Billy Collins, analysis of his poems. Shoveling snow with Buddha, Victoria's secret, and I Chop Some Parsley While Listening To Art Blakey's Version Of "Three Blind Mice"

Arguably the most popular poet in America, Billy Collins provides readers with two types of poetry that is nothing like typical poetry. One of his unique styles is writing as if the poem could be read like a novel. The other type brings humor and whimsy to his work, yet he hints at a seriousness that lies beneath the surface. Both styles of poetry are easy to read, but take a second look to realize what the Collins is intending the reader to understand. Billy Collins is an exceptionally talented poet whose writing at first can be taken to be a simple comedy but when read more carefully, it can be interpreted as a far more complex script. First readings of the poems I Chop Some Parsley While Listening To Art Blakey's Version Of Three Blind Mice, Victorias Secret, and Shoveling Snow with Buddha might convince the reader that Collins is offering poems that are clever yet easy to read and understand. A quick reading of Collins poems shows a similarity of his witty style, although the subject matter of each is different.First glance readings of these poems might lead readers to the following interpretations. A man wasting his time flipping through the pages of a Victorias Secret magazine. A man shoveling snow from a driveway with Buddha. Lastly, a man daydreaming about the childrens rhyme Three Blind Mice. However, if these poems are read more carefully they reveal a hidden richness in their meanings. In the first reading of the poem Victorias Secret, the narrator is flipping through the pages of a lingerie magazine. He describes the outfits of the eight models in great detail. For example, wearing a deeply scalloped / flame-stitched halter top / with padded push-up styling / and easy side-zip tap pants. Also, the narrator evaluates the mood of each model by the expression on her face. For instance, looks at me over her bare shoulder, / cannot hide the shadow of annoyance in her brow. None of the models in the photographs seem to like narrator looking at

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