Background of King Lear
King Lear was written between 1603 and 1606, and is considered to be Shakespeare's greatest tragedy. The main plot was drawn from an old chronicle play called The True Chronicle History of King Leir and his Three Daughters, supplemented by treatments of that story in Raphael Holinshed's Chronicle of England, Scotland, and Ireland, Spenser's The Faerie Queen, and perhaps others. The subplot of Gloucester and his two sons comes from Sir Philip Sidney's popular romance The Countess of Pembroke's Arcadia. Shakespeare also makes considerable use of Samuel Harsnett's Declaration of Egregious Popish Impostures (1603) for Edgar's language of demonic possession as Poor Tom and the mock exorcism he works to cure the blinded Gloucester's despair.
The play was performed December 26, 1606, for King James, as part of the court's Christmastide celebrations, as well as on the public stage at the Globe. Recoiling from the bleakness of the play's tragic vision, Naham Tate revised it in 1681, providing interpolated love scenes between Edgar and Cordelia and a happy ending in which Lear and Cordelia survive: his version held the stage for a century and a half. Dr. Samuel Johnson and the Romantic poets testified to the original play's greatness--Shelley terming it "the most perfect specimen of dramatic poetry existing in the world"--but they also began a critical tradition that judged the work too large and sublime for the stage. Lear has, however, proved notably successful in the modern theatre, accustomed to nonrealistic stage techniques and Samuel Beckett's apocalyptic dramas as well as to the contemporary horrors of concentration camp and Gulag. - Norton, 888
Summary of King Lear
ACT I
This tragedy play tells of the downfall of King Lear and the death of his daughter Cordelia. The play begins with the old Lear, deciding to retire, plans to divide his kingdom between his three daughters Goneril, Regan, and Cordelia.. With his daughters and men gathered around him, Lear asks his daughters, "Which of you shall we say doth love us most?" (Act I, Scene 1. 43). Both Goneril and Regan reply with flattering words of love which satisfied their old father, in turn he gave each of them a third of his kingdom. Cordelia, Lear's favorite daughter, answers with words from her heart, saying that she loves him as much as he loved her and as she should. However, Lear sees her words as disrespectful and demands Cordelia to reply again like how her sisters did, with flattering words. Coredilia knowing the wickedness of her sisters intent, refuses to flatter her father with false words of love. Lear in disappointment and anger, banishes Cordelia from his kingdom, leaving her to marry the King of France, who was willing to marry her even though she had no lands. Kent, Lear's loyal servant, when he tries to defend the young princess and convince Lear of her love for him, Lear angrily also banishes him. The king decided to keep one hundred of his men and keeps the title of King, and live a month at a time at the houses of his two daughters, but passes all the powers onto his two son-in-laws, Albany and Cornwall. Goneril and Regan sees this as their chance to overthrow their old father, who is now powerless without his lands.
Edmund, the illegitimate son of Gloucester at this point also takes advantage of powerless King Lear and his father and vows to take the lands of his father from Edgar, Gloucester's legitimate son. Edmund tricks into believing that Edgar plans to kill him by showing him a letter that he forged. Gloucester is enraged, and commands Edmund to find this "abhorred villain!" (Act I Scn 2. 66). Edmund then continues to play his part as the loving son and brother, warns Edgar that Gloucester is looking for him for some reason and is extremely angry at him.
King Lear who is staying at Goneril's house with his hundred men is treated rudely by Goneril's steward Oswald. Goneril had told her servants to treat the king and his men with disrespect and rudely, causing Lear to be enraged and confused about the behavior of his daughter's men. Kent, who has returned disguised as a servant, gives Oswald a lesson on respect. The fool through rhymes and riddles tells the King of his foolishness for banishing Cordelia and giving away his power. Goneril tells Lear that his men are turning her house into a pig sty and that he should get rid off some of his men, Lear upon hearing this, angrily storms out of Goneril's house and heads for Regan's house. Lear is now fearing for his sanity and starts to realize the mistake he made for banishing Cordelia.
ACT II
At Gloucester's house, the evil Edmund pretending to help Edgar tells him to runaway. Gloucester in turn seeing Edgar running away is more convinced that Edgar did write the letter. Gloucester then decides to give all his lands to Edmund. Regan and Cornwall then arrives at Gloucester's house and takes over. Kent arrives with a letter from Lear and at meets Oswald, who has come with a letter from Goneril for Regan. Kent knowing that Oswald unloyal to the King verbally and then physically attacks him. Cornwall breaks up the fight and hearing that Kent is a servant of Lear, puts him in stocks (by doing this he is showing disrespect for Lear). Finally Lear arrives hoping to be able to find comfort in Regan. However, at first, Regan and Cornwall refuses to even see Lear, which enraged Lear and when he saw his servant, Kent in stocks, he was furious. On top of all this, Goneril arrives and Regan treats her with love, showing Lear that they both are in unison. The two sisters then try to talk Lear into releasing all his men, Lear on the brink of madness, storms out of the house into the raging storm. The two daughters and Cornwall are extremely happy and commands Gloucester to lock the doors.
