Prospero is another interesting character from Shakespeare’s Tempest that is found in Takaki’s book. Prospero decared that he had been thrust forth from Milan and had landed on the shore of Caliban’s island “to be the lord on’t” (36). By nothing more than self-righteousness, Prospero dispossessed Caliban’s land and pronounced himself as the rightful owner of the land. Early English settlers in Virginia…
Prospero treats Caliban unkindly, which prompts him to switch allegiances. It is blatant that there is tension between master and slave when Prospero accuses Caliban of trying to rape his…
In any marriage, it is important for the wife to feel secured, loved, and to receive sexual gratification to maintain a strong commitment to her husband. Unfortunately, in Kate Chopin's "The Storm," Calixta does not receive all of these things from her husband Bobinot. Calixta's husband Bobinot lacks a sense of power and control in their marriage and also leaves her feeling sexually frustrated. Calixta's encounter with Alcee Laballiere also reminds her of her dull marriage and the passion her and Alcee has once shared. Because of the unfulfillment of her marriage to Bobinot, Calixta is driven to commit adultery with Alcee.…
Caliban in "The Tempest" was the son of Sycorax, and his character is a symbolic representation of indigenous or "savage" people. His character represents the stereotypes of indigenous or uncivilized people and a direct contradiction of his more "civilized" counterparts, most specifically Prospero who is seen as his conqueror or master, and how he is below that of Prospero and therefore the indigenous people of the Americas were below that of the European colonists. This can also be seen as a reflection of William Shakespeare's view of colonizing North America and what was imagined the American indigenous people were like.…
I felt the stock of my bow while I was sitting in the blind. Frost had already began to form where I rubbed it off seconds ago. I looked through the small window at the everlasting snow. “Wait, was that a deer moving along those trees?” I asked myself. It looked more like a kangaroo making its way through the snow. I could barely stand up in the cold. I pulled back, ready to take the shot.…
In order to understand the characters in a play, we have to be able to distinguish what exactly makes them different. In the case of The Tempest, Caliban, the sub-human slave is governed largely by his senses, making him the animal that he is portrayed to be and Prospero is governed by sound mind, making him human. Caliban responds to nature as his instinct is to follow it. Prospero, on the other hand, follows the art of justifiable rule. Even though it is easy to start assessing The Tempest in view of a colonialist gaze, I have chosen instead to concentrate on viewing Caliban as the monster he is portrayed to be, due to other characters that are not human, but are treated in a more humane fashion than Caliban. Before we meet Caliban, we meet Ariel, Prospero’s trusting spirit. Even though Ariel is not human either, he is treated kindly and lovingly by his master who calls him “my quaint Ariel.” Caliban, on the other hand, is called a “tortoise” and a “poisonous slave” by Prospero. As Caliban enters in Act 1 Scene 2, we realise his fury at both Prospero and Miranda. He is rude and insulting and Prospero replies with threats of torture. Prospero justifies his punishment of Caliban by his anger at the attempted rape of his daughter, something Caliban shows no remorse for. Miranda distinguishes herself from Caliban by calling him “a thing most brutish” and inadvertently, a thing that has only bad natures. She calls his speech “gabble,” but doesn’t stop to wonder whether it was she that didn’t understand him because she didn’t know how to speak his language. Surely Caliban communicated verbally with his mother for the twelve years before Prospero killed her? It seems that Prospero and Miranda expect Caliban to be grateful for the knowledge of their language, but Caliban has just learned “how to curse” and justifies his anger by claiming rights…
Caliban’s relationship to Miranda and Prospero is bad-mannered. He believes that the island is his and that it was taken from him; “this island’s mine by Sycorax my mother”. Caliban believes that he should be set free since Prospero and Miranda are supposedly trespassers on ‘his island’. He serves them with passionate hatred and he feels as if he is a victim “I’ll rack thee with old cramps, fill all thy bones with aches, make thee roar, that beasts shall tremble in thy din”. Prospero also expresses his hatred to Caliban in this quote. Even if Caliban is strong and fierce I believe that his vulnerability makes him quite afraid of Prospero “I must obey, his art is of such power”. Which again, is quite a diverse representation of his character.…
In his critical essay, Art vs. Nature, Frank Kermode discusses the ideas of art and nature that are seen in The Tempest, by William Shakespeare. According to Kermode, Caliban is a figure of nature because of his connection to the earth and negative treatment he receives from civilized people based on the fact that he is seen as un-human and savage. Prospero, on the other hand, is a figure of art because of his expansive knowledge and magic not to mention his noble birth. Because of the large difference that Kermode sets up between Prospero’s art and Caliban’s nature we see a class system develop where Prospero is the respected nobility and Caliban is the unwilling servant with no way of raising his status. But when the other characters inhabit the island they join the class system as well. Unable to gain Prospero’s approval Caliban flocks to the first human who shows him version of kindness, Stephano. Because Stephano’s status is lower than Prosperos Caliban has more of an opportunity, if not to improve his status, to at least be a human part of the class system on the island.…
In this play, Prospero's dominance over Caliban is evident. Although Caliban is an aggressive and defiant slave, Prospero's unquestionable power and magical capabilities leave Caliban helpless to defend himself or refuse an order that is mandated upon him. Caliban complains that despite introducing Prospero and Miranda to the island, Prospero has treated him terribly compared to when they first met.…
