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“Like Water for Chocolate” by Laura Esquivel has many complex and interesting ways of presenting and developing its characters. In this essay, I will present and explain some of the ways Laura Esquivel builds the character Tita from birth to nurturing, the role of her family and predetermined paths to show Tita as an imprisoned trapped character in the early chapters of the novel.…
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(Warning: This novel contains some explicit language. If this is an issue for you or your child, please contact the English Department Chair at karthur@bcps.org to discuss. An alternate assignment can be created.)…
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©2000-2007 BookRags, Inc. ALL RIGHTS RESERVED. The following sections of this BookRags Premium Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources. ©1998-2002; ©2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design® and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". © 1994-2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". © 1994-2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copywritten by BookRags, Inc. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher.…
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Addie, the mother of the family, and the driving force behind the deterioration of her family’s world, has a bitter perspective of love and existence. Her internal thoughts, which appear only once in a chapter later in the book, reveal her complicated emotional view towards her painful situation. Her language is dark and cold, and she often reiterates the idea that “words are no good” (page 171). Addie’s voice is of a woman who has only known the empty love of her father, and of Anse, and the hardships of motherhood. Words have never been true to her, and therefore she cannot understand their importance. Her morbid and angry voice is most present when she expresses a want to injure her students, and murder her husband. Her hatred for humanity is clear when she compares them…
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The syntax that Walker uses to represent Celie’s voice is often short, simple and lacking in description. ‘I am fourteen years old’ shows this. The almost constant use of short, simple sentences could indicate to the reader that Celie has a very basic understanding of written English. The lack of descriptive language used by Walker in Celie’s narrative voice could suggest that although these letters are addressed to God, only Celie will read them. This portrays Celie as a vulnerable character for various reasons. The use of short sentences indicates that Celie has a poor or non-existent formal education; this makes Celie seem vulnerable as the reader could think she is too unintelligent to understand her plight, this also induces a sense of pathos in the reader. The lack of description incorporated into her letters adds to the sense of vulnerability surrounding Celie as it could be interpreted by the reader that she has no one to turn to and she is alone to endure her struggle. When coupled with the sequential and chronological structure of her letters, the notion that, although Celie writes in an epistolary form, she has no one to turn to is intensified as it suggests to the reader that she doesn’t want to explain her situation to anyone.…
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The protagonist brings to life her best friend, a fantastically drawn character, whose intense ideas and shocking acts she often interprets as a lack of devotion. This causes the narrator to suffer. As a good book can, it rouses experiences from my own life—a friend who failed to support me at a crucial time; a definitive silence, enduring…
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The text under analysis is a story written by O’Henry. His real name is William Sidney Porter and O. Henry is his pen name. O. Henry is an American short-story writer of the late 19th century. He is a representative of realism, who wrote about the life of ordinary people in New York City. Typical for O. Henry's stories is a twist of plot which turns on an ironic or coincidental [kəuˌɪn(t)sɪ'dent(ə)l] (випадковий) circumstance. Although some critics were not so enthusiastic about his work, the public loved and loves it. The plots of his stories are clever and interesting, and the end is always surprising. His works include ‘The Four Million’, ‘The Gift of the Magi’, ‘The Furnished Room’, ‘Shoes’, ‘The Last Leaf’ and so on. No matter how many times you read them they always give you the same feeling of freshness. So does the story ‘The Green Door’.…
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