Since his style of writing is in such great details, he has been able to keep readers on the edge of their seats and craving for more. Not only does he describe everything in such detail that the reader can almost picture Stockholm and the characters that are involved in the story, but also the details that he uses are not the common like “he was wearing a suit and tie” but breaks those detail down even further. A good example of this is how he describes Salander:, “Armansky’s star researcher was a pale, anorexic young woman who had hair as short as fuse, and a pierced nose and eyebrows. She looked as though she had just emerged from a week-long orgy with a gang of hard rockers” (Larsson p 41). Another example would be, “It was right next to a jetty, with the water three paces from the door. It was only fifteen by eighteen feet but it had such a high ceiling that there was space for a sleeping loft. She could stand up straight there, just.” (Larsson p…
to organize his book by topic, which worked really well in his narrative style because there are so many…
American Psycho is one of the fiercest criticisms that an American writer has made of his own country: a complacent and self-indulgent society. For his argument, the author has chosen a risky path: Patrick Bateman, not a rebel or an outcast, Patrick is a young man of success, however, also capable of rape, torture and murder.…
Everyone have his or her own idea of a dystopian society. A dystopian society is a world in which everything in a place or state is unpleasant or bad, normally a governmental or environmental degraded one. Harrison Bergeron is just that. Harrison lives in a society where everyone is equal. The government made everyone equal by making the middle class and middle class equal to the lower class using ‘Handicaps’. No one is stupider, uglier, weaker, or slower than anyone else.…
Will Hunting was mandated to attend therapy by the juvenile court system. He saw five therapists with whom he failed to connect, prior to seeing Sean Maguire. He terminated himself from some of his previous therapy sessions. Two of his therapists walked out on him. Will accused his first therapist of being gay and sabotaged his second therapy by pretending to be hypnotized.…
“All victims were strangers to him, all murders had been done in the middle of the night except for one. While he was nervous and fearful at the first shooting; he took great pleasure in it. He alone knew who killer was. He was omnipotent. The “demons” had transformed the unassuming and quite ordinary David Berkowitz into one of the most sought-after killers of modern times” (Abrahamsen, 1985). During childhood an individual goes through phases, events, emotions that shape his or her adulthood, David Berkowitz was not an exception like many other murders he was the product of his formative years. Notorious for the spree of killings committed in 1976-77 in New York City of young women, whom he stalked, and preyed on after dark. For one year…
Sean Penn’s main protagonist, Christopher McCandless is at first wounded by the materialistic lifestyle and the emotional lack of interest expressed by his parents, that he experienced going up. Penn shows the McCandless families materialistic nature through the use of flashbacks, specifically a scene with his parents kissing happily in their new luxury car — a symbolic reference to material success and wealth. This scene is then crosscut with chaotic, cropped shots of domestic violence and abuse. The superficial lives of his parents trigger Christopher’s need to seek change and discovery away from the urban life and landscape of the city and to “walk alone…into the…
The beginning of this chapter starts off talking about Solomon wanting to have judgment over something. He was given that opportunity when 2 women came to him saying how they had both given birth to a baby boy. This encouraged one to become guilty, and one to be innocent. This chapter continues on giving stories discussing the idea of being innocent, and guilty. Innocent and guilty people, will have similar responses to very different incentives. Another section of the chapter talks about the hiring process, and the money and time that is put into all that. Having a college degree when applying for a job, automatically makes you look better. Often times, several Americans around the world receive a scam text trying to hack your accounts, get your social security number, or your banking information. Most people know that when one receives a text from an odd number, one does not open the link if there is one.…
These chapters establish the way Holden interacts with his peers. Holden despises “phonies”—people whose surface behavior distorts or disguises their inner feelings. Even his brother D. B. incurs his displeasure by accepting a big paycheck to write for the movies; Holden considers the movies to be the phoniest of the phony and emphasizes throughout the book the loathing he has for Hollywood.…
Does being miserable, drinking away sadness, and ordering a prostitute sound like a troubled teen, or someone with a serious mental illness? In the novel The Catcher in the Rye by J.D. Salinger, a sixteen year old boy named Holden Caulfield gets kicked out of the private school he is attending and stays in New York for a couple of days instead of going home. Holden struggles with depression throughout his journey and has many problems like lying and drinking. Holden is suffering from depression because of many traumatic life experiences, most things make him miserable, and he participates in risky behavior to cope with his misery.…
Holden often plays around with his identity while around other people. The article states that,…
Holden Caulfield has terrible habit of calling everyone a phony and he himself often behaves like a prophet or a saint, pointing out people flaws or as he sees it the phoniness in the world around him. Holden is not nearly as perfect as he pretends/wants to be. Many times throughout the novel he displays his phoniness and hypocrisy. Holden struggles with finding who he wants to be and searching for companionship. He has been kicked out of several schools for his own actions, which he refuses to admit. Movies seem to be one of the many things Holden views as very phony and constantly ridicules them as an art form as well as people who enjoy watching them. Holden calls people out like a prophet or saint would, deciding whose good and who is not, when Holden is neither good nor bad.…
There comes a time when everybody has to say good-bye to their teenage years and become an adult. The carefree childhood will be challenged by strains and expectations. Those unwilling to face them are doomed to fail. Holden Caulfield, the 16-year-old protagonist of J.D. Salinger's novel The Catcher in the Rye, is one of the adolescents who question the attraction of being an adult. Shortly before Christmas vacation, Holden has been expelled from an elite prep school in Pennsylvania. Disinclined to stay at the school any longer or return home, Holden decides to spend a few days in New York City. During his tour, he meets different people that he calls "phonies". The frequent use of the word has a deeper meaning than it might appear at first look. Holden's obsession with phoniness demonstrates his conflict with the hypocritical adult world.…
The main interest of the work is in a character, Matt, whose son has just been murdered, and his conflict with the concept of revenge. Throughout the story Matt makes frequent mentions to his family that he wants to and should kill his son’s murderer but is just as frequently disturbed and uncertain at this notion. Matt is never described to the reader as a violent or murderous person. The story even mentions that he was a caring and concerned father by stating that “He had always been a fearful father: when his children were young, at the start of the summer he thought of them drowning in a pond or the sea, and he was relieved when he would come home in the evenings and they were there” (92). Matt is angry with himself because he feels he should have been able to protect his son, but was not able to, and “he lost Frank in a way no father expected to lose his son, and he felt that all the fears he had borne while they were growing up, and all the grief he had been afraid of, had backed up like a huge wave and struck him on the beach and swept him out to sea.” (94). Frank, Matt’s son, was also previously beaten by Richard Strout, the man who would later murder him for “making it” with Richard’s wife. Frank’s battery was described as “Before ten o’ clock one night Frank came home; he had driven to the hospital first and he walked into the living room with stitches over his right eye and both lips bright and swollen” (91). Matt has such a burden put on him with the death of his son, and the magnitude of that event causes him not being able to think about “any of the small pleasures he had earned, as he had earned what was now…
The “mindless” violence is questioned during the killing of the Asian delivery boy, on the realisation that the boy is Chinese and not Japanese he exclaims how he “accidently [killed] the wrong type of Asian” as a result of his own resentment towards the Japanese for purchasing buildings in America that stand as their Capitalist symbol, in killing “the wrong type of Asian” he is essentially showing the reader his belief that those below him socially lack their own personal identity. This violence portrays a shocking emotional response from the reader, and yet Bateman has little issue with the fact that he killed a child but moreover the fact that it was not his target, Bateman’s irrational fears that it is all of the Japanese contributing to…