In the story of “The Lay of the Were-Wolf”, Bisclavaret is accused of being a monster. He does in fact turn into a were-wolf, but there are many factors in which his ex-wife was the true monster. Bisclaveret had never hurt anyone. He would escape to the thickest woods when he became the beast so he wouldn’t have any contact with humans. His wife was the one who betrayed him by running off to get married to a knight and tell him all of Bisclavaret’s secrets. She had the knight turn Bisclavaret into a beast forever.…
Friedrich Wilhelm Ludolf Gerhard Augustin Baron von Steuben was his name. He has become an exceptionally respected figure in European and American history. His services offered during the Revolution may be his most celebrated contributions today. Von Steuben played a critical role in training the American troops for battle during the Revolution and set the precedent for military practices today.…
Monsters are unpredicted and are made at anytime. Monsters show different actions that can affect what society acts upon them. We can see that monsters can be unfairly labeled by examining “Of Mice and Men”, “Born of A Man and Woman”, and “Monster”. People will jump to conclusion when it comes to labeling other people as monsters, this is because of the characteristics of disorders that people cannot understand,and the looks or appearance on one self changes people’s opinions. Through examination and explaining the actions of the author's use of text from Steinbeck,Myers, and Matheson, we can understand that people will claim to be unfairly labeled as monsters.…
To begin with a full description is necessary to identify the monster. He is “about eight feet in height, and proportionally large.” “His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of pearly whiteness… his shriveled complexion and straight black lips.”(Shelley 32 and 35) These descriptions come from your very own journal Robert that you have released to aid us. The monster is very tall taller than any normal man, which in turn comes to his attire. He…
Thomas Hobbes believes men are naturally evil and in this sense the monster was evil because he was made that way. This is illustrated in Hobbes quote, “there is no place for industry; because the fruit thereof is uncertain; and consequently no culture of the earth; navigation, nor use of the commodities that may be imported by sea; no commodious building; no instruments of moving, and removing, such things require much force; no knowledge of the face of the earth; no account of time; no arts; no letters; no society; and which is the worst of all, continual fear, and danger of violent death; and the life of man, solitary, poor, nasty, brutish, and short” (37). Despite the monsters misfortunes, such as killing all of Frankenstein’s loved ones, he…
In the book, people not only looked down upon Creature, they also labeled him as a monster. Creature isn’t born a monster, he is so innocent that to a point, he doesn’t realize why is he being labeled and judged. While sharing his tale with Victor, the Creature refers to his times in the village, “I remembered the treatment I had suffered the night before from the barbarous villagers… endeavouring to discover the motive which influenced their action.” (91). Victor and the society never gave Creature a chance, just because Creature didn’t meet their appearance standards, they announced him to be a monster. Creature’s first murder of Victor’s brother isn’t even intended. Creature is only curious to talk to William, but William yells out harsh judgmental words, and in the process of silencing the boy, Creature accidentally kills him. William would’ve been alive, if he hadn’t labeled and stated “monster! Ugly wretch! You wish to eat me and tear me to pieces,” (122). After this, the Creature goes on a killing spree, but only if the society hadn’t labeled him, the story would’ve been completely different. The Creature was tagged and blamed as a monster, and the society wouldn’t even give him a chance to prove himself, so he didn’t even bother trying to be good. If society hadn’t frustrated the Creature with all the misconceptions they created of him,and gave him one…
The monster shows that he is good and not evil by showing compassion. He shows this when the monster realized that the family of peasants were unhappy because of their poverty that the monster had been contributing to by stealing their food. When the monster realizes this he becomes torn by his guilty conscience he stops surreptitiously taking their food and does what he can to reduce their hardship by collecting firewood and leaving it outside their house for them. Before the monster finds out what causes their despair he…
No longer were monsters a product of supernatural forces, monsters were created. Yet, in order for a monster to become a monster, it cannot exist in isolation. Relating my idea of the connection between knowledge and morality in the Scientific Revolution/Enlightenment period to the monster and his body in Frankenstein, I argue that society’s knowledge of the monster is formed in one of two ways; one, through scientific creation or two, through social construction. Now, it is through (1) physical features which differ drastically from others or (2) immoral actions that one becomes a monster in their own society. In part, “monsters” are products of their own environment. What makes the creature in Frankenstein a monster is that he is both a scientific creation and his physical features and his actions of murder deviate from society’s expectations. Throughout the novel Frankenstein’s creation is never given a real name. Instead, he is called; a “demoniacal corpse, wretch, daemon, devil, monster, ogre, the being and creature” (36, 68, 102, 164, 165). Besides not having a name, Frankenstein’s creature is also described using the term deformity and monster. After society’s constant negative response to his physical appearance, the creature himself…
