Though he was able to escape war unharmed, Billy seems to be mentally unstable. In fact, his nightmares in the German boxcar at the prisoners of war (POW) camp indicate that he is experiencing Post-Traumatic Stress Disorder (PTSD): “And now there was an acrimonious madrigal, with parts sung in all quarters of the car. Nearly everybody, seemingly, had an atrocity story of something Billy Pilgrim had done to him in his sleep. Everybody told Billy Pilgrim to keep the hell away” (79). Billy’s PTSD is also previously hinted when he panics at the sound of sirens: “A siren went off, scared the hell out of him. He was expecting World War III at any time. The siren was simply announcing high noon” (57). The most prominent symptom of PTSD, however, is reliving disturbing past experiences which is done to an even more extreme extent with Billy as Slaughterhouse-Five’s chronology itself correlates with this symptom. Billy’s “abduction” and conformity to Tralfamadorian beliefs seem to be his method of managing his insecurity and PTSD. He uses the Tralfamadorian motto “so it goes” as a coping mechanism each time he relives a tragic…
The real purpose behind Vonnegut’s writings is “to poison minds with humanity … to encourage them to make a better world”. This is the author’s idiocies and short comings of his contemporary world and uses dangerous jokes in the form of black humour as well as other satirical techniques such that; Vonnegut is in a way, holding a mirror in humanity’s face to allow humanity to understand their own weaknesses and attempt to improve. Vonnegut’s hope in the book is to allow people to laugh at their own idiocies through black humour, challenging their sense of direction in specific…
In the novel Slaughterhouse Five, by Kurt Vonnegut, Billy Pilgrim experiences time differently from any other person. Instead of experiencing time in a linear fashion, Billy jumps randomly throughout all of the events in his life. It is this random experience of time that allows Vonnegut to enforce the themes of senseless violence and the illusion of choice.…
In the novel Slaughterhouse- Five by Kurt Vonnegut, the story of Billy Pilgrim is used to explore numerous themes regarding life and war. Vonnegut’s appalling war experiences in Dresden guided him to write on the horrors and tragedies of war. All through the progression of the novel Slaughterhouse-Five, the reader is conveyed through the life events of Billy Pilgrim, a character who survives the Dresden firebombing and countless other tragedies. Oddly, Billy discovers ease in the concept that free will is an illusory belief, and that nothing can be done about any of the surrounding misfortunes that happen during his lifetime, or throughout any lifetime. He conveys his opinions and validates them with a claim of alien abduction, and therefore…
Irony is an event that the reader expects to happen, but is the quite opposite, usually for a funny or dramatic effect. In An Occurrence at Owl Creek Bridge, Peyton Fahrquar is sentenced to death by hanging by the federal military during the civil war for attempting to burn a bridge they were controlling. In this short story, Fahrquar jumps off of the bridge with the noose around his neck and his hands and feet tied, but he still lives. This is an example of irony because the reader will expect him to die instantaneously, but suddenly it was as if the rope grew longer and he fell into the water. As he ‘escapes’, sharpshooters aim and fire, but not a single round will touch him. At the end of the short story, it explains how Fahrquar runs all night to get to his family, just as…
In the novel Slaughterhouse-Five, Kurt Vonnegut writes about World War ||. While writing about the reality of war, Vonnegut also writes about Billy Pilgrim's life both before and after the war, and from his travels to the planet Tralfamadore. Billy is able to move both forwards and backwards through his lifetime in an unpredictable cycle of events. Since Slaughterhouse-Five's central topic is the horror of the Dresden bombing, Billy comes across many questions about the meanings of life and death. Throughout the novel, Vonnegut uses irony and understatement to transfer the message that events in life are inevitable. These events may be negative, but it is important to focus on the positive memories instead.…
Near the end of the story, the reader wonders why each time Bobby Lee and Hiram takes someone into the forest, they never come back. Well at the end of the story the whole family is taken to die. June Star's comment that the grandmother goes everywhere the family goes can be read as a sign that she will meet the same fate as them. There's also another blatant foreshadowing in the story. The author describes that the grandmother is dressed very nice on the trip and the reason she gives is, "In case of an accident, anyone seeing her dead on the highway would know at once that she was a lady." When a person dies, they usually are dressed in their best outfit, just like the grandmother was dressed in what seemed to be her Sunday best. This shows that there shouldn't be a shock if something fatal happens to her at the end. There's also one interesting foreshadowing image placed into the short story. While on the trip the family, "Passed by a cotton field with five or six graves fenced in the middle of it, like a small island." It's pretty fascinating how the number of graves matches the exact number…
