In this essay, a visual analysis of the difference and similarities between two Western art paintings and how the artists' use of composition, outline, mimetic, intrinsic and other elements of design bring about its visual effects. The paintings are a colorful representation what seem to be high ranking soldiers in uniform.…
A representational style is natural objects in recognizable forms and many might misinterpret the Blue Horse I as representational. However, Franz Marc’s oil painting cannot be: representational because although the viewer can tell there is a horse in the painting, but horses cannot be blue; nonrepresentational because the image refers to something in the natural world; or realism because this painting is not something we actually see on top of the hills. The artist painted a horse and anyone who looks at the painting will, without a doubt, know it is a horse. In addition, a viewer can tell that behind the horse are overlapping hills. Also, it is evident there are patches of grass or leaves by the blue horse’s feet which seems like the only part of the painting that is representational because Franz Marc painted the grass green that leads to the question of why he chose to represent the patch of grass green and not a different color similar to the rest of his painting. Franz Marc possibly wanted to provide a hint for the viewer to know this painting is of a horse on a hill. However, the various choices of colors Franz Marc used in Blue Horse I make the style of the image…
I will be describing and evaluating the works and artists described above. To begin I will describe each work and its symbolism. I will then summarize the artists and the times of their artworks. Afterwards, I will explain how the works fit into the time period and then compare and contrast all three artworks.…
The purpose of this assignment is to compare and contrast Giuliano Bugiardini’s Madonna and Child with St. John the Baptist, and the Master of Frankfurt’s Holy Kinship. Both are examples of Renaissance paintings, however, Bugiardini’s piece is an example of southern Renaissance, where the Master of Frankfurt’s is one of northern Renaissance.…
Analyze the representation of a subject or a key scene in two different artistic mediums, including what is emphasized or absent in each treatment.…
Painting of animals have thought to been a ritual with a higher mean for a successful hunt. They may have served as a spiritual or religious belief before and after every hunt. The painting may have showed what was being hunted, how to hunt it and honor the kill for survival.…
In the history of art, we have seen many paintings which share the same content, but were done by different artists in different movements. Each of the artists has a different style, different ways to observe what they see to translate into a painting. An example is the “The Regatta” by Theo van Rysselberghe in 1892, and the “Slave Ship” by Joseph Mallord William Turner in 1840.…
In this essay I will attempt to analyze the artwork named “Beguiling Lure “ by Isaac Talley , 2009. The medium of this artwork is acrylic and oil on canvas. The composition is simple with the main focus being a dangling object and a portrait of a single bird. The multi coloring of the background is bright and soft with dark and light hues. The artist was able to deliver the paint onto the canvas in different directions and angles which gives the appearance of overlapping colors,roughness and an uneven texture. There is a small horizontal space that has been left blank and untouched in the middle of the canvas that provides a dividing line separating the upper portion of the painting from the lower portion. Even though there is no similarities in the main two subjects in the painting the artist brings balance, proportion and unity to his work by using the same background colors and patterns from top to bottom.…
One distinguishing factor of a post-impressionist artwork is the clear defined lines used in the creation of the artwork. Another being Post-Impressionists of the time strove to include more expression and emotion in their paintings. Despite these differences, Impressionism and Post-impressionism share some similarities. A real life subject, distinctive brushstrokes, thick layers of paint and vivid colors are all characteristics of both styles of art. (1) In The Pine Tree at St. Tropez, Paul Signac seems to be able to draw from Seurat’s pointillism and combine Monet’s vibrant color palette to create an artistic style that is one-of-a-kind. Signac places his subject in the center of the canvas which is creating a decisive dividing line down the center. The sloping…
Travelers among Mountains and Streams is comprised of several design elements. Form, leading lines, and shape. These design elements move the eye throughout the painting in a continuous interaction between the elements. Each section is well balanced and rich in content. The large mountain in the foreground sets the foundation for the painting by serving as a barrier, keeping the viewers eyes from leaving the page. The area showing the travelers moving in the stream sets a sense of motion, engaging the eye to travel through the painting. The grand scale of all the elements inspire the viewer to be transported into the realm of fantasy promoted by Northern Song painters. The painting takes on a naturalistic feel that is derived from the combination of paint, ink, and silk. The people and mules moving through the stream bring a sense of scale to the painting. They are an important element in that they are in direct comparison to the large Mountain. The helps promote the idea that there is something bigger than all of of us and that humans are somehow spiritually connected to the earth. An important idea that Northern Song Artist aspired to communicate through ere work. The painting is done in a realistic approach yet is not set in a specific place further enhancing the dream like quality meant to promote spiritual communication and enlightenment. This interpretation is about the balance between the countryside and mans attempt to conquer it brought to life in the form of a painting by Fan Kuan. In the painting the small humans are engulfed by the enormous mountains giving the effect of unattainability, yet the human spirit to conquering the elements arises out of the need explore. The human and animals traveling through the stream give the…
a. Drawing is viewed as the key to the entire imaginative process, the medium of the painters very thought as well as of its concrete expression…
Ernst Gombrich’s The Limits of Likeness touches upon the influence of artists’ styles in their works. This particular author refers to art in the representational sense in his story of the German and French painters in the beginning. Although the Germans attempted to prove their skill by painting the same subject, they fell prisoner to their individual styles, and each turned out slightly different. Each artist was attempting to recreate, or represent, the Roman scene. In addition, the author believes that an artist can only render what his tools and medium allow. For example, an artist holding a fine pencil will search out lines when attempting to render a scene, while one holding a coarse brush will look in terms of masses. Another concern is the difference between what an artist’s eyes sees and what he perceives. A photograph taken from the point of view of an artist would seem to represent what the artist saw when he looked at the landscape. However, it actually is a representation of what the artist perceives, after taking in the entire scene and painting how he imagines it. This is why no two paintings can be the same, even if painted from the same point of view. Yet another point Gombrich touches upon is the fact that in the early times, such as the 15th century, artists were not concerned with representing an exact replica in regards to book illustrations. They were more concerned with the reader simply understanding that they were attempting to show a city, but not a particular city. The final observation of art the author chooses to make involves painting what one knows. He claims, with adequate proof, that an artist will paint what he or she already knows. The artists will paint what is familiar, and rightly so. If their audience is one that is only familiar with one type of tree, for instance, painting a different type would confuse them, and the purpose of the tree would be void. He asks the question of how much we see is affected by our habits and…
CIMABUE: Virgin and Child in Glory surrounded by six angels, c. 1280, wood, Musee de Louvre…
Genre paintings have always made bold statements regarding the “everyday life” of whichever time period they were completed in. Scenes could range from parties in a domestic setting in France, to bitterly realistic views of street and slum life during the Gilded Age in the United States.…
Demonstrated competency through appropriate assessment or earning a grade of “C” or better in ENG 025 Introduction to College Writing II and ENG 032 Reading Strategies for College II…