In Frankenstein, the role of the monster and human are subtly revered with Victor considered more monstrous than the creature he created. This is because first, Victor is portrayed monstrous than the creature because he abandons his creature instead of educating and friendly introducing him to the world, which is itself a monstrous act of irresponsibility. Secondly, Victor ought to know that the creature will likely harm others, but due to his selfishness he places his family and friends at great risk. Some might say that Victor is not monstrous and disagree with the fact that he only wants creature to be killed, because he agreed to the creature that he will make the female form of the creature to fulfill the creature’s need and for his family’s…
What makes a man a monster? Many say that a monster is someone who looks scary, but a monster can acquire good looks or bad looks. A monster is someone who attains malignant characteristics. In Frankenstein and The Picture of Dorian Gray, characters such as Frankenstein, Frankenstein’s creation, and Dorian Gray all accommodate the malignant characteristics that make each of them a monster. The malignant characteristics consist of lies, murder, and selfishness.…
The desire for companionship grows so intensely within the non-human subspecies that the monster asks Victor Frankenstein for an outlandish favor: a female counterpart. Through a lover, the monster can display his inner love with a being that does not judge him. At the time when the monster acts for a love, he has yet to found any acceptance in the human society. Thus, a monster counterpart would provide the only outlet of affection for the monster. The monster’s wish for a partner exemplifies that the monster stereotype that literature and film have created are not as narrow as once thought. The desire for love can exist even in a non-human species, and love does not limit itself based on appearances or classifications. Victor Frankenstein, however, denies the monster a lover, believing that a race of monsters would spur from a second creation. The creature never indicates that he would terrorize the world if given a counterpart, and in fact would leave human society to spend him with his significant other (205). The monster’s hopes are benign, and Victor Frankenstein distorts and mystifies the monster’s intentions. Clearly, the monster in Frankenstein does not define itself through a series of checklists about “how to be a monster,” but rather breaks the boundaries of traditional monstrosities. This monster does not parade through the town trying to terrorize the people that it encounters; this…
In World War I, there was a pilot called the Red Baron. His real name were Manfred Von Richthofen. He was German. He was called the Red Baron because he flew a bright red airplane. He was also a baron. A baron is someone who owns a lot of land. The Red Baron won 80 airplane fights. That is more than any other pilet. One month, he won 22 airplane fights! He received many metals. When he won a fight, he ordered a silver cup. He could only get 60 cups. The silver could not be used for cups anymore. It had to be used for more important things. Later, he taught other people how to fly airplanes. He also taught them how to win airplane fights. One day the Red Baron was in an airplaine fight he did not win. He died in that fight on April 21, 1918.…
When monsters are thought of a very distinct picture comes to mind. An ugly creature that is out for blood, born into a life where causing misery is his driving force. Do these features really define what a monster is; works of literature like Mary Shelley’s Frankenstein and Shakespeare’s Othello tell quite a different story. Monsters are not born but made just as people are not born evil but can sometimes end up there. Othello and the Monster start of as good men looking to be part of society but were pushed out because of what others perceived them to be. This caused them to mentally and physically isolate themselves from everyone allowing hatred to take over. Iago and Frankenstein also helped to instill thoughts and emotions in these characters that ultimately changed their path from good to evil. Both the characters of Othello and the Monster transform into monstrous beings due to their desire to be accepted, isolation, and relationship with their antagonists.…
The monster was rejected by society because of appearances, and that led the monster to harsh revenge measures. For instance, Victor demolished the only opportunity of the monster having a companion; therefore, the monster became resentful towards all mankind. The new being simply desired acquaintances to learn and have fun with, but the population denied him his only wish. The creature had all the correct reasons to take drastic measures in taking revenge. Accordingly, the reader can conclude that it is wrong to judge a person based on…
Eugene Achike or Papa could easily be mistaken as being a 'monster' for the 'horrible things' that he has done throughout the novel, but that would not be a fair or accurate representation of his character.…