beautiful monster

An individual’s identity is determined by behaviour and can be interpreted in numerous ways. In Margaret Atwood’s, The Handmaid’s Tale, behaviour is a primary factor in shaping one’s character. The Commander’s actions are a reflection of his personality as he displays both monstrous and sympathetic tendencies. His conduct varies in different situations that constantly alter his persona. This is evident in his interactions with various women. Furthermore, The Commanders choices resemble his power which he uses for both good and malevolence. Lastly, his grotesque and compassionate nature is exemplified through his views on passion and desire. The Commander’s relationship with women acts as a precedent for his multi sided character. The Commander’s affiliations with women can vary from being affectionate to being completely unconcerned. His feelings towards Offred compel him to treat her with respect. This is evident when he attempts to touch Offred’s face and apologizes after she chastises him. He murmurs, “I’m sorry, I didn’t mean to.”(26.162) This is one of the first times The Commander exposes a sense of humanity. In Gilead, the social position of a commander is not meant to convey remorse, let alone towards a Handmaid; as Handmaids hold the lowest position in hierarchy. Offred’s relationship with The Commander has altered and she now finds herself in a completely different place from where she started. It is now shifting away from the acceptable norm. This is clear when Offred says: “You can see from the way I was speaking to him that we were already on different terms.”(26.162) Her relationship with The Commander has undergone a drastic change, in which confuses her status as a Handmaid. Although The Commander proves to be very affectionate, his atrocious character still remains. His disregard for both Offred and Serena is a clear example of his inconsiderate nature. The Commander’s wife, Serena Joy, is a constant victim to his cruelty. His