Aura in Walter Benjamin's "Illuminations"

Response to Prompt #3 In Walter Benjamin’s book Illuminations, two particular chapters are relevant to the corpus of works that make up film study. “Art in the Age of Mechanical Reproductions” and “The Storyteller” outline a progressive history from oral traditions to the modern traditions such as film that resulted and the bumps that have been encountered along the way. Central to these two chapters is the idea of aura. Aura, though difficult to define, is a concept that is easy to perceive because of its engaging qualities. From oral to written to visual representations including film, the story is the nucleus that produces entertainment and ideally educates the audience. To be entertained does not require much of the audience, but education is an engaging process that preserves culture and maintains the aura. Because of the absence of proverbs, morals, or other trite composite statements, the effective storyteller is kin to the guru. The advice the storyteller offers is found throughout the course of the story and the listener or reader is able to draw the meaning out from the speech or pages of their own accord. As a patient fisherman learns at the end of a long day, not all adventures are fruitful. The timeless quality of the works of Nicolai Leskov can encourage the reader to lose track of the parts of the story that, when later assembled, can be taken as advice. In this way, an attentive reader may find advice or counsel for many situations and the story can continue to unfold through the suggestions that good counsel offers. The “White Eagle” encourages quotation of different passages in order for a summary to be made and offered as a sacrifice to the luke-warm reader. However, the storyteller’s traditional place is not one of summaries, annotated bibliographies, or cliff notes. Time was meant to be integral in the creation of a story which is only preserved in the social fabric of history. The uniqueness of any event, object, or idea