The primary noticeable difference between Stanley and Blanche are the worlds that they both come from. Blanche believes in an illusionary world of which the upper and lower class people are separated, education is valued, races are separated and purity is preserved. In contrast, Stanley comes from a patriarchal society, which is morally corrupt, sinful and amoral. In the opening scene, the stage directions “her expression is one of shocked disbelief. Her appearance is incongruous to this setting” conveys her difference in class and how Blanche already does not fit into this new world foreshadowing the end of the play when Blanche is pushed out of the new world. The dialogue “ they mustn’t have- understood- what number I wanted” highlights Blanche’s confusion as she arrives at Elysian Fields, which suggests that Blanche is entering into a world that she does not belong in. The use of the derogatory terms “negro”, “brown” and “one white and one coloured” all suggest that unlike in Blanche’s illusionary world, Stanley’s world, New Orleans does not separate races instead they intermingle. Throughout the play there are many references to animalistic qualities. Blanche is represented, as a “moth” of which is fragile and attracted to light, which leads to danger and death. Stanley is compared to a lion, a predator of power and strong…
-Whereas Blanche comes from an old Southern family and was raised to see herself as socially elite, Stanley comes from an immigrant family and is a proud member of the working class. They meet one another in the socially turbulent postwar period in New Orleans, one of America's most diverse cities. Blanche and Stanley are polar opposites in several respects. Blanche repeatedly refers to Stanley and his world as brutish, primitive, apelike, rough, and uncivilized. Stanley finds this sort of superiority offensive and says so, but there is something primal and brutish about Stanley. By contrast, Blanche represents civilization on the decline. She speaks vaguely of art, music, and poetry as proof of progress, but reveals little true knowledge.…
1. Blanche who is homeless, comes to her sister’s house at the beginning. Blanche had been a schoolteacher, married Allan, a man she later discovered to be gay. Her reactions to his sexual orientation caused him to commit suicide. Lonely, she becomes a prostitute, who loses her teaching career when her sexual relationship with a teenager is found out. After the family plantation Belle Reve is lost, she turns to her little sister Stella, who lives in with her husband Stanley in a poor area of New Orleans. She is a very deluded character; She hides her past and fragility behind her Southern aristocrat clothes and manners and is very harsh and mean to Stanley, calling him “bestial” (71). When her past is revealed, she loses a guy named Mitch’s love and the possibility of getting married to him. At the end of the play, she is raped by Stanley (Stella’s husband), goes crazy, and is taken to the state mental asylum. Blanche is the main focus of the play. She is a complex character. “If a single character in contemporary American stage literature approaches the classical Aristotelian tragic figure, it must surely be Blanche DuBois. Deceptive, dishonest, fraudulent, permanently flawed, unable to face reality, Blanche is for all that thoroughly capable of commanding audience compassion, for her struggle and the crushing defeat she endures have the magnitude of tragedy. The inevitability of her doom, her refusal to back down in the face of it, and the essential humanity of the forces that drive her to it are the very heart of tragedy. No matter what evils she may have done, nor what villainies practiced, she is a human being trapped by the fates, making a human fight to escape and to survive with some shred of human dignity, in full recognition of her own fatal human weaknesses and the increasing…
Blanche’s fall from grace would not have been as devastating if she had grown up anywhere but the traditional, family-oriented, socially cruel South. And surely strong, confident Stella would not have stuck with the crude, abusive Stanley had she lived elsewhere, somewhere far away from the dirt and commotion of New Orleans in the forties that obscured the chaos and brutality occurring behind its closed doors. But the women are Blanche DuBois and Stella Kowalski, not the Bennet sisters. As the Old South began to die, they looked for salvation in different directions, both ultimately ending in tragedy. That place, that time, was just not hospitable to the women. So Stella became submissive, the archetype that would soon pervade 1950s Americana, the woman that exists to serve her man, who exists to serve himself. And Blanche became an anachronism, a “woman out of time”, literally and figuratively. Her flourishing springtime had long past. And that hot, horrible summer in New Orleans ushered in the fast-approaching fall of regrets and broken dreams, the autumn that doomed Blanche to a mental…
Throughout the play, Blanche is living a lie and existing in a fantasy. Blanche DuBois, who is lost and confused, lies to herself through the entire play. At the beginning, Blanche lies to her sister, Stella, about taking a break from her school teaching job, when in reality, she has…
"A Streetcar Named Desire" by Tennessee Williams tells the tale of Blanche Dubois and her steady decline into insanity through a series of events. Throughout the story the harsh, realistic world of Stanley clashes with Blanche's filmy, illusionary world. These differences can be seen in how Stanley is portrayed, how is portrayed and how Stella is a bridge between the two worlds. Stanley represents the realistic world.…
Blanche grow up on a large estate along with her sister, although unlike Stella, Blanche believes that her background and statues, which she no longer has, will gain her the control she so desperately seeks. But, the character Stanley gains control over her because of his has financial income which…
This play reflected a part of society that was frowned upon on a social level in the mid 20th centuary. Today a play like this is concidered normal, or average as far as the contrivisrail espects are concerned, but in the 40s a character like Blanche Dubois was something that challegned the moral of the ideal american family. This play is about Blanche DuBois, a schoolteacher from Laurel, Mississippi. She arrives in New Orleans to live with her sister, Stella Kowalski. Blanche told her sister that she lost their their ancestral home Belle Reve, following the death of all their remaining relatives and husband. She mentions that she has been given a leave of absence from her teaching position because of her bad nervous breakdowns.…