The semi-autobiographical nature of Kurt Vonnegut’s work is shown in Slaughterhouse-Five. In this novel, the protagonist Billy Pilgrim closely mirrors Vonnegut, specifically regarding Dresden. Billy Pilgrim is an unassuming man that is drafted into the war before he can finish school, exactly like Vonnegut. Pilgrim is thrust into the Battle of the Bulge with very little training, and ends up becoming captured by the Germans and eventually taken to an underground slaughterhouse in Dresden to help produce…
For example, “Billy is spastic in time, has no control over where he is going next, and the trips aren't necessarily fun. He is in a constant state of stage fright, he says, because he never knows what part of his life he is going to have to act in next” (29). This quote illustrates that Billy has lost control over the most foundational constant we come to expect in life, which is time. He also feels phony in living his own life. This lack of caring about who he is makes Billy a non-familiar hero for a novel. For instance, “The most important thing I learned on Tralfamadore was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present, and future, always have existed, always will exist” (33-34). Even if it is true that death is only brief moment in a person’s life, it draws us to ask the question if we can or can’t cry at funerals. The time we spent with the specific person that passed away will determine if we can or can’t cry at their funeral. Every great moment is eternal in Billy’s life. Lastly, this was when Billy first came unstuck in time. His attention began to swing grandly through the full arc of his life, passing into death, which was violet light. There wasn't anybody else there, or anything. There was just violet light—and a hum” (54). Billy is faced with the probability of his own death for the first time. He can see his life literally flashing before his own eyes. The novel takes the idea of flashbacks that are traumatic and run with it. It all depended on how Billy used his time to make himself a better person and try his best to move on from this huge incident that has played a huge role in his…
Furthermore, in chapter six Vonnegut reveals that hope can be found in dark places, like war. When Billy approaches Dresden and sees how it is untouched by the war and beautiful, unlike the rest of Germany, Vonnegut reveals that in depressing or scary times, there will always be the little things that can brighten the days of those that are hurting. For Billy, seeing the beauty of a place that has not been damaged by war is his glimpse of hope. These glimpses of hope in life keep people grounded and remind them of the good that once was. These moments give hope to the future and hope that life will return to a way that was similar to the beauty that people know in their past.…
While both David Sedaris and Dave Barry use various types of humor, such as hyperbole and sarcasm, in their essays, one is commenting and criticizing on ironic situations people can relate to and the other shows how to turn uncomfortable situations around.…
The Minstrel show presents a strange, fascinating and awful phenomenon. Between 1843, when the first organized troupe…
Death is probably the most feared word in the English language. Its undesired uncertainty threatens society’s desire to believe that life never ends. Jack Gladney and his family illustrate the postmodern ideas of religion, death, and popular culture. The theme of death’s influence over the character mentality, consumer lifestyle, and media manipulation is used often throughout the story. As Babette notes when she confesses her fear to Jack, “What is more underlying than death?” Everything in the novel from Hitler to the supermarket, from the airborne toxic event to the white noise of the novel’s title circles back to human beings’ primal, deep-seated fear of dying.…
Based on the analysis of the various participants’ feedback from the focus groups, the authors found that while there are several similarities in opinion between the two races, the most significant results come from the differences. Both races agreed with the very broad statements that racial comedy can be entertaining, that there is some truth to it, and that there is certainly a time and place for it. When these generalizations are broken down, however, there are many distinct differences. These differences are especially clear when broken down further into the three categories the authors used to analyze the participants’ conversation; the tensions between funny and offensive, the tensions between stereotypes and authentic representations, and the extent to which racial comedy can help to…
In real life, death is a very serious subject. Most people dread the day that they must shuffle off this mortal coil and stop existing altogether. As we grow older, we all are forced to come to grips with our own fragile mortality. However, comedians and humorists have found ways of looking at the concept of death in a more light-hearted manner. Black comedy and gallows humor are used in a lot of film, television, and other media to assuage audiences’ anxieties about dying. Motion pictures like Pulp Fiction, Horrible Bosses, and Birdman or (The Unexpected Virtue of Ignorance)…