Throughout Elizabeth Panttaja’s article, the audience is provided with impressive mental illustrations in which portray the Cinderella society recognizes today as deceptive. The idea Pantajja is presenting to her intended audience comes from the foundation of the original Cinderella titled “Ashputtle.” Panttaja discloses that “Cinderella….has little to do with her being a standup citizen and more to do with her intense loyalty to her dead mother and a string of subversive acts; she disobeys the stepmother, enlists in forbidden helpers, uses magical powers, lies, hides, dissembles, disguises herself and evades pursuit”(Panttaja #60). The superior statement may be directly interpreted as Pantajja believes firmly that Cinderella is horribly misbehaved, disrespectful alongside deceitful.…
Everyone knows the story of Cinderella, the girl who finds her prince with the help of a magical fairy god-mother, transforming her previously horrible life to a fabulous depiction of every little girls dream. Generations of children around the world have heard the story Cinderella countless times, however most people are unaware of the multiple versions of this legend. The European version of Cinderella ,“Aschenputtel” written by the Grimm Brothers consists of the female protagonist being treated as a servant, yet somehow manages to leave her cruel family behind for her Prince whom she lives happily ever after with. Another version of Cinderella is the Native American tale “The Algonquin Cinderella”, where the female protagonist is also mistreated by her family, however she is fortunate enough to “find” her own prince in her village. Although both stories present similar morals, both vary in details such as characters, settings,and use of magic.…
The story of Cinderella is an interesting one as it perfectly depicts the example we’ve been given in class of the “hero’s journey”. Throughout the plot, it begins with her family struggles. Her mother has perished and her father marries a woman who is not fold of Cinderella in the slightest. In addition to this, the woman has two daughters who are spoiled…
In The essay Cinderella: Not So Morally Superior by Elisabeth Panttaja, the author analyzes the classic fairy tale that most of us have grown up knowing of Cinderella. The author’s analysis is a bit abrupt and right to the point, but also cleverly stated. The authors essay is about Cinderella being crafty, and not the normal perception of Cinderella being a princess who is virtuous and patient. It is also described in the essay that Cinderella may not be as motherless as it seems in the classic fairy tale. We think to assume that because she has magical powers looking over her that she is also of hierarchy morally. It is an example of the complexity in what is portrayed as a simple story. A story about good Vs. Evil, and good always overcomes.…
The common fairytale portrays the stereotypical “damsel in distress,” who is helpless until her male savior typically rescues her. Many fairytales address the theme of gender roles as well as many others. The female character takes on the feeble, desolate role, while the male character takes on the strong, hero role similar to the stories of Cinderella and Sleeping Beauty. However, Elizabeth, the protagonist of The Paper Bag Princess defies typical gender roles as a female character and becomes the hero of the story. Cinderella and The Paper Bag Princess share many qualities, but have major differences as well. Cinderella is an example of a woman who occupies traditional, domestic roles, but she does not portray the modern, liberated woman Elizabeth exhibits.…
Let me start off with saying that Bettelheim completely ruined my fantasy on fairy-tales. His contorted mind really made it hard to remember all the beautiful tales from childhood.Of course he is entitled to his own opinions and I won’t argue with that but I certainly don’t agree with a bunch of points he is trying to make.…
In “Conte” by Marilyn Hacker, Cinderella shows the reader a glimpse of her life after the childhood tale ends, a less happier ending than the original story implies. She feels trapped in a constant state of misery and boredom in the royal palace. Without life experience guiding her, Cinderella is in a dilemma caused by her ignorance of the potential consequences of her actions. With the use of irony, structure, and diction, “Conte” shows how innocence and naïveté result in regrettable mistakes that create life experience.…
In cinderella this young teenage girl wants to live up to her dream, but never get's because of her stepmom and stepsisters. Always in the end she ends up achieving what she was trying to work so hard for in the beginning. In all conclusion the story of cinderella shows the theme in literature to be sometimes predictable and other times unrecognizable.…