ACT III
In the raging storm, which is reflecting his rage, Lear finally realizes what he had done by giving away all his lands and banishing Cordelia. At this point, Lear also realizes how he failed as a King and a human, how he had ignored other people's feelings and needs. He is slowing becoming insane. Kent had send a men to go to Dover and get Cordelia to help Lear regain his kingdom. He then with the fool convince Lear to seek shelter in a cave, this is where they meet crazy Tom, Edgar disguised as a mad man. Gloucester, who had went to look for Lear, convinces the mad Lear to stay at his farmhouse. Gloucester then tells Edmund of his the French troops coming to help Lear, not knowing that Edmund will betray him and his King. Edmund in turn tells Cornwall of Gloucester's dealings with the French troops, Cornwall then seeks out Gloucester the traitor and rewards Edmund.
Lear is now mad and pretends that his two evil daughters are on trail for betraying him. Gloucester arrives and tells Kent, the Fool, and Lear that Cornwall is after them and to runaway. Cornwall and Regan captures Gloucester and punishes him by deciding to pluck out his eyes. However, one of Gloucester's servant tries to protect his lord, and fights Cornwall, seriously injuring Cornwall. Regan with a dagger stabs the servant in the back and kills him. Cornwall injured, with his bare fingers, plucks out Gloucester's eyeballs, "Out, vile jelly? Where is thy luster now?" (Act 3. scn 6. 83-84).
ACT IV
Blind Gloucester led by a servant heads for Dover, on their way they meet crazy Edgar. Gloucester, still not realizing that it is his son, asks Edgar to lead him to a cliff in Dover to kill himself. Back at Albany's house, Albany realizing his wife's evil intentions decides not to fight the French troops. Gonerils then turns to Edmund, whom she had fallen in love with and asks him to fight for her. Edmund who is still plotting to take over the kingdom, promises his love and service to Goneril. A servant then arrives telling Goneril and Albany of Cornwall's death and Gloucester's blindness.
Regan's love for Edmund is revealed and she tells Oswald, that she plans to marry Edmund since her husband is dead and that her sister has no chance. She also tells Oswald that if he finds Gloucester, she will reward him.
Edgar leads his blind father to a flat land, telling the blind man that it is the cliff, and when the blind Gloucester falls, Edgar pretends to be another person and tells Gloucester that he amazingly survived the fall from the cliff. Then the two meet Lear dressed in wild flowers and talking to himself. While Gloucester is talking to Lear, servants of Cordelia comes and takes Lear to meet Cordelia and informs Edgar of the advancing French troops. Alone, Oswald comes upon the blind Gloucester and Edgar, and tries to kill Gloucester. However, Edgar defends his father and kills Oswald. From Oswald's purse, Edgar finds the letter Goneril has written for Edmund, telling of her plot to kill Albany. Edgar then realizes his brother's evil plot and goes with his father to find Albany.
Back at Dover, Kent rejoins Cordelia and they both await for Lear to awake from his madness. When Lear awakes, thinking that he is in hell, upon seeing Cordelia he tells her that he is willing to accept any punishment from her. However, Cordelia recants her love for her father and Lear begs his daughter for his foolishness.
ACT V
Goneril and Regan both are fighting for Edmund, he then tries to decide which of the two sisters should he take, a decision that he has difficulty making. Edmund also plots to kill Lear and Cordelia after the battle. Edgar enters the scene giving Albany the letter and returns to Gloucester. The battle then begins,and Lear and Cordelia has lost. The two are captured by Edmund and sent to prison, who instructs a captain to kill them. Albany enters the scene charging Edmund with treason. Edgar then arrives disguised and fights Edmund, fatally wounding him and reveals himself as Edmund lies dying. Regan who was poisoned by Goneril dies, and Goneril kill herself after the fall of Edmund. Edmund reveals that he had plotted to kill Lear and Cordelia and urges Edgar, Kent and Albany to go save them before it is too late. However, is is too late for Cordelia has died, and Lear enters carrying his dead daughter. Lear in grief over Cordelia's death dies and then the kingdom was left for Edgar.
