Anwar Sadat and Margaret Atwood
Practice Essay
These two speeches through their enduring power of intellectual and artistic qualities connected and compelled their audiences to reassess and challenge the message within their speeches. “Statement to the Knesset” (1977) by Anwar Sadat, using biblical references, forces audiences to see and envisage the wonders of his unified narrative for social, cultural and political change. Throughout the speech “Statement to the Knesset” (1997) by Anwar Sadat, his themes and ideas can be seen through his enduring power and artistic qualities, and his audiences are emotionally and intellectually engaged and thus more responsive to Sadat’s deliverance of their own views on their beliefs and aspirations. “Spotty-Handed Villainesses” (1994) by Margaret Atwood, using subversive irony and humour, forces her audiences to deconstruct the deception of ‘evil’ women within literature and with her enduring power engages her audiences in cries for the dismantling of social gender roles. The speeches set for study mould responders into co-authors whereby being engaged by the speeches enduring power of their intellectual and artistic qualities, and their audiences embrace the speeches worthy messages. Thus both speeches continue to be valid in the present day.
Atwood discusses the relationship between literature and reality - in literature there is a requirement that ‘something else has to happen’ in the form of the plot, climax and resolution to engage the text. In reality we are happy with a ‘kind of eternal breakfast’ and we ask for nothing to really happen.
“In life we may ask for nothing more than a kind of eternal breakfast”.
Yet, this doesn’t mean that literature is merely art divorced from real life. Atwood believes that the gender cross over and revolution in literature is a direct result in the recent history of the women’s movement. Thus by the enduring power of Atwood’s intellectual and artistic qualities, Atwood compares the relationship between
These two speeches through their enduring power of intellectual and artistic qualities connected and compelled their audiences to reassess and challenge the message within their speeches. “Statement to the Knesset” (1977) by Anwar Sadat, using biblical references, forces audiences to see and envisage the wonders of his unified narrative for social, cultural and political change. Throughout the speech “Statement to the Knesset” (1997) by Anwar Sadat, his themes and ideas can be seen through his enduring power and artistic qualities, and his audiences are emotionally and intellectually engaged and thus more responsive to Sadat’s deliverance of their own views on their beliefs and aspirations. “Spotty-Handed Villainesses” (1994) by Margaret Atwood, using subversive irony and humour, forces her audiences to deconstruct the deception of ‘evil’ women within literature and with her enduring power engages her audiences in cries for the dismantling of social gender roles. The speeches set for study mould responders into co-authors whereby being engaged by the speeches enduring power of their intellectual and artistic qualities, and their audiences embrace the speeches worthy messages. Thus both speeches continue to be valid in the present day.
Atwood discusses the relationship between literature and reality - in literature there is a requirement that ‘something else has to happen’ in the form of the plot, climax and resolution to engage the text. In reality we are happy with a ‘kind of eternal breakfast’ and we ask for nothing to really happen.
“In life we may ask for nothing more than a kind of eternal breakfast”.
Yet, this doesn’t mean that literature is merely art divorced from real life. Atwood believes that the gender cross over and revolution in literature is a direct result in the recent history of the women’s movement. Thus by the enduring power of Atwood’s intellectual and artistic qualities, Atwood compares the relationship between