In 1964, the literary critic Northrop Frye published a book, titled The Educated Imagination, in which summarized his ideas on the relevance of literature to life and more specifically, the conventions that come with them. Frye establishes the literary forms through the exploration of traditional and modern forms of story telling. The foundation of conventional literature has been told many times throughout history, however it is at the discretion of the author to embellish it with minor outlying details, or content change. Literature can only stem from literature itself. All literature is new, but also recognizable. We can still find these conventions in modern day literature and media. An illustration of the Cinderella story convention is…
Growing up I can remember how I felt after watching the Cinderella story. Inspired by the rags-to-riches fairy tale, I can remember hoping that maybe someday I could be like Cinderella. I never imagined the story I knew all-too-well would have been dramatically altered from its original version. Though the lesson remains the same, comparisons reveal numerous differences between Walt Disney’s Cinderella to the earlier Charles Perrault’s “Cinderella: Or the Glass Slipper”. Variations are noticed in characters, events, and outcomes of this world-famous…
In the real world, problems and complications come up and happily ever after’s don’t exist. Sexton takes the classic story of “Cinderella”, reworks it, and makes it into her own twisted version of a fairytale. She starts the audience off with a few little “rags-to-riches” accounts comparing modern culture’s unrealistic dreams to what life really is like. Then she goes into telling the readers the famously known fairytale in a sardonic tone. The audience gets a sense of frustration from her way of expressing herself in each little story she talks about. She shows the world that its not always rainbows and butterflies, the real world is more complicated than that. Sexton’s “Cinderella” highlights despair and the delusions women have about love.…
Perrault’s “Cinderella” is essentially a story about women. The women are given identifiers that allow the readers to foresee their actions, while the men in the story are flat and nearly unidentifiable, showing an absence of importance amongst the male characters. “Cinderella” begins by characterizing the women in the story, describing Cinderella’s new stepfamily as the “haughtiest and proudest” (449) and renders Cinderella and her late mother as “gentle, “good,” and the “best in the world” (450). What stands out the most amongst these descriptions is the lack of characterization of Cinderella’s father, who is only described as being “totally under the control of his wife” (450). It is presumed that without Cinderella’s father being so feeble under the rule of his new wife, he would better protect Cinderella from being mistreated by her new stepfamily. In society, men are often portrayed…
In Anne Sexton's "Cinderella" one may ponder what the purpose and tone is. Anne Sexton uses a strong satiric and humorous undertone when poking fun at marriage. The use of dark humor adds life and body to the poem. Anne Sexton's placement of witty understatements is impeccable and allows the reader to imagine Anne Sexton's dark humorous laugh as they read the poem.…
There are many versions to the famous fairy tale Cinderella. Jacob and Wilhelm Grimm’s German version of Cinderella, “Aschenputtel,” is a household story of a young girl named Cinderella who eventually marries a prince. This specific version of Cinderella gave birth to the Walt Disney version of Cinderella that most Americans know today. However the stories are very different. The Grimm brothers’ version is much darker and gory then the classic American version. Small differences like this shed a different light on Cinderella and her journey to a “happy” ending.…
In all these versions, readers or viewers find a common thread to all. The wicked stepmother and siblings are either punished or forgiven, while the sweet, gracious, and beautiful Cinderella marries the prince, and as such escapes her miserable life. According to this tale, marriage is the ultimate goal in life especially for the woman. In Cinderella, all the maidens in town go to the ball just to marry the prince. Even Cinderella desires to go because she sees marriage to the prince as the solution to her problem. “The ideological and psychological pattern and message of either Perrault’s or the Grimms’ Cinderella do nothing more than reinforce sexist values and a Puritan ethos that serves a society which fosters competition and achievement for survival” (Breaking the Magic 195). And this applies to the other two versions in this analysis. Women are typecast as incomplete and invisible without the prince, who obviously is a wealthy archetype. There is a certain important message in Cinderella that is most profitable to marry a rich man, because it earns the woman respect and dignity.…