Dubois shows a mixed array of actions that confuses the audience into whether she is to be sympathized or not. At the beginning of the play, the author Tennessee Williams shows us the arrogant and demanding side of Blanche, provoking the audience to dislike her, but as the play goes on, Williams gradually reveals more about Blanche’s troublesome past, making the audience sympathize her more. Blanche arrives at the Kowalski household— Elysian Fields, dressed fancily. “She is daintily dressed in a white suit with a fluffy bodice, necklace and ear-rings of pearl, white gloves and hat, looking as if she were arriving at a summer tea or cocktail party in the garden district.”…
Stanley looks past the fake front that people put on and focuses on what is real and ignores the “Hollywood glamour” and lies that surround them (39). Stanley does not want any deviation from what is known to be true and wants “no ifs, ands, or buts” (43). Deep down Stanley needs to unearth any falsehoods when anyone feeds him a “pack of lies” no matter how dark they are (118). Regardless of the awful truths of Blanche’s life, Stanley states the truth in the simplest sense, and he finally reveals Blanche is not “such a refined and particular girl” as he gives out her dark truths. He pushes away Blanche’s pleasant dream and posters the harsh truth of Blanche’s problems in plain sight so no one, not Mitch, Stella, or even Blanche can not miss it. Ultimately, Stanley feels no empathy for anyone, and digs up the lies and falsehoods that surround…
A Streetcar Named Desire, a play by Tennessee Williams, takes place in New Orleans in the mid-1940s. It follows the lives of Stanley Kowalski, Stella Kowalski, and Blanche DuBois and the story about a woman coming to visit her sister, which ends up going just as bad as any family reunion has ever gone. From the moment Blanche got to Elysium Fields, her and Stanley, Stella’s husband, appear as polar opposites and are constantly at war with each other. They never can agree on anything, are always arguing and shouting at one another, and want the loyalty of Stella all for themselves. Their constant power struggle can only end with one character the victor and the other leaving defeated. One of the main themes about conflict is that Stanley and Blanche are in a battle to win Stella and neither of them will give her up. However, Stanley and Blanche represent something bigger than two conflicting characters. Blanche represents the old south, with dying traditions whilst Stanley represents the new south where chivalry no longer exists and it 's every man for themselves and just like in real life, the old south is overcome by the new south.…
Blanche dwells in illusion; fantasy is her primary means of self-defense, both against outside threats and against her own demons. But her deceits carry no trace of malice, but rather they come from her weakness and inability to confront the truth head-on. She is a quixotic figure, seeing the world not as it is but as it ought to be. Fantasy has a liberating magic that protects her from the tragedies she has had to endure. Throughout the play, Blanche's dependence on illusion is contrasted with Stanley's steadfast realism, and in the end it is Stanley and his worldview that win. To survive, Stella must also resort to a kind of illusion, forcing herself to believe that Blanche's accusations against Stanley are false so that she can continue living with her husband.…
Stanley Kowalski struggles to cope with Stella's background as she seems to appear somehow “superior” to him because of her past and where she comes from. He believes he has finally managed to bring Stella into his world when Blanche storms into their lives and tries to win Stella over. This initiates a tug of war between Stanley and Blanche.…
When venturing into new markets, it is essential that Burger King considers several factors. Firstly, the firm needs to invest actively in France, which is a developed state. This implies that the French have higher purchasing power, meaning higher chances of profitability for the firm. Secondly, the firm should invest in India and South Africa, which are a rapidly developing BRIC states. Due to the rapid development in the two states, the purchasing power of consumers is constantly rising. India, with a higher population should, however, be the first consideration of the two. In addition, Nigeria is one of the most populated countries of Africa. Therefore, it would be an ideal destination compared to Pakistan, which is a politically unstable state.…
After dinner I drove to Tuttle Creek Lake. When I reached here, I walked on a flat road. The road ahead was hazy and sides grew tall and dense trees and lush grass, put on a little bit of green energy for the night. There was some insects chirp in the grass, which brought a little life for the night. The hung moon in the sky is so dim and the night seemed so lonely. When I walked in the secluded path, suddenly a kind of moist and fresh breath broke through in and the breath became stronger. Then I realized that the breath was from Tuttle Creek Lake. At this time, a gust of wind blew on my face and I felt I seemed to be beyond the reality and subject to any bondage no longer. I sat on a rock nearby the lake and watched Tuttle Creek Lake. Under the deep gray sky, Tuttle Creek Lake was so tolerance and endless. It looked like a big mirror in calm on the lake formed a small sky and even hold the hazy moon in the sky. But this time this moon was not hazy, it showed bright light. The calm lake covered with silvery white armor and looked like it was ready to fight. The wind blow more fierce, the lake was no longer calm under the deep gray sky and it seemed erupt. The calm lake started to flush the ripples and the bright mirror was full of cracks, finally the mirror was broken. The lake waves became layer upon layer and impacted on the rocks. At this time I sat nearby the lake, the broken waves fell on my feet. When I stood on the coast and faced the vast lake, I felt I became so small. At this time, the boredom in my heart had been taken away into the lake with the waves. The wind was still blowing, the lake under the moon accepted my unhappiness and I felt better and more comfortable.…