The changes that occur in Prospero's character are unfathomable at times, and many of his speeches are fairly ambiguous. Prospero's treatment of Caliban is malicious, he enslaves him and calls upon his spirits to pinch him when he curses. His handling of Caliban can be justified to some extent; Caliban is the son of the witch that controlled the island before he did, and he tried to rape Prospero's daughter Miranda. Caliban's plight mirrors that of Prospero's in some ways, Prospero had his dukedom taken away by his brother and was then isolated from the world, Caliban is the only island native in the play, and in his opinion the island belongs to him. Shakespeare is trying to highlight the human response to experiencing a negative event, by Prospero inflicting pain on Caliban and suppressing him and his power, he cannot be a victim. Prospero feels threatened by Caliban, he wants to suppress the Native of the island, to gain complete control, his fear of losing power again is incredibly deep-seated. His hatred of Caliban is evident in the way he addresses him, "Thou poisonous slave, got by the devil himself upon thy wicked dam, come forth!" By Prospero calling Caliban a slave, he is giving him a pungent reminder of the…
Prospero is a protagonist in “The Tempest” because he has been attacked and betrayed by the people around him. Even though this puts him in a sympathetic position, he is ultimately cruel because he uses his advantages in order to get vengeance and stay in power over others. In particular, Prospero tournaments, Caliban, whom he catches trying to rape his daughter Miranda. He resorts to vengeance in Act 1, telling Caliban, “If thou neglectest or dost unwillingly what I command, I’le wrack thee with old Cramps, fill all thy bones with Aches, make thee roar, that Beasts shall tremble” (Shakespeare 1:2:21). Prospero threatens Caliban by imposing torture on him. To punish Caliban for his actions Prospero threatens to cause physical pain to Caliban by giving him painful cramps during the night. The fact that Prospero's idea of justifying the problem through torture demonstrates his standing in his sense of morality.. Prospero is wrong in the way he uses his social standing as a mean to torture others. Prospero feels a sense of authority. And this makes him like he is able to inflict suffering Caliban so that Caliban can pay for his actions towards his daughter. It is important to understand that authority figures such as Prospero's often turn to torture and cruelty to keep their subordinate figures in order. This contradicts the fact that all humans were created equally with the…
In the Tempest, written by William Shakespeare in 1611, Prospero the sorcerer was the Duke of Milan until Antonio usurped his power. Prospero is banished to an isolated island with his daughter Miranda. Here he practiced his sorcery and controlled every aspect of Miranda’s life. Prospero used his sorcery to create a magnificent tempest to bring all his enemies to the island, including Antonio, for revenge. Caliban was a native to the island Prospero lives on. Prospero catches Caliban trying to rape Miranda so he makes him his slave. Prospero makes Caliban carry firewood and other hard labor. Prospero frees Ariel from a tree and then makes him his personal servant. Both of these men are Prospero’s slaves but they are much more than…
In “The Tempest”, William Shakespeare leads the reader into an island in a realm beyond reality, which generates obstacles and challenges that aid the characters in their self-discovery process. During their time on the island, they are encouraged to expand themselves and become more than what they think they are. This journey is especially evident within the protagonist, Prospero, as he is able to grow in many aspects of his entire being. Comparing his initial plans of retribution and punishment towards his brother Antonio, with his attitudes of reconciliation and resolution at the end of the play, it is apparent that he has undertaken a journey of self-discovery. Somewhere along the way, Prospero has arrived at a realisation, during which he comprehends that “the rarer action is in virtue, than in vengeance” (Act 5, Scene 1), meaning that it is both rare and ultimately more admirable to exonerate, than to hate one’s enemies. This sense of illumination and enlightenment is achieved through the island’s magical properties that stimulate growth within the characters, and also Prospero’s love for his daughter, Miranda, which humbled him greatly.…
The determination, love, and ignorance of Ariel makes her fairy-tale written by Disney movie writers John Musker and Ron Clements a classic. Personally, this is my favorite fairy-tale because Ariel demonstrates determination for love. She was willing to give up her voice just to see the prince again. “Desperate to see Prince Eric again, Ariel agreed to give her voice to the evil sea witch Ursula” (Musker & Clements 6). But though her actions seem for a good purpose, I believe that Ariel is also exceedingly ignorant. She trusts an evil sea-witch to transform her into a human for a prince that she had just met. It seems sketchy for a young girl like Ariel to trust people without even knowing them personally. Her ignorance also carries into…
Prospero’s main goal is to restore her and her daughter Miranda’s rightful place in Milan by using magic and manipulation on the shipwrecked king and his council with the help of her spirit servant Ariel. However they spot the son of King Alonso named Ferdinand. Miranda is struck by Ferdinand’s arrow and they become an item very quickly just as Prospero planned. Mean while Alonso and his council are looking all over the island to find Ferdinand but are having no luck in finding him. Alonso had recently married his daughter away and is having an emotional time accepting this with also the possible death of his son. Gonzalo is the Kings right hand and is a very honorable man however Antonio and Sebastian see his weakness and plot to kill him and gain power and nobility. However Ariel ends up disrupting their plan and causes Alonso and Gonzalo to awaken and stop the plan. Miranda and Ferdinand begin to court and Prospero reminds them to remain pure until marriage they preform the ceremony with the help of Ariel. However it ends abruptly when it is brought to attention an attempt on Prospero’s life from 3 drunken men. Prospero also calls Ariel to bring Alonso to her and she explains how Ferdinand and Miranda are married and also they begin to talk on the past. This is where the story shows Prospero’s human side and how easily she forgave her brother who ploted to kill her so many years ago.…