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Desdemona after leaving her father to be with Othello and accompanying Othello on his voyage to Cyprus has had a similar motivation throughout the piece. Desdemona has wanted to prove that she is a good wife to Othello. By Act three Scene three Desdemona has noticed something is not quite right with Othello. However, she believes that it is just because of what is happening in Cyprus and because he has just been forced to fire his lieutenant for the time being. Desdemona wants to make Othello happy again and she believes by him making Cassio his lieutenant again he won’t be as stressed. Othello approaches Desdemona several times hinting at the “affair…
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| Iago ‘only loves’ Desdemona out of revenge and jealously of Othello as he believes he has slept with his wife. The ‘infidelity’ that is occurring behind is back is eating him alive and so he plans to manipulate Othello in beliving Desdemona is having an affair with Cassio. ‘Deception’ aids him to accomplish this task…
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When a person thinks of a devoted female character, Desdemona from Othello is the first that should pop into mind. While Desdemona is perceived as a one of Shakespeare’s brightest and most loyal female characters, she is also a clear victim of the gender stereotypes of the time. One of the first things that we know about Desdemona and Othello’s relationship was that they were not brought together necessarily her sexuality, but by Othello’s interest in her mind. In fact, the first time that Desdemona is introduced in Act 1, scene 3, she is presented as strong, independent, and capable of making her own decisions. In her first lines of the play, she says;…
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Although the movie “O” is a production based on Shakespeare’s “Othello”, several differences exist between the two such as women’s social status, Iago’s personality change, and the type of language employed by the characters. Desi plays a strong woman who won't let any man put her down. She stands up to Odin several times during the movie, showing that twentieth century women have higher status in society than they did in Shakespeare's time. In the movie, Desi assertively says, “If you want to be with me don’t ever talk like that to me again, ever!” Desdemona seems much more compliant to her husband's demands, even when she knows that she is going to die. Rather than run, she goes to her bedchamber and gets ready for bed, perhaps suspecting that it will be her last night alive. At the beginning of the play she declares just how loyal she is to Othello by saying “to you [father], I am bound for life and education; I am hitherto your daughter: but here's my husband, and so much duty as my mother showed to you, preferring you before her father, so much I challenge that I may profess Due to the Moor my Lord”(Hall,). Desdemona knows her place in society and that is that she should be loyal to her husband or else she has been an unworthy wife. Iago’s character changes drastically in the movie compared to Shakespeare’s play. He would be considered the perfect villain in the play. He never seems to get fazed when he destroys Othello and Desdemona's relationship, when he makes Othello go crazy or when he kills Rodrigo: “ My medicine, work! Thus credulous fools are caught”(Hall, 124). There are two major motives that drive Iago to destroy Othello’s life. The first being his hatred for Othello for not promoting him. His second motive is his desire for importance in society and Othello is a human being that is blocking his pathway to glory. His character in “O”, Hugo, is a little bit different. He is trying…
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In physician-assisted suicide, a physician gives a terminally ill patient a prescription for a lethal dose of narcotics to be self administered when the times comes that the effects of his disease are no longer controllable or tolerable. As of now, it is legal only in the state of Oregon. It has long been disputed for many reasons. Among them are religion, public opinion, and how to govern and restrict the process. As there is supposed to be a division of Church and State, religion should play no part in making this decision. According to a poll, “61% of people answered ‘yes’ to the question ‘Shall…
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Desdemona influences Othello’s life because she keeps him calm. She was a young, beautiful woman that fell in love with a black forty year old man 1.2.66, 2.3.18. He was amazed by her; someone that pretty had loved someone as ugly and old as he. He had so much love for her and respected her so much that he done everything she asked of him. He placed her on a pedestal higher than himself.…
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Does Desdemona do the right thing by marring Othello behind her father's back? Desdemona does what she feels is right, therefore it doesn't make her a terrible person. Everyone does things behind their parent's backs. Plus, Desdemona is often treated like an object, as if she wasn't capable of making her own choices. Instead of referring to Desdemona as a young adult which is what she is; people objectify her, and treat her like she isn't capable of making her own decisions. People often speak about her like if she has no agency. The moment she ran away with Othello she knew it would be a big responsibility. She acted mature enough to stand up to her father and prove her point on why she left with Othello. She didn't leave because she wanted to get away from her father, but because she was ready to be a wife and be with someone.…
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In Shakespeare ’s play Othello, Iago’s words and actions cause Othello to change and to stop loving Desdemona; as a result, Othello and the people around him plunge into chaos. After much manipulation from Iago, Othello, like a coin, flips sides and hates Desdemona. When Desdemona leaves with Emilia, Othello says that “when I love thee [Desdemona] not, / Chaos is come again” (3.3.91-92). This clearly shows that Othello is in love with Desdemona and has no doubt in her faithfulness. Little does Othello…
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Desdemona had plenty of evidence that she was chaste and loved Othello, he was just too mad to see it. Their marriage was unfortunate to be doubted from the start which added extra pressure but if Othello truly loved his wife, they could have worked through it all. Iago really played the villain here as he sought revenge Othello and drove him crazy. Othello soon realizes how ignorant he was to have accused his beautiful bride of adultery when he had already smothered her to death and decided to take his own life as…
