Annotated Bibliography On Game Design
Adams, A. R. (2003). Andrew Rollings and Ernest Adams on Game Design (NRG). New Riders.
Adams, E. (2004, 6 29). The Designer's Notebook: Postmodernism and the 3 Types of Immersion. Retrieved 3 1, 2016 from Gamasutra : http://www.gamasutra.com/view/feature/2118/the_designers_notebook_.php
Bordwell, D., Thompson, K., & Staiger, J. (1988). The Classical Hollywood Cinema: FIlm Style and Mode of Production to 1960. Routledge.
Brandon, A. (2005). Audio for Games, Planning, Process and Production . Berkeley , CA, USA: New riders .
Brown, E., & Cairns, P. (2004). A Grounded Investigation of Game Immersion . Conference on Human Factors in Computing Syetems. Vienna : Electronic version.
Bush, T. W. (2007). The Importance of Audio In Gaming; Investigating in Next Generation Sound. …show more content…
(2006). On the Functional Aspects of Computer Game Audio. In: Prceedings of the Audio Mosty Conference .
Kent, S. (2001). The Ultimate History of Video Games: The Story Behind The Craze That Touched Our Lives and Changed The World. New York: Random House.
Kondo, K. (2005). "The Ledgend of Zelda" - Electronic Gaming Monthly. (M. MacDonald, Interviewer)
Kozloff, S. (2000). Overhearing Film Dialouge. Berkeley: University of California Press .
Kush N' Stuff Amusements Electronics Inc. (1976). The Text Book of Video Game Logic.
Kutay, S. (2006, 03 29). Bigger Than Big: The Game Audio Exlplosion. A Guide to Great Game Sound. Retrieved 03 20, 2016 from DMNNEWSWIRE: http://dmnnewswire.digitalmedianet.com/articles/viewarticle.jsp?id=38553
Kvale, S. (1996). InterViews: An Introduction to Qualitative Research Interviewing.
Lin, G. (2009). Higher Education Research Methodology-Literature Method. International Education Studies , 2 (4), 1.
Marino, G. (2006). God Of War: Sound and Music Production. Presentation at the annual Game Developers Conference . San Jose.
Marks, A. (2002). The Complete Guide to Game Audio: For Composers, Musicians, Sound Designers and Game Developers. . Kansas : CMP
Adams, E. (2004, 6 29). The Designer's Notebook: Postmodernism and the 3 Types of Immersion. Retrieved 3 1, 2016 from Gamasutra : http://www.gamasutra.com/view/feature/2118/the_designers_notebook_.php
Bordwell, D., Thompson, K., & Staiger, J. (1988). The Classical Hollywood Cinema: FIlm Style and Mode of Production to 1960. Routledge.
Brandon, A. (2005). Audio for Games, Planning, Process and Production . Berkeley , CA, USA: New riders .
Brown, E., & Cairns, P. (2004). A Grounded Investigation of Game Immersion . Conference on Human Factors in Computing Syetems. Vienna : Electronic version.
Bush, T. W. (2007). The Importance of Audio In Gaming; Investigating in Next Generation Sound. …show more content…
(2006). On the Functional Aspects of Computer Game Audio. In: Prceedings of the Audio Mosty Conference .
Kent, S. (2001). The Ultimate History of Video Games: The Story Behind The Craze That Touched Our Lives and Changed The World. New York: Random House.
Kondo, K. (2005). "The Ledgend of Zelda" - Electronic Gaming Monthly. (M. MacDonald, Interviewer)
Kozloff, S. (2000). Overhearing Film Dialouge. Berkeley: University of California Press .
Kush N' Stuff Amusements Electronics Inc. (1976). The Text Book of Video Game Logic.
Kutay, S. (2006, 03 29). Bigger Than Big: The Game Audio Exlplosion. A Guide to Great Game Sound. Retrieved 03 20, 2016 from DMNNEWSWIRE: http://dmnnewswire.digitalmedianet.com/articles/viewarticle.jsp?id=38553
Kvale, S. (1996). InterViews: An Introduction to Qualitative Research Interviewing.
Lin, G. (2009). Higher Education Research Methodology-Literature Method. International Education Studies , 2 (4), 1.
Marino, G. (2006). God Of War: Sound and Music Production. Presentation at the annual Game Developers Conference . San Jose.
Marks, A. (2002). The Complete Guide to Game Audio: For Composers, Musicians, Sound Designers and Game Developers. . Kansas : CMP