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Annotated Bibliography: Early Modern Revenge Tragedy

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Annotated Bibliography: Early Modern Revenge Tragedy
Annotated Bibliography: Tragedy Condon, James J., “Setting the Stage For Revenge: Space, Performance, And Power In Early Modern Revenge Tragedy." Medieval & Renaissance Drama In England 25.(2012): 62-82. Literary Reference Center. Web. 12 Apr. 2015.
The author James Condon has written about Thomas Kyd’s “The Spanish Tragedy,” John Marston’s “Antonio’s Revenge” and "Titus Andronicus" by William Shakespeare. The article explains revenge tragedy is a style of drama, popular in England during the late 16th and 17th centuries. The basic plot was an expedition for revenge and typically featured scenes of bloodshed and mutilation. Mr. Condon wrote about early modern revenge with a large focus given to the themes of spatial conflict and theatricality. …show more content…
The authors researched Hamlet, King Lear, Othello, and Macbeth to find out whether if they have a common structure. Emma Dominguez-Rue and Maximilian Mrotzek analysis includes the outer plot and the inner thoughts of the characters. The authors identified the plot structure connections, and interactive behavior using causal loop diagrams (CLDs). According to the authors “identifying a common structure that accounts for both the outer and the inner plot can prove to be a useful tool for the analysis of Shakespearean tragedy.” One of the common structures the authors discuss that King Lear resembles Hamlet in that both of these characters do not act but rather react to external forces.

Falco, Raphael. "Shakespeare 's Tragedies: Violation and Identity." Medieval & Renaissance Drama in England 21.(2008): 271-274. Literary Reference Center. Web. 12 Apr. 2015. Raphael Falco’s article is a review of a book written by Alexander Leggatt, “Shakespeare’s Tragedies.” In Leggatt’s book he has linked themes of violation and identity through seven Shakespearean tragedies. In Falco’s opinion “Shakespeare 's Tragedies is in fact supplied with analytical subtlety, a lifetime 's pondering of the plays and the criticism of dramatic representation.” According to Falco, Laggett shows knowledge of Shakespeare and with the reigning theories of early modern …show more content…
The author proposes “Hamlet” is strongly influenced by Plato’s philosophy. According to Freiberger one of the similarities is the theme of being and not being. Freiberger describes “Hamlet works on a variety of levels, functioning as both a tragic drama and a as a sophisticated commentary on Plato’s own complex relation to tragedy.”

References:
Condon, James J., Mary Bly, and S. E. Cerasano. "Setting The Stage For Revenge: Space, Performance, And Power In Early Modern Revenge Tragedy." Medieval & Renaissance Drama in England 25.(2012): 62-82. Literary Reference Center. Web. 12 Apr. 2015.

Devi, P. Indira. "Tragic Flaw In Shakespeare 's Hamlet." IUP Journal Of English Studies 9.4 (2014): 93-97. Literary Reference Center. Web. 12 Apr. 2015.

Domínguez-Rué, Emma, and Maximilian Mrotzek. "Shakespearean Tragedies Dynamics: Identifying A Generic Structure In Shakespeare 's Four Major Tragedies." International Journal of General Systems 41.7 (2012): 667-681. Academic Search Complete. Web. 10 Apr. 2015.

Falco, Raphael. "Shakespeare 's Tragedies: Violation And Identity." Medieval &
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