The poem begins by undercutting the beautiful, pleasant imagery promised by the title through the terse bluntness of the “dusk, and cold.” Flowers are indeed present as the title suggests, but only “frail, melancholy” ones, gathered by the subservient act of “kneeling” among “ashes and loam”. There is a definite sense of ending – both of the day, and of something grander. The persona’s attempts at engaging with the natural world are crudely rebuffed – she cannot succeed in her musical engagement, merely “try”, which results only in an “indifferent” blackbird “fret[ting] and strop[ing]” under “Ambiguous light. Ambiguous sky.” This unfriendly environment in which the poem begins foregrounds the sense of loss which characterises so much of Harwood’s poetry, an inevitable, confronting finality emphasised by the bluntness of the language and plethora of full stops. The adult world presented here is one of uncertainty, difficulty and ambiguity.…
This a comparative analysis of poems 'To His Coy Mistress', 'Let's Misbehave' (actually is a song) and 'The Sunne Rising'. It was supposed to be 4 poems, but I'm pretty sure a paragraph went missing, so this is up for repairs.…
Poetry is an expression of emotions. Communication of time and relationships are conveyed through many of the poems composed by Gwen Harwood. Factors contributing to her success as a poet through the decades relate to her themes and the universal symbols. ‘At Mornington’, ‘Mother Who Gave Me Life’, as well as ‘Triste Triste’ all express the emotions within Harwood’s life and show how time is intricately interwoven to relationships. Through these inter-textual factors a network of memorable ideas are collaborated to make a magnificent opus that has stood the test of time.…
In the first stanza, imagery and diction, flatters this lady, Andrew Marvell wishes to seduce, and depicts his great and ever-growing love for her.…
The stylistic features filled with nature imagery and florid ornament during the Elizabethan Age disappeared after the Queen’s death and the poems during the reigns of James I and Charles I came to be concentrated on colloquial and plain style. The main difference was that poetry was no longer romantic. Poets like John Donne became to be known as ‘metaphysical poets’. The term ‘metaphysical’ refers to the use of intellectual and theological concepts in conceits, paradoxes and far-fetched imagery as Donne himself did in Meditation XVII, where he accounts for his view of death.…
This poem is a ‘carpe diem’ poem meaning seize the day. The poem is split into three stanzas. In the first stanza Marvell gives us the impression that he is calm, caring and in no hurry. But then in the second stanza he makes it clear that they have not got much time, and death is near. The final stanza shows that they are in a fight against time and they should pursue pleasure while they are able to. The poem is wrote in rhyming couplets.…
Andrew Marvell, To His Coy Mistress, pp. 478-9, The Norton Anthology of Poetry (W. W. Norton & Company; 5th edition, 2004).…
Phillis Wheatley was born on May 8th, 1753 in West Africa. She was kidnapped and then sold into slavery. John Wheatley, a Boston tailor, purchased her. Originally bought as a servant and attendant to Mrs. Wheatley, she was accepted into the family and raised with the Wheatley’s other two children. The Wheatley’s recognized her talents and encouraged her learning. She learned to read and write English at age nine, and began writing poetry at thirteen. Because of the remarkable speed of her learning she was taught Greek and Latin, and was reading passages from the bible. Three English poets had a strong influence on her, they were known as Milton, Pope, and Gray. Her poetry was published during her lifetime, which was rare for any poet, let alone…
The U.S. government is made up of three separate but equal branches, legislative, executive and judicial. To understand how the government functions it is necessary to understand the function of each branch and hoe they relate to each other.…
Fortunately for Phillis Wheatley, her owners and their family did not treat her like a slave. Her education was encouraged and her writings were praised. The Wheatley’s son, Nathaniel, is partly responsible that we are able to read the poetry of Phillis Wheatley today. He went with her to London in 1773 where she hoped to gain support of her manuscript and have her works…
The metaphors Oliver uses are hardly ever unexpected. She uses a comprehensible dialect in its place. It may not seem too convincing, yet it makes an absolute piece become meaningful and worthwhile. It is not complicated to picture wild geese flying across the atmosphere. However, it is flattering when sitting alongside the scenery of sun and rain “moving across the landscapes over prairies and the deep trees, the mountains and the rivers.” Oliver uses this identical representation in order to illustrate humanity reaching out to those that are feeling completely alone. Once more, this is not very complicated, but a fascinating metaphor. Oliver may be considered a poet of irony; however there is no way her work can be considered to be “boring.” Her established word choice contains traditional gracefulness while at the same time adding modern thoughts about both nature and the human race.…
It is summarised by his enthusiasm for life at the time, “no hands, famous, learning…” The first of these images is suggestive of a recklessness, a sense of invincibility and assurance which is shown as hubris by the poem’s end.…
Metaphysical poet Andrew Marvell is famous for his poem, "To His Coy Mistress". This is a carpe diem style poem where the writer encourages his love to seize the day. He is basically trying to persuade his love into pre-marital physical intimacy. By today's standards, Marvell seems like a chauvinistic jerk, especially in his selfish nature. However, I agree with a lot of what he stands for in the poem, such as not taking the present time for granted. This poem is representative of the selfish love we often see. Love that is based on physical attraction rarely lasts.…
Andrew Marvell’s poem chronicles his reactions to the artistic merit of John Milton’s Paradise Lost (1667) in seven verse paragraphs of fifty-four rhymed iambic pentameter lines. The opening sentence forms a grammatical unit of ten lines. The remaining lines, marked with a grammatical pause at the end of each couplet, follow the poetic practice of end-stopped couplets.…
‘To His Coy Mistress’ was written by Andrew Marvell (1621-1678). The poem is a metaphysical poem, which was mostly used in the seventeenth century and was classed as a highly intellectual type of poetry and mainly expressed the complexities of love and life; just as this poem is. In brief the poem is about seizing every opportunity in life and not caring about the past or future. In other words ‘seize the day’. The poem also explores the nature of seduction.…