In scene four of “ A Streetcar Named Desire” Blanche attempts to convince Stella that she can get out of her situation with Stanley, but Stella insists she is not in anything she wished to get out of. Stella makes it clear that she is happy about her relationship with Stanley through their sexual chemistry by saying “ But there are things that happen between a man and a woman in the dark”. Stella believes that there is nothing wrong and she can’t understand why Blanche is so frantic. Blanche tries to persuade Stella that her situation with Stanley is just desire by arguing, “ What you are talking about is brutal desire- just- Desire!- the name of that rattle-trap streetcar that bangs through the Quarter, up one old narrow street and down another…”…
A Streetcar named Desire is driven by the imagination of Blanche and the other nature. The handwriting in the amusement cloak from their loyalty by representation as if the events they way through didn’t occur or were not momentous. The consideration of mockery/fantasia vs. devotion seems to carry on the intention that these independence poverty to “sally” their earth. Escaping your fact and vigorous in a like globe will leaving you intricate to the stuff around you. In some suit, if you are muscular enough to restrain from the humor and illusions around you, you may termination up in the loyalty, inclination Mitch. Both Stella and Blanche found it flower in their liking to remain in a humor but if you abide in it too far-reaching it can take…
Even from the first few scenes of ‘A Streetcar Named Desire’, we can see that Blanche DuBois is a complicated character; throughout the play she ignores warnings and breaks moral codes, and it is this that leads to her demise of character.…
Within this drama Blanche’s life is the very depiction of how one single tragic event can play a major role in one’s future. However, in Blanche’s case, a series of tragic events spark a new lifestyle. Blanche’s sexual needs were never satisfied. She met and fell madly in love at a very young age. At just sixteen years old, she fell in love as well as eloped. After investing time in what she saw as a blissful marriage to her husband, Allan, he admitted to her that he was homosexual. She felt betrayed. She felt used and taken advantage of. Instead of…
Blanche DuBois is one of the central characters in Tennessee Williams’: “A Streetcar Named Desire”. She is the sister of Stella Kowalski, she is in her thirties and works as a school English teacher. Blanche can be described as many things; a “slut”, because of her relations with soldiers and numerous men in a hotel, a “predator”, because of her affair with a young school boy. However, a “victim” because of her gender would not be one that many would first think of or even agree with.…
A Streetcar Named Desire written by Tennessee Williams is a play about a southern lady named Blanche from Mississippi visiting her sister Stella, who is married to Stanley and currently living in Elysian Fields, New Orleans. Blanche arrives in Elysian Fields, and throughout her entire stay with Stella and Stanley, there is tension and conflict occurring in Stella’s house. Even though Blanche and Stella were brought up in the South under wealthy conditions, the conflict is mainly caused by Blanche’s dislike of Stanley because, as a blue-collar worker, Stanley's status is lower than the DuBois’. In another aspect, Stanley’s conflict is caused by him being suspicious of Blanche since her arrival. Blanche explains to Stella that…
Blanche’s fall from grace would not have been as devastating if she had grown up anywhere but the traditional, family-oriented, socially cruel South. And surely strong, confident Stella would not have stuck with the crude, abusive Stanley had she lived elsewhere, somewhere far away from the dirt and commotion of New Orleans in the forties that obscured the chaos and brutality occurring behind its closed doors. But the women are Blanche DuBois and Stella Kowalski, not the Bennet sisters. As the Old South began to die, they looked for salvation in different directions, both ultimately ending in tragedy. That place, that time, was just not hospitable to the women. So Stella became submissive, the archetype that would soon pervade 1950s Americana, the woman that exists to serve her man, who exists to serve himself. And Blanche became an anachronism, a “woman out of time”, literally and figuratively. Her flourishing springtime had long past. And that hot, horrible summer in New Orleans ushered in the fast-approaching fall of regrets and broken dreams, the autumn that doomed Blanche to a mental…
Streetcar Named Desire’s Tennessee Williams explains how Blanche and Stella are both living a lie and existing in a fantasy, where in time they must come face to face with their own realities. People that live lives they wish to have eventually with have to come to terms and realize to enjoy the life they have and stop comparing their lives to…