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Alternatively Desdemona is revealed to be the ideal woman, Cassio even admits“She is indeed perfection.” Othello often makes remarks on her beauty and her wit. Even when he thinks she has betrayed him, he cannot help himself from looking upon her fondly even stating that she is “so delicate with her needle: an admirable musician: O! she will sing the savageness out of a bear: of so high and plenteous wit and invention:—“ despite Desdemona’s perfection Othello lets himself be manipulated into thinking she is unfaithful to him, and he kills her. Emilia, while not as perfect as Desdemona appears to be an obedient wife to Iago. She even gives him Desdemona’s handkerchief without knowing the reason he wants it, when stealing the handkerchief she says “what he will do with it Heaven knows, not I; I nothing but to please his fantasy.” In the end of the play however, she chooses to honour Desdemona and she exposes her husband's treachery as opposed to supporting it. Iago kills her due to this one moment of disobedience. Through the killing of Emilia and Desdemona at the hands of their husbands and the fact that Bianca lives, Shakespeare reveals what he thinks of the relationships husbands have with their wives. He is exhibiting how women are never good enough for their husbands. Desdemona and Emilia are honest women, but in Desdemona’s case Othello believes she is having an affair and to him this is inexcusable. Emilia is killed because Iago sees it as a fit punishment for her disobedience and her lack of support of his dishonesty. Bianca on the other hand has no husband and thus she appears to follow no rules but her own and suffers no dire consequences because she has no one ruling over her. Shakespeare is showcasing the oppression that husbands had over their wives. On top of that Shakespeare is suggesting…
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Emilia and Desdemona reactions towards their husband’s actions contrast. Desdemona is loyal to Othello and lives under his control. After Othello smothers Desdemona, she has the opportunity to expose Othello, but she does not take advantage of it, “Nobody; I myself. Farwell. Command me to my kind lord.” (5.2.125-126). Like many Venetian women, Desdemona is brainwashed into believing that it is her obligation to be obedient to her husband, regardless of the circumstances. Desdemona is conditioned by…
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Desdemona is responsible for her own death, because she was cuckolding her husband, who found out and killed her. If Desdemona was loyal to her husband and was not seeing another man when Othello’s back was turned, he would have never killed her. She provoked and disrespected her husband who would bend over backwards for her. Desdemona’s death was justified one hundred percent in the play “Othello” by William…
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Desdemona is probably the strongest willed character in the play, although she is a woman. Shakespeare takes no shame in making her this, considering the time this was written in. We first see her, defending her recent marriage surrounded by powerful men, whom of which include the duke, her husband, and her father, but shes is not ashamed to assert her belief in the validity of her desires and actions. Desdemona's forthrightness is her demise, because the brilliant Iago recognizes this and uses it against her. Using Cassio who becomes demoted in the play, Iago exploits her willingness to demand and justice, to make him her cause and simultaneously, Othello's enemy. As Iago's plan goes as planned, Desdemona asks Othello to forgive Cassio adding to Othello's suspicions created by his deceitful friend. She keeps pushing him in spite of her husbands growing rage until he declares, The handkerchief that Othello gave his wife at the beginning of the play, is stolen. Her courage is apparent in her refusal to search for it in Act III, scene iv; her willingness to have a voice and shout back at Othello as he abuses her in Act IV, scene i; and defending her innocence when accused Act V, scene ii. Since men have the ultimate power of women. Othello does not believe in, what he takes to be 'shameless lies'. Her courage convinces him all the more that she is remorseless in what he thinks to be her wrongdoing.…
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The differences between love and tragedies are portrayed in Shakespeare’s Othello and King Lear. The complete relationship between father and daughter is corrupted by an external meaning, which plays an important role. How blind and deft can a father be to not understand? Is it that important for a daughter to die just to prove her point and her extreme emotional intelligence? One man that can provide an example would be a father like King Lear, who denied his daughter Cordelia because she did not use flattering words to make him feel better or out shadow her sisters. The heroines of Shakespeare are born is these plays, they can be great and intelligent for their age, but they were somehow young and naive. Love and sorrow are a part of these tragic relationships; whereas it is too late for denial and repent. Within their actions of love and understanding both of these women convinced their fathers they were completely right.…
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Othello and Desdemona’s manifestly love-filled relationship was somewhat shielded by society’s views of the age, social position and race differences, that would evidently cause implications. In the late sixteenth century, the time in which Othello is based, it was disreputable to do anything that was thought of as abnormal, for example, marrying below your class. Othello and Desdemona’s relationship was quickly looked down upon, simply due to the fact that it was seen as unconventional at the time. The implications that were apparent in the relationship were; the fact that Desdemona was considerably younger then Othello, the difference in social position of the two, and of course the obvious reason, being that Othello was dark skinned and Desdemona fair skinned. Beneath these implications, the two shared a deep, meaningful and adoring relationship, for the start of the play, that is.…
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