate it from Io until the following night.…
I visited the museum to see the “Posing Beauty” exhibit on Thursday October 3, 2013 and Tuesday October 8, 2013. The atmosphere of the museum was tranquil, and allowed for a freethinking and free-flowing environment to create ideas for the argumentative essay. The title of the artwork I chose is Venus, which is a self-portrait taken in 1994. I was immediately attracted to the piece of artwork because of the position of her body and her nakedness jump out of the portrait. It is not often that curvaceous black women are photographed, let alone naked for anybody to see. I feel extremely close and personal to the image because I am not the socially acceptable model figure. I too have curves and have learned to embrace them despite societies constant reminder that I am not a size 0.…