You May Also Find These Documents Helpful
-
Taking command of such a prestigious combat hardened unit, as is the 4th Armored Brigade Combat Team (ABCT), is truly an honor. I’m humbled at the opportunity and want to thank the outgoing command team for all that they’ve done. I believe the development of a leadership philosophy is a continuous ever changing process, comprised of life experiences and a person’s family upbringing. Although my personal leadership philosophy may change some overtime, the core aspects will remain the same.…
- 488 Words
- 2 Pages
Good Essays -
a) The opening Act of King Lear evidently portrays Lear’s downward movement as it coincides with Aristotle’s structure of Greek tragedy. The play begins with Lear, a hero of noble birth and ruler of Britain, in an ordered society soon to be disrupted by a fatal flaw that is the result of his excessive pride. His journey from the ordered to the disordered world becomes apparent after he hands his land over to his two elder daughters and banishes his youngest daughter Cordelia from the kingdom. The initial situation began when Lear asks Cordelia, “What can you say to draw / A third more opulent than your sisters?” (I i 87-88), in which she answers “Nothing, my lord” (I i 89). This demonstrates Lear’s arrogance and triggers the rash decision he makes that would greatly impact the tragic events that follow. At the end of the scene, his two elder daughters immediately work to conspire against him so that he would be left with no power at all. Goneril says to Regan that they “must do something, and i’ th’ heat” (I ii 311). This foreshadows Lear’s impending downward movement and begins the reversal of his fortunes as things go from bad to worse. Lear’s recognition of the truth and the existence of his tragic circumstance becomes slightly clear to him when he wonders whether he has lost his mind and cries out “O let me not be mad, not mad, sweet heaven!” (I v 46). Act I leaves off at this stage where Lear is about to suffer tremendously before further stages of recognition, retribution, and restitution occur later in the play.…
- 1685 Words
- 7 Pages
Powerful Essays -
Shakespeare’s plays were written in the Elizabethan era, which profoundly influenced his writing. During the Elizabethan time, there was the idea that God had set a place for everything in the universe, in hierarchical order. The Elizabethan’s called this, The Great Chain of Being. During this time if someone were to step out of his or her place in this divine line, it would not only be extremely uncommon but it would be sinful, inhuman. That power thirsty human would be succumbing to their inner animal, and therefore step down a rank on The Great Chain of Being. The Great Chain of Being influenced all beliefs throughout the Elizabethan era, and that is evident through Shakespeare’s writing. The symbols and motifs he used in his play King Lear, are undoubtedly connected to Elizabethan beliefs and views.…
- 1494 Words
- 6 Pages
Good Essays -
Although some critics may debate and argue against this statement, I strongly stand by my belief that there is no justice in the play King Lear. Whether it be Cordelia's banishment, Gloucester's torture, or Lear's insanity, no character in this play is shown mercy. Then again, perhaps this is why William Shakespeare's works are called tragedies. Throughout his entire writing career, Shakespeare has been known to end all of his tragedies with death, injustice, and dramatic irony, and this story is no exception.…
- 867 Words
- 4 Pages
Good Essays -
In the play King Lear by William Shakespeare, King Lear is an old foolish man who suffers several flaws in the same way, he is blind to the truth, and his inability to see the truth impacts his decisions making and his poor judgment. Throughout act one and two, King Lear decisions lead to several consequences, which alter his life and the lives of those around him. A few of King Lear’s flaws which demonstrates the great deed of one man’s consequences are, his actions due to his blindness, rash decision making and exhibits a great deed of pride and arrogance.…
- 1477 Words
- 6 Pages
Better Essays -
In Shakespeare's, King Lear, the Fool plays three major roles. One of these roles is of an "inner-conscience" of Lear. The Fool provides basic wisdom and reasoning for the King at much needed times. The Fool also works as amusement for Lear in times of sadness and is also one of the only people besides the Duke of Kent and Cordelia who are willing to stand up to the King.…
- 560 Words
- 3 Pages
Satisfactory Essays -
Satisfying, hopeful, and redemptive: some critics would say that these adjectives belong nowhere near a description of King Lear. One critic, Thomas Roche, even states that the play’s ending is “as bleak and unrewarding as man can reach outside the gates of hell” (164). Certainly, Roche’s pessimistic interpretation has merit; after all, Lear has seen nearly everyone he once cared for die before dying himself. Although this aspect of the play is true, agreeing with this negative view requires a person to believe that Lear learns nothing and that he suffers and dies in vain. Indeed, this is exactly what Roche believes when he states that at the play’s end, “Lear still cannot tell good from evil . . . or true from false” (164). This nihilistic approach, however, not only disregards many of the play’s moments of philosophical insight, but it also completely misinterprets Shakespeare’s intent. That is not to say that Lear is without fault at the end of the play; as Shakespeare surely understood, Lear is still human, and as such, he is subject to human frailty. What is most important about Lear, however, is not that he dies a flawed man but that he dies an improved man. Therefore, although King Lear might first appear “bleak,” Shakespeare suggests that Lear’s life, and human life in general, is worth all of its misery because it is often through suffering that people gain knowledge about the true nature of their individual selves and about the nature of all humanity (Roche 164).…
