A Streetcar named Desire is driven by the imagination of Blanche and the other nature. The handwriting in the amusement cloak from their loyalty by representation as if the events they way through didn’t occur or were not momentous. The consideration of mockery/fantasia vs. devotion seems to carry on the intention that these independence poverty to “sally” their earth. Escaping your fact and vigorous in a like globe will leaving you intricate to the stuff around you. In some suit, if you are muscular enough to restrain from the humor and illusions around you, you may termination up in the loyalty, inclination Mitch. Both Stella and Blanche found it flower in their liking to remain in a humor but if you abide in it too far-reaching it can take…
-In the end, Stanley's down-to-earth character proves harmfully crude and brutish. His chief amusements are gambling, bowling, sex, and drinking, and he lacks ideals and imagination. His disturbing, degenerate nature, first hinted at when he beats his wife, is fully evident after he rapes his sister-in-law. Stanley shows no remorse for his brutal actions. The play ends with an image of Stanley as the ideal family man, comforting his wife as she holds their newborn child. The wrongfulness of this representation, given what we have learned about him in the play, ironically calls into question society's decision to ostracize Blanche.…
In A Streetcar Named Desire, the theme of violence is very frequent in the character Stanley Kowalski. Stanley is a married, young man, who comes across to the reader as quite an enraged person with animalistic attributes. A prime insinuation of Stanley’s difference to regular humans is when Stella DuBois (Stanley’s wife) explains to her sister that Stanley is of “a different species”, foreshadowing that Williams may be warning the reader that Stanley is capable of things that are not in the norm.…
Stanley first shows signs of villainy in scene three, through his need to be dominant which foreshadows the conflict between him and Blanche which, later, leads to the rape. At the start of the scene, he tries to assert his authority by telling Stella and Blanche to “cut out that conversation in there!” Throughout the scene, when he feels that he is losing control and authority, he loses his temper; one trait of a traditional villain, in the form of striking Stella after she yells at him – “Drunk – drunk – animal thing, you!” It is clear to the audience that Stanley would have liked to hit Blanche instead. The fact Williams stages the…
Stanley and Stella are married and live in Elysian Fields. Stella was born into a wealthy family from Belle Reve and married Stanley, who is from the middle class. Stella depends on Stanley for love and to make her feel better. In reality, Stanley is a powerful man and can get any woman he wants. Stella “couldn’t believe her story and [she continues] on living with Stanley” (133). Blanche tries to inform her sister how Stanley is not the man she thinks he is, and how she is living in a fantasy. Stella chooses to believe Stanley, which demonstrates how she is living a lie. Stella does not agree with the accusations that were made. Stanley is abusive to Stella, yet she proceeds to say “I am not in anything that I have a desire to get out of” (65). Stella admits she does not want to leave Stanley even though she is continually…
Stanley's harsh, realistic world is often seen throughout the play this shows how different Blanches is. An example of this is Stanley's main interests: gambling, drinking, fighting, sex and bowling. All of these are very realistic things to do, very down to earth. Also throughout the play he shows no remorse for what he's done,…
In ‘A Streetcar Named Desire’, Tennessee Williams presents Blanche DuBois as an extremely multifaceted character who represents both old and idealist values in America. Appearances are deceiving, and this is clearly shown through the character of Blanche in the play, as she puts on a smug and arrogant front to conceal her fragile personality. To ‘blanche’ something is to ‘drain it of colour’ and thus the image she portrays in Act 1 and 2 reflects this idea.…
Stanley shows instability throughout the play, especially after the arrival of Stella’s sister, Blanche. Stanley does not allow his anger to take over him at first, but after many months of what he sees as disrespect from his sister-in-law and eventually from his wife he completely breaks down. The first scene of instability shown in the play is at the poker game where when Stella tries to act as head of the house and attempts to break up the poker game. Stanley jumps up and charges after her and slaps her. Another example of Stanley being pushed from sanity is in scene eight when he says, “What do you two think you are? A pair of queens? Remember what Huey Long said- “Every Man is a King!”And I am the king around here, so don’t forget it!” (Williams 131).…
