Art 204 Final Essay
Art 204
Essay Final
Marilyn Tatman
The progression of Greek art does not simply begin with the Olympics in 776 BCE, but finds its origins in all of the civilizations that gave rise to the Greeks – the remnants of the besieged Mycenaeans, and all who conquered (and traded) with them. The loss of great civilizations often leads to dark periods, but from the ashes of Greece’s dark age emerged a civilization that revered humanity and went to great lengths to incorporate the idea of philosophy into all aspects of their empire – including art. City states joined forces, democracy was established, and skills lost during times of turmoil (reading, writing, painting, sculpting, architecture) were not only rediscovered, but reinvented. From the eastern inspired geometrics of earliest Greece, to stylize humanism in the Archaic, the mathematical perfection of the Classical periods, and the flowery realism of the Hellenistic - Greek art remains the standard by which all future art will be judged. This article will mainly focus on changes in Greek sculpture as an analogy for the changes in all of Greek art, simply because an attempt to chronicle all of the changes in the historical period would require much more than a short essay, and it’s my belief that sculpture most thoroughly reflected how art reflected the greater changes in the society. Regardless of historical argument about whether or not Greek culture and society were as great or as evil as either extreme proclaims, the fact remains that incredible works of art were spawned by great thinkers. Sure, maybe there was slavery, and maybe women were treated poorly, but that doesn’t negate the artistic value of the truly innovative art forms, starting with the very earliest pieces attributed to the Greeks, those in the period of the first Olympics, which also marks the point when the Greeks themselves considered their various city states united as one people, citizens of “Hellas” – distinct in that they spoke a
Essay Final
Marilyn Tatman
The progression of Greek art does not simply begin with the Olympics in 776 BCE, but finds its origins in all of the civilizations that gave rise to the Greeks – the remnants of the besieged Mycenaeans, and all who conquered (and traded) with them. The loss of great civilizations often leads to dark periods, but from the ashes of Greece’s dark age emerged a civilization that revered humanity and went to great lengths to incorporate the idea of philosophy into all aspects of their empire – including art. City states joined forces, democracy was established, and skills lost during times of turmoil (reading, writing, painting, sculpting, architecture) were not only rediscovered, but reinvented. From the eastern inspired geometrics of earliest Greece, to stylize humanism in the Archaic, the mathematical perfection of the Classical periods, and the flowery realism of the Hellenistic - Greek art remains the standard by which all future art will be judged. This article will mainly focus on changes in Greek sculpture as an analogy for the changes in all of Greek art, simply because an attempt to chronicle all of the changes in the historical period would require much more than a short essay, and it’s my belief that sculpture most thoroughly reflected how art reflected the greater changes in the society. Regardless of historical argument about whether or not Greek culture and society were as great or as evil as either extreme proclaims, the fact remains that incredible works of art were spawned by great thinkers. Sure, maybe there was slavery, and maybe women were treated poorly, but that doesn’t negate the artistic value of the truly innovative art forms, starting with the very earliest pieces attributed to the Greeks, those in the period of the first Olympics, which also marks the point when the Greeks themselves considered their various city states united as one people, citizens of “Hellas” – distinct in that they spoke a