- 3447 Words
- 14 Pages
Better Essays -
The opening act of King Lear effectively demonstrates the intial situation and downward movement of Aristotle's structure of tragedy. When King Lear the tragic hero announces: "Know that we have divided... From our age" (I i 39-41) this is where the initial situation in the play begins and is the main flaw that will bring Lear to the bottom of the wheel. This is the Reversal (the fall in the hero's fortune), the first stage of tragedy. King Lear decides to divide his kingdom into three, a piece for each of his three daughters. He asks his daughters which of them love him the most, this will determine the size of the fortune each will get. Goneril and Regan the king's eldest daughters, knowing what makes their father happy, give flattering speeches which are full of insincerity just to get as much as possible of their father's kingdom. The last and youngest daughter yet Lear's favourite, Cordelia, does not know how to lie and flatter her father with dishonesty and falsehood like her sisters did. Therefore she says "Nothing, my lord" (I i 89) which brings her father into frustration. He says "Nothing will come out of nothing. Speak again" (I i 92), he means that saying nothing will not bring you fortune. King Lear's demand that his daughters express the amount of love they have for him shows us the insecurity and fear of an old man who needs to be reassured of his own importance. Both his ignorance and excessive pride blind him from seeing that in fact Cordelia is the only daughter which feels real live for him. The Earl of Kent whom advises the king disagrees with Lear and earns him that he has mistaken the unloyal with the loyal, "Thy youngest daughter does not... Reverb no hollowness" (I i 154-156). The ignorance and pride of King Lear has caused his own downfall and loss of…
- 339 Words
- 2 Pages
Satisfactory Essays -
All sports can cause injuries but high impact sports cause the most. The article “Hard Knocks” talks about injuries from high impact sports. Long term health effects from high impact sports are CTE which cause suicidal thoughts and concussions which lead to brain injuries.…
- 311 Words
- 2 Pages
Good Essays -
5. Shakespeare lived during the Jacobean and Elizabethan eras, and wrote ‘King Lear’ at the cusp of these two time periods.…
- 934 Words
- 4 Pages
Good Essays -
Strangely enough, it is G. Wilson Knight, a critic famous (not to say notorious) for a vehemently Christian interpretation of Shakespeare’s plays, who notes in The Wheel of Fire some of the comedic aspects of King Lear[1]. Whether or not the harsh moral ecology of King Lear fits comfortably with the Christian ethos of forgiveness, structural elements of comedy are plainly present in King Lear, quite apart from the sardonic humour of the Fool. Indeed, a ‘happy ending’ involving the marriage of Cordelia and Edgar was part of Nahum Tate’s revision of the play which was the accepted version from 1681-1838. Marriage is the traditional ending in Shakesperian comedy, and many critics have found the death of Cordelia to be unacceptably cruel[2]. This is especially true in view of the fact that Shakespeare altered his sources for the story (Holinshead’s Chronicle and the anonymous play King Leir).…
- 1542 Words
- 7 Pages
Powerful Essays -
What I enjoy the most about King Lear is the rate at which the characters in the play develop. Through only the first act, most of the characters have changed dramatically since the start. Goneril and Regan were loving and kind to their father until he gave them rule over his kingdom. Now, they treat him as if he is a senile old man, a danger to himself and those around him. They show him little to no respect and begin taking things away from him such as his knights. Lear also matures throughout act one, at the beginning he is a spoiled manchild who cares of nothing except stroking his ego. But after being betrayed by his Goneril and Regan he is alone and helpless. He is almost defeated in a way, in one scene his daughters disrespect him and…
- 422 Words
- 2 Pages
Good Essays -
The struggle to live a life that balances justice and mercy dates back to the beginning of human civilization. Ever since we developed the ability to document our thoughts and ideas, we have written about the need to make people pay for their actions, or grant them forgiveness for their mistakes.…
- 835 Words
- 4 Pages
Good Essays -
Cited: Shakespeare, William, and Russell A. Fraser. The Tragedy of King Lear. New York: New American Library, 1986. Print.…
- 1443 Words
- 6 Pages
Better Essays -
Although Cordelia appears in Act I, Scene I and disappears until Act IV, she has an enormous impact on the play as a whole. It is generally acknowledged that the role played by Cordelia in King Lear is a symbolic one. She is a symbol of good amidst the evil characters within the play. Since the play is about values which have been corrupted and must be restored, it is not surprising that the figure who directs the action must be embodiment of those values which are in jeopardy – love, truth, pity, honour, courage and forgiveness. Cordelia’s reply does not initiate the tragedy; Lear’s misguided question does that. Her “nothing” sets her father’s tragic journey in motion. There is nothing wrong with her remarks.…
- 973 Words
- 4 Pages
Good Essays