The main characters in ‘A Streetcar Named Desire’ are Blanche, Stanley and Stella. Blanche is from old world America. She moves to New Orleans with her sister Stella and her husband Stanley after she goes through a bad time in her life and losses her job along with her family house. Blanche has power over her sister, and she abuses this power. This is first demonstrated when Blanche asks her sister to get her a drink from the drug store and she does so ‘Blanche- Honey, do me a favour. Run to the drug-store and get me a lemon-coke with plenty of chipped ice in it! – Will you do that for me, Sweetie?’ This demonstrates the power of fear which Stella feels. She believes that if she does not comply with her sisters ‘orders’ then she will have a more stressful and difficult life so she obeys.…
One theme is the dependence on men. This is shown all throughout with not only Blanche, but also Stella. It ranges from the time Blanche contacted Shep for finacial support,or to Stella staying with Stanley even after he abused her. Light is another theme that is evident in this story. Blanche avoids light by refusing to not go on dates during daytime to the chineese lattern she puts on the light bulb. This is because she is afraid to reveal her fading beauty.…
This play reflected a part of society that was frowned upon on a social level in the mid 20th centuary. Today a play like this is concidered normal, or average as far as the contrivisrail espects are concerned, but in the 40s a character like Blanche Dubois was something that challegned the moral of the ideal american family. This play is about Blanche DuBois, a schoolteacher from Laurel, Mississippi. She arrives in New Orleans to live with her sister, Stella Kowalski. Blanche told her sister that she lost their their ancestral home Belle Reve, following the death of all their remaining relatives and husband. She mentions that she has been given a leave of absence from her teaching position because of her bad nervous breakdowns.…
Dubois shows a mixed array of actions that confuses the audience into whether she is to be sympathized or not. At the beginning of the play, the author Tennessee Williams shows us the arrogant and demanding side of Blanche, provoking the audience to dislike her, but as the play goes on, Williams gradually reveals more about Blanche’s troublesome past, making the audience sympathize her more. Blanche arrives at the Kowalski household— Elysian Fields, dressed fancily. “She is daintily dressed in a white suit with a fluffy bodice, necklace and ear-rings of pearl, white gloves and hat, looking as if she were arriving at a summer tea or cocktail party in the garden district.”…
The excerpt primarily focuses on evolving the motif of light, which Blanche has a strong aversion too and which symbolizes multiple aspects of her shady past, and also characterizes her gradually declining mental state, consequentially leading to complete insanity. Again, William’s employs the motif of light in the play and this is evident through Blanche’s constant dislike of light. The characterization of her insanity is illustrated by various aspects including her troubled past and nervous nature. The passage employs both the light motif and characterization of insanity to further develop the plays themes and effectively add to the dynamics of the characters and play. Light is present in everyday life. It brightens the dark and may even serve as a beacon of hope. However, for some it is a scorching spotlight directed towards the soul, forcing individuals to shun away and hide in their dark secrets and pasts just as Blanche DuBois did. This aversion of light may be experienced by anybody, hiding from the reality of truth. Furthermore, insanity unfortunately, is present amongst people and society. Many are either born handicapped but others may mentally devolve and become psychologically unstable because of harsh or traumatic pasts, influencing their later actions, such as the case with Blanche. Not only was the motif of light and characterization of insanity illustrated in the passage, but also relate to life. The strong potency of the functions of this cited passage from A Streetcar Named Desire, transform the play into a relatable and dynamic…
For Blanche maintaining her youth and appearance is important as it is part of her illusions, making it seem as though nothing in her life has changed. Ultimately, fantasy consumes Blanche as she begins to believe they are truly a part of her reality. Mitch ignores Blanche’s lies and facade as he is blinded by the idea of marrying, who he believes to be the perfect woman. Through his own illusions he is able to escape from Blanche’s reality. Finally, Stella uses illusion as she endures her husband’s drinking and physical abuse. She also uses fantasy to protect and preserve her marriage, creating a facade that she lives happily with her…
The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe evolves her promiscuity. She is lonely and frightened, and she attempts to fight this condition with sex. Desire fills the emptiness when there is no love and desire blocks the inexorable movement of death, which has already