The story is mostly built up in a dialogue between the two main characters of the story, an old man and a young gentleman. The young gentleman tries to buy a love poison for his girlfriend, who he is afraid to lose. The old man, tell the young man the side effects and the magical things the love poison can do. Not caring about the bad things that can happen with him giving the love poison to his girlfriend, he takes off with the love poison hoping to make his girlfriend be with him forever. Collier underscore’s how dangerous the cynicism of an old man and the desire of a young man can lead to the need for an ideal of love that permits interchange, individuality, and understanding. This sort of love, because it excludes everything else in life, suffocates rather than pleases.…
In chapter 5, when Mattie quotes “I hope Zeena ain't broken anything she sets store by,” she called after him as he turned the greys toward home.” (Wharton). Mattie shows suspense by giving hints on what's going to happen with the pickle dish. Later on in the chapter, Mattie is distraught because the pickle dishwasher one of Zeena’s prized wedding gifts. In fact Zeena never used it because it symbolized marriage and love. The breaking of the dish symbolized Zeena and Ethan soon to be failed marriage. In contrast to Ethan and Mattie's love for one another. Also with Ethan trying to “fix” the pickle dish by gluing it back together, shows their love affair is not acknowledged but actually hidden.…
In the first, few pages the piece sits alone, waiting for someone to come and pick it up. Some come to rescue it, but end up as failed relationships. All those who try to fit with the piece, are almost archetypical, and symbolic for relationships the common person experiences in their quest for becoming themselves. The piece encounters those who could fit,…
In everyday life, a relation is always identified as trust and support. In this novel, a relation between a husband and a wife is shown in a different way. Min, one of the characters in the story, is shown losing her mental stability and is living with her two children. She did not have any contact with her husband in few years and neither did he try to contact her. Nobody knew where Cherkis was but the reason behind him getting lost was Min. Min was never happy with him. Just like in every relationship, one has to be understanding and Cherkis was. He tried to take care of Min but she always hated him and forced herself to not to get help from anyone and because of this Cherkis couldn’t save their marriage and went away from Min’s life forever. “I had wanted Logan to understand that Cherkis hadn’t decided one morning on a whim to leave his family, to blithely take off for something better and more exciting and leave his kids confused and angry and sad, but in fact Min had forced him to leave,” Hattie thought(Page 129). The author tried to give out a massage that to believe someone and to support them are two different but major things that are necessary in every relationship. In this book, Min threw Cherkis out of her life and he too felt tired of her mental instability which shouldn’t happen. Cherkis should’ve supported her and who knows the end might have been different.…
Initially, Beattie employs the unanimated bowl as the main reason for Andrea’s success. She would bring it along to each listing to add to its appearance, almost the same way she would bring her dog Mondo along “when she thought that some prospective buyers might be dog lovers”. As we get to the end of the short-story, we realize that this object has much more meaning to Andrea than we are led to believe. Given to her by her ex-lover, Andrea has established a physical and emotional obsession to the bowl, a very abnormal and possessive obsession, caring for it like it was her own child. She personifies the object, describing it as “something she loved”, like loving one’s own flesh and blood, loving it to the point that she starts associating…
Discourses have powerful social effects and can empower some, while marginalizing others. In the texts Lost Property and Muriel’s Wedding the dominant discourse is relationship. The audience is positioned to see Josh Tambling from Lost Property as having tough relationships as he is the one who is expected to pull through. While Muriel Heslop from Muriel’s Wedding is portrayed as unreliable and selfish as the story is told.…
In the beginning, Andrea simply brings the bowl along to each home she visits in order to enhance its appearance and thus heighten her chances for making a sale; similar to the fact that "when she thought that some prospective buyers might be dog-lovers, she would drop off her dog " But throughout the story, her use and placement of the bowl become an obsession for Andrea. She places it on a lone table, removing all other items so that the bowl becomes the main focal point. When a client calls Andrea to ask where she can get a similar bowl, Andrea pretends not to know; yet it is obvious that she is well-aware where the bowl came from, and she simply does not want to tell anyone. Andrea becomes both possessive and obsessive about the bowl. As an example of her obsessive behavior, Beattie tells of an event where Andrea leaves the bowl at a home she has just shown. Upon realizing she has forgotten the bowl, Andrea races back to her client's house, "wonder[ing] how she could have left the bowl behind. It was like leaving a friend at an outing just walking off. Sometimes there were stories in the paper about families forgetting a child somewhere and driving to the next…
The author of this essay makes a clear and distinct point that art and aesthetics can be seen and recognized at any time in this story, regardless of gross things, conditions, or ugly visuals. He claims that "even the process of dying has an aesthetic, spiritual dimension." (168)…
The message mentions a curse, and as Andrea comes to terms with her feelings for this new man, as well as old pain and even older magic, she realizes that the curse she wrote about as a child is turning out to be something very different than what she’d thought. For Nick, the strange but beautiful woman crossing his path draws him closer and closer until he wonders if his attraction to her is being assisted by fate… or magic.…
Collins uses spoons and forks to describe two separate stages of the relationship (1-2). Typically, spoons and forks are made of metal and are malleable as a result. Much like the temporal language in lines one and two, the use of items that can bend under pressure and even melt under enough heat symbolizes the ways in which individuals might change over time in a relationship. Because the spoons are individuals, they operate independently, even if they come together nicely, fitting and resting in romantic metaphor of “spooning.” However, the spoons face different pressures and uses, different expectations and experiences, which seems to lead to less and less fitting together. This notion is echoed, briefly,by the temporal shift. The poem begins in the past and moves to the present, establishing a precedent for change of some…
As the story continues the woman’s control of power intensifies by the Adam’s confusion. After his initial rejection, Adam goes along throughout the poem questioning his self about what is taking place and how he should feel as well. “If I couldn’t sink myself in her like a dark spur or dissolve into her like a clod thrown in a river, can I go all the way in saying, and say I wanted to punch her right in the face? Am…
she talks about the hurricane that happened in New Orleans that destroyed many homes and left thousands of people displaced with no where to go. Amy Cyrex expresses in her essay that it didn’t surprise her that the people of New Orleans needed a taste of home after the destruction (45). She says “lost for ever were the family recipes that i had collected and cherished” (Sins 46). Doberge cake was one of her favorite recipes that her mother in law would make for her husband but later she was given the recipe and she carried her mother in laws tradition (47). It also represents the loss she personally felt when she lost her home in the hurricane. re-constructing the recipe meant to her reconnecting to life before the…
This context established the writer’s path to the fictional story. By focusing on the character’s journey and story, he uses the social…
Saanchi’s smile did not leave her face, all day as she flittered around the office. I am fortunate to have such a nice man in my life, she thought while driving back home. She’d planned an Italian meal for Manav and their romantic, candle-lit dinner that evening, soon transcended into a passionate night of love. And from that moment on, all their disagreements dissolved into nothingness.…
Gilbert begins the novel with a bold and straightforward statement: “I wish Giovanni would kiss me.”(7)It immediately creates our anticipation for a particular scene along the plot trajectory that the writer’s love life is at stake. Rather than explicitly tells, Gilbert implicitly shows us that she’s eager to get her love life back on track. It’s human nature of men to be drawn to the twists and turns in the search of love; therefore, Gilbert successfully creates the momentum to keep readers turning the page. The book, of course,…