Baroque vs Classical
Baroque vs Classical
Music form the period of approximately 1600-1750 is usually referred to as “baroque.” This was a time when the doctrine of the “divine right of kings” ensured the absolute rule of “God-chosen” monarchs. During this time, Louis XIV became the most powerful and praised monarch in all of European history. Discoveries in science stimulated both technology and philosophy. People began to think about ordinary matters in a new way, affected by the newly acquired habits of scientific experimentation and proof. The mental climate stimulated by science significantly affected the art and the music we call Baroque. Science is at work in even the most flamboyant and dazzling of Baroque artistic efforts. There was a dual influence of extravagance and scientism, of the splendid and the schematic, that is found in Baroque art and music. Bach and Handel were both of the Baroque period.
In the second part of the eighteenth century, the classical style emerged in Europe, principally in Vienna, Austria. Joseph II, an “enlightened” ruler, emancipated the peasantry, furthered education, and reduced the power of the clergy; he supported music and literature with his patronage and encouraged a free press. Joseph II derived his principles of governance from an important intellectual movement of the eighteenth century known as the Enlightenment, a movement that also helped define the music that flourished under his reign. The original source of the Enlightenment was the faith in reason that led to the great scientific discoveries of the Baroque period. Then the emphasis went away from the purely intellectual and scientific toward the social sphere. People were less intent on controlling natural forces by science than on turning these forces to universal benefit. People also began to apply the same intelligence that solved scientific problems to problems of public morality, education, and politics.
Music during this period was meant to please and
Music form the period of approximately 1600-1750 is usually referred to as “baroque.” This was a time when the doctrine of the “divine right of kings” ensured the absolute rule of “God-chosen” monarchs. During this time, Louis XIV became the most powerful and praised monarch in all of European history. Discoveries in science stimulated both technology and philosophy. People began to think about ordinary matters in a new way, affected by the newly acquired habits of scientific experimentation and proof. The mental climate stimulated by science significantly affected the art and the music we call Baroque. Science is at work in even the most flamboyant and dazzling of Baroque artistic efforts. There was a dual influence of extravagance and scientism, of the splendid and the schematic, that is found in Baroque art and music. Bach and Handel were both of the Baroque period.
In the second part of the eighteenth century, the classical style emerged in Europe, principally in Vienna, Austria. Joseph II, an “enlightened” ruler, emancipated the peasantry, furthered education, and reduced the power of the clergy; he supported music and literature with his patronage and encouraged a free press. Joseph II derived his principles of governance from an important intellectual movement of the eighteenth century known as the Enlightenment, a movement that also helped define the music that flourished under his reign. The original source of the Enlightenment was the faith in reason that led to the great scientific discoveries of the Baroque period. Then the emphasis went away from the purely intellectual and scientific toward the social sphere. People were less intent on controlling natural forces by science than on turning these forces to universal benefit. People also began to apply the same intelligence that solved scientific problems to problems of public morality, education, and politics.
Music during this period was meant to please and