Hooper’s life. The descriptions were vague with him being called, “a gentlemanly person…nodding kindly.” (1) A choice that Hawthorne made to keep the character’s motivations vague is that the reader is unable to enter Mr. Hooper’s mind. This creates a physical barrier between the audience and Mr. Hooper is preventing a full understanding of the situation. Ambiguity exists with his relationship with Elizabeth since they are engaged, but there is no evidence of romance.…
Irene’s self-esteem not only continues to deteriorate, but displays of internalized racism begin to present themselves through illogical thought and irrationality. Irene describes Brian in the same way she does Clare as, “extremely good-looking” (Larsen 77). Irene, does not view herself as “good-looking”, therefore she believes herself unworthy of Brian an “extremely good-looking” man, so she assumes Brian and Clare are engaging in an affair. Despite assurances from Brian that he does not view Clare as “extraordinarily beautiful”, Irene remains convinced that they have engaged in…
The Black gene is the most dominant in all human beings. In any unbiased human biology textbooks will explain why I say this in detail. The Black man's genetic legacy, even after generations of imposed race-mixed, have consistently proven him physically superior. Blackness has been seen as the foundation of all people and all things. Dr. Richard King's “The Black Dot” analyzes this phenomenon. In a Black man's skin you typically will find a high concentration of melanin, thus giving him a dark complexion. A very vital aspect of the brains processing comes from a similar chemical known as neuromelanin. Scientists have confirmed that melanin is also present in the atmosphere and all through the universe in the blackness of space.…
This paper has focused and compared Mick to other characters: what intersecting power structures she is either privileged or restrained by, how those structures shape her experiences, and how she accepts or resists. Mick is restrained by her femininity notions based on racial, sexist, and classist notions, and that her characterization challenges them through her behavior. She is also restrained to accomplish her artistic aspirations due to her poor position in the intersection of gender and…
The Night Circus displays textual features that reinforce realities socially constructed hierarchy in regards to the masculine and feminine. The male/female binaries and societal denotations for the terms ‘male,’ ‘female’ and terms particular to the magical world such as ‘magician,’ strengthen the authoritative and dominant position of men. Within the first pages of the novel the reader is immediately made aware of the severe power imbalance between the male and female gender, evident through the first meeting between Celia and her father Hector.…
©2000−2005 BookRags, Inc. ALL RIGHTS RESERVED. The following sections of this BookRags Premium Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare &Contrast, What Do I Read Next?, For Further Study, and Sources. ©1998−2002; ©2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design® and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". © 1994−2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". © 1994−2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copywritten by BookRags, Inc. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher.…
©2000-2007 BookRags, Inc. ALL RIGHTS RESERVED. The following sections of this BookRags Premium Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources. ©1998-2002; ©2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design® and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". © 1994-2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". © 1994-2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copywritten by BookRags, Inc. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher.…
I chose to do my audience analysis on Philippa Gregory’s books The White Princess. The book is a historical fiction book based on the lives of King Henry the 7th and Elizabeth of York. The primary audience for this book is for people who are interesting about the history and the people of the British monarchy. The reason that I believe that this is the primary audience for this book is because most people do not want to learn about Elizabeth of York unless they are interested in her and her life. Another reason that I think that this is the primary audience is because this book follows the history and issues that were going on during that time. People that would want to read this book are people that are interested about the royals back then and what happened in their lives and the issue and threats that they were facing at the time. For example, the book talks about how King Henry the 7th had issues with people pretending to be one Elizabeth’s brothers who were killed in the tower. A few young men came forward during that time and pretended that they were one of the brothers…
A topic often brought up in class discussion throughout the semester was sexuality and the many aspects involved; changing my personal perception of sexuality. In September I believed sexuality was just the act of sex and or being promiscuous, but it’s a much broader subject. The Bloody Chamber by Angela Carter is a re-mastered version of the fairy tale Blue Beard with a sexual spin. It perfectly depicts the ideal image of sexuality to one who is more innocent than someone more experienced then alters it and shows us its variations after they’ve gained experience. This essay will explore the deception, dominance and violence surrounding the sexual relationship between the heroine and Marquis. Angela explores the aspect…
Quentin Crisp writes about his life struggles and successes as a flamboyant, unabashed gay man in 20th century London; his autobiography including retellings of his failures, opinions on sexuality and experiences with various people in his life. Throughout his narrative, the reader gets a glimpse into the heteronormative society that circulates misinformation and condemnation of queer individuals and heavily impacts Crisp’s view on homosexuals. At times, it is evident that Crisp consciously opposes society’s condemnation by choosing daily to be himself, but he cannot help his thoughts from being tainted by the surrounding oppressive heteronormativity. His entire life, Quentin is taught that homosex is intrinsically wrong, only being acted upon…
From the early days of Richard’s childhood, Richard was always alienated from his environment. Even though he tried to distance himself from the prejudice all around him, the white people still tried to turn him into the stereotypical southern black person. However, throughout the story Richard is also alienated by his own people and perhaps even more then from the white people.…
Julian and his mother in the story are two characters that greatly conflicts with one another. Not only does one representing the new South and the other representing the old South, their characters is ironic because they both have very strong view points regarding African Americans. Despite Julian's liberated and intellectual view on race he is in actuality a very weak character because not only are his judgements base on stereotypes of African American he is also unable to communicate with them. In the story, every time Julian…
Brick is not intimate with his wife Maggie, which creates conflict within their already failing marriage. However, during the nineteen fifties, homosexuality was not acceptable, so if Brick was in fact gay, his shame and guilt would be immense, “Brick’s resentment of it {homosexuality} being brought out into the open, and Margaret's understanding . . .” (Falk 105). During Brick and Big Daddy’s conversation, the sensitive issue of Brick’s ambiguous sexuality is brought up. Immediately on the defense, Brick proclaims that he and Skipper were not in a relationship and that Skipper’s feelings for Brick were not reciprocated. “Oh, you think so too, you call me your son a queer . . . You think so, too? You think so, too? You think me an' Skipper did, did hdid!—sodomy!—together?” (Williams 117-19). Brick’s always denies any homosexuality and continues his defensive attitude toward the…
2. ‘It is the power and integrity of Blacky, the narrator of Deadly Unna?, that makes it such a persuasive novel.’ Examine the appeal and message Blacky gives to the reader.…
The theme of Blackheart by Mark Brazaitis is not everyone and everything is trustworthy. One even that shows this theme is when she approached the dog and saw his features. “Even with his gigantic, square head and his razor-blade teeth and his terrible scars, he looked familiar and approachable, like a misunderstood monster.” This shows the theme because she felt that she could trust the dog being friendly towards her, because when she sang to him he would calm down. Another place in the story that supports this theme is when she went to see him for the last time he looked at her and swore he was saying, “I want to know you without bars between us.” In this scene, the theme is shown because she believes the dog has…