I think this quote describes the love of Coriolanus. Coriolanus longs to encounter Aufidius man-to-man. Aufidius, on his end, welcomes Coriolanus to his side He goes so far as to say that his passion for Coriolanus is as great as his love for the "maid I married". Whether Aufidius loves Coriolanus in this passionate sense is problematical. But that Coriolanus loves Aufidius is beyond question. I don't like this play. There are too many homosexual connotations. I had no idea that Shakespeare was like this.…
In Shakespeare’s ’Julius Caesar,’ what characters say and think about each other, has a significant impact on the ways in which they themselves, are…
Now, Shakespeare was a famous playwright of the time and it seemed logical for him to express his ideologies through his popular plays to comment on his society. Shakespeare was able to use scenes such as the Brutus vs. Antony orations to stress the conflicting ideals between truth and propaganda, as well as their effects on society. Shakespeare captures Brutus’s honesty when he states “I honour him; but as he was ambitious, I slew him” through his use of prose within the speech. Prose reveals to the audience of plebeians Brutus’ rational and logical thinking behind assassinating Caesar, to which he emphasised “not that I loved Caesar less, but I loved Rome more.” The way in which Brutus excuses his actions appears to be beneficiary to the population instead for his selfish purposes, as well as depicting Caesar as a negative influence to the Roman Empire. This is soon contradicted by Antony’s oration which was written in blank verse. The speech mocks as well as contrasts Brutus’ intentions implicitly though the repetition of “But Brutus is an honourable man” which follows conflicting contradictory statements. This depicts Antony’s oration skills as both more superior and authentic to Brutus’s speech as it exposes the contrast between higher and lower order rhetoric. Brutus’s and Antony’s orations, create a powerful…
One of the greatest english authors, Shakespeare, had developed a play called, The Tragedy of Julius Caesar which contains various writing methods. In Act III, one of the main characters, Caesar was killed by Brutus, his companion Antony had constructed a speech for the Romans about Caesar’s death. By comparing Brutus’ and Antony’s speeches, many rhetorical appeals and devices can be seen. Antony was able to gain the trust of the Romans by using Brutus’ loyalty to Caesar. The main goal of Antony’s speech is to persuade the plebeians that Caesar was not ambitious by using ethos and staying calm and emotional as he delivered his oration.…
Shakespeare’s idea of sexual love is presented differently in ‘Othello’ and ‘R+J’. In Othello, Shakespeare explores the mature side of sexual love since Othello proudly announces subtly that he and Desdemona will be having coitus therefore he will have to say goodbye to his men. He describe the intercourse as a ‘profit’s yet to come ‘tween me and you’. Showing his openness on such a subject already presents the play as one that is mature. However once Iago poisons Othello’s ear with lies of Desdemona being disloyal, Othello speaks not of having intercourse with Desdemona, but on killing her instead. On the other hand, in ‘R+J’ sexual love is depicted as a humorous subject, representing the play as childish. For instance, the nurse mocks the innocent thoughts of Juliet by saying the ‘wanton blood’ rushes to her cheeks. The use of the word ‘wanton’, meaning a person who has sex freely, indicates that Juliet is flustered by the thoughts of sex. This humorous joke make the audience amused and stay concentrated on the play.…
Cleopatra’s “fresh delight and charm” initially seems to be a pleasant thing to say about the queen, but as the reader continues, it’s made clear that her charm was not appreciated when it disturbs “Antony’s hours of seriousness or mirth.” The Romans valued masculine…
The play called Julius Caesar is about the great Roman leader and his rise to power and fall from power. In the play, a character named Antony was a deeply loyal follower of Julius Caesar and when Julius is betrayed by his companions, Antony cowardly took to their side, as to be allowed to talk at Caesar’s funeral. At the funeral, however, he gives a speech that turns the crowd against the conspirators. Antony’s strategies in the funeral speech proved effective and a good use of rhetorics.…
Both depict her as an intellectual manipulator who used the weaknesses of others to attempt to fulfil her ambitions. In the film when Cleopatra enters into Rome she displays an array of lavish performances conducted by ornately decorated subjects in a bid to win over the roman populous and senators. This is similar to Plutarch’s account of Marc Anthony and Cleopatra’s meeting at Tarsus. Plutarch vividly describes a barge decorated with gold and silver with purple sails, displaying Cleopatra as Venus (AA100 Book 1 Reputations, P. 9-10); he suggests she does this to draw the attention to her through a display of power and wealth. In the same scene a roman also says “in obtaining her objectives she employs torture, poison and even her own sexual talents” the second roman statement resembles Plutarch’s view of Cleopatra heavily. Plutarch indicates that Cleopatra is cleaver and has an aptitude for manipulation and cunning; he says “she was a master of a thousand flatteries “(AA100 Book 1 Reputations, P11) both versions of Cleopatra represent her as an intellectual and a manipulator.…
The exposition of Julius Caesar, Shakespeare immediately presents the ideals that underpin the differing views of Caesar’s rising power through his two protagonists, Brutus and Cassius. Both characters posses different interpretations on Caesar’s reign on Rome, one being loyal to Rome and a love and respect for Caesar “I love him well” but the other being a spiteful and vitriolic towards a “feeble old tyrant.” This highlights the notion of Cassius’s selfish prejudice towards his own contentment, which is only shown behind closed doors. Brutus on the other hand is victim to Cassius’ vitriol and becomes the pawn as he is manipulated “poor Brutus, with himself at war,” Brutus is troubled emotionally, torn by his patriotism and his respect for Caesar, above all he has an undying love for Rome, “Brutus had rather be a villager than to repute himself a son of Rome.” It is this love for Rome that causes such internal turmoil for Brutus, through Shakespeare’s use of juxtaposition of characters, he is able to highlight to the audience, the lengths that man will go to in order to…
First of all, Mark Antony is a loyal Roman who will stand by Caesar and believes him to be a good leader for Rome. Shakespeare displays this through how Antony apologizes for even…
The word “love” is a powerful one, both in real life, and in Shakespeare's play Hamlet. It is often a confusing concept, made even harder to grasp when one of the lovers repeatedly changes his/her mind (Hanson, 16). In Hamlet's case, his feelings towards Ophelia veer from love, to never loved, to always love. This cycle of emotions is due to Hamlet feigning madness. Hamlet is trying to throw off people with his madness so he can be with Ophelia. In this time period in which Hamlet claimed to Ophelia that he never loved her, was that in which his rage at his uncle was constantly increasing. Although Hamlet denies his love for Ophelia, it is possible to realize that he never stopped loving her.…
•Antony is looked upon as an irresponsible kid who likes to attend plays and go out at night. He was Caesar's loyal assistant. That Antony loved Caesar there is no doubt. There is, however, ample evidence that Antony was the "sleek-headed man" of whom Caesar warns in Act I. His oration at Caesar's funeral was more than an attempt to avenge Caesar's death. It was a power grab. Antony speaks of Caesar's will. During the civil war that follows, he changes the will. Antony ruthlessly orders the murder of hundreds of citizens.…
Upon news of Caesar’s death, the plebians believed they were “blest that Rome [was] rid of him”. The only one who truly “weeps” about Caesar is Mark Antony, who is considered a “limb of Caesar”. But instead of wanting to revenge Caesar, Antony uses Caesar’s death as a tool to destroy the conspirators and seize power from Brutus. After swaying the plebians with his speech about Caesar’s death, Antony remarks that the “mischief” that he has created is now “afoot”. He sits back to “let it work”. (3.3.275-276). The paltry amount of mourning for Caesar’s death and the use of it in Antony’s political antics reveal the little sentimental value people of Rome felt for Caesar. Brutus, on the other hand, is still remembered and respected to the end of the play. Antony pays his respects to him, “This was the noblest Roman of them all./…/ He [alone] in a general honest thought/ And common good to all [joined] them.” (5.5.74, 77-78). In face of such tragedy, Antony, Brutus’s opponent, regards him as an equal and a noble. Brutus is still highly respected and honored when dead. Antony’s speech helps the reader see Brutus’s honor and push away his evil deeds. These closing…
“Theatre of the Absurd” is designated for plays of absurdist fiction and refers to the avant-garde theatre of a loosely associated group of dramatists such as, Beckett, Ionesco, Pinter, and Albee who first emerged during and after World War 11. The plays express the belief that “in a godless universe human existence has no meaning or purpose and therefore all communication breaks down” (Britannica Online Encyclopedia). Logical construction and argument gives way to irrational and illogical speech and to its ultimate conclusion which is silence. Absurdist theatre is often called a reaction to realism, as instead of conforming to the concept of real life, absurdist sought to provide an unmistakably unreal experience. The absurd dramatist relates to existentialism and the philosophical approach in understanding human existence and experiences. Existentialism is based on the assumption that individuals are free and responsible for their own choices and actions. Hence, people are not victims of circumstances as there is the freedom of choice. In an absurdist play, time and settings are generally ambiguous, if they are even defined at all. The characters are not meant to mimic real people, but instead are often “metaphorical or archetypal” (Britannica Online Encyclopedia). Absurdism is a form of drama that emphasizes the absurdity of human existence by employing disjointed, repetitious, and meaningless dialogue, purposeless and confusing situations, and plots that lack realistic or logical development. The guiding principle of absurdism is to look at the world without any assumption of purpose and its usefulness is it exists without prejudices or specificity. As it is equally alien to everyone, Absurdism is meant to be accessible to everyone. One of the common misconceptions of theatre of the absurd plays is that nothing makes sense. On the contrary, the characters in absurdism tend to behave in a serious way, reacting…
“My bounty is as boundless as the sea, my love as deep; the more I give to thee, the more I have: for both are infinite.” (II.ii.133-135) In William Shakespeare’s Romeo and Juliet, two lovers will risk anything and everything to be with each other no matter the consequences. The two’s fate was sealed the moment their families began their feud, but in the short time they had, they loved to the fullest. In a single play, Shakespeare is able to captivate a whole world for an audience and show them the picture of love. Now, in the modern world, it’s motives are questioned, but in the end the love conveyed by the author overpowers all the pitious misadventures they contain. From the extent they will go to prove they love each other and how they look past all flaws show how Shakespeare's approach on love was beautiful.…