Sophocles creates a strong sense of devotion and resolve through her actions as she is seen as a martyr for her cause. Antigone follows what is just in the world that Sophocles creates. He does not reflect that same quality in his portrayal of Ismene. Ismene is more fearful of Creon’s laws, she holds reverence towards her brothers, but is not as eager as Antigone to sacrifice herself to uphold a divine law. This is shown when she responds to Antigone’s call to action, “We are only women, We cannot fight with men, Antigone! The law is strong, we must give in to the law” (191-192). In her response Ismene expresses her lack of strength and fear, Sophocles portrays her as less righteous than Antigone. Although Ismene later retracts her refusal, Sophocles still frames this act in relation to Antigone. The nobility in Antigone’s conviction to the law of the gods is further shown through Ismene’s change of
Sophocles creates a strong sense of devotion and resolve through her actions as she is seen as a martyr for her cause. Antigone follows what is just in the world that Sophocles creates. He does not reflect that same quality in his portrayal of Ismene. Ismene is more fearful of Creon’s laws, she holds reverence towards her brothers, but is not as eager as Antigone to sacrifice herself to uphold a divine law. This is shown when she responds to Antigone’s call to action, “We are only women, We cannot fight with men, Antigone! The law is strong, we must give in to the law” (191-192). In her response Ismene expresses her lack of strength and fear, Sophocles portrays her as less righteous than Antigone. Although Ismene later retracts her refusal, Sophocles still frames this act in relation to Antigone. The nobility in Antigone’s conviction to the law of the gods is further shown through Ismene’s change of