Firstly, in Tennessee Williams’ “A Streetcar Named Desire”, the writer presents disconcerting behaviour throughout the text. Tennessee Williams uses Stanley to display different types of disturbing behaviour, and the events that occur due to his attitude. Stanley is presented having a masculine, animalistic nature, which includes his open violent behaviour. His animalistic nature is displayed when he ‘charges after Stella’, in scene three of the play, and when there is the ‘sound of a blow’ in the household, indicating that Stanley had physically hurt Stella so much causing her to cry. Critic, Michael Coveney explains that in the play ‘masculinity means aggression, control, physical dominance, and even violence.’ Tennessee Williams proves this point as Stanley is constantly in control and uses his masculinity to take charge in the household. The play as written in the 1950's and in that period of time men were known to have a more masculine and aggressive role in a relationship than our time, so even though the audience of this period of time may see Stanleys abusive actions as destructive and out of order, in the 60's these sort of scenario's would've 'happened already'.…
Stanley looks past the fake front that people put on and focuses on what is real and ignores the “Hollywood glamour” and lies that surround them (39). Stanley does not want any deviation from what is known to be true and wants “no ifs, ands, or buts” (43). Deep down Stanley needs to unearth any falsehoods when anyone feeds him a “pack of lies” no matter how dark they are (118). Regardless of the awful truths of Blanche’s life, Stanley states the truth in the simplest sense, and he finally reveals Blanche is not “such a refined and particular girl” as he gives out her dark truths. He pushes away Blanche’s pleasant dream and posters the harsh truth of Blanche’s problems in plain sight so no one, not Mitch, Stella, or even Blanche can not miss it. Ultimately, Stanley feels no empathy for anyone, and digs up the lies and falsehoods that surround…
Around this time males are still looked upon as the “providers” for their families, therefore they had a higher position. Even without Stanley raping Blanche he already had some type of influence over her and her sister. Blanche tries to make Stella leave Stanley. Stanley already does not like Blanche and when he notices her not falling in line with what he wants he begins to attack her. First by removing Mitch from her side then by removing Stella. Once he notices she is weak he decides to strike.…
He is a self-appointed boss of everyone he knows. From his friends to his family, Stanley barks orders to make sure that everything goes as he wants. Even at his poker night, he tells his friend when they can leave or not. So, when Blanche starts making changes around “his” house, he shows a strong hatred to her and how his wife treats her. When he realizes that whatever Blanche wants she gets, he starts to unravel her past and show everyone for whom she is, a selfish, demanding person. Sound…
However, the challenges of authority in both Blanche and Stanley develop into the conflict and throughout the play determines who the “winner” is. Stanley although throughout the play loses his authority in some moments of the play; he is physically violent, intimidating, and most importantly economical dominant. Whereas Blanche goes against social order and victimized by Stanley through rape which raises the conflict of sociopolitical…
Blanche seems eager to point out Stanley's faults to her sister whenever the opportunity arises. When Stella supposes that perhaps, Stanley is “common”,…
Life is an uphill battle that is full of challenges. It’s full of many uncertainties. Blanche is known as a pathological liar who lives in the past and gives into desire. Based on her inability to control her desires, Blanche is to blame. A Streetcar Named Desire by Tennessee Williams describes Blanche Dubois as a neurotic central character who lives in a fantasy world of old south chivalry but cannot control her desires. Although Blanche is to blame for herown demise, society did play a role in the person she became. The story is about the fading and desperate Blanche DuBois and how her sensuous and brutal brother-in-law, Stanley Kowalski, pushes her over the edge. The story takes place in a working-class neighborhood in New Orleans during the late 1940s. When times get rough, who is to blame for your downfall, yourself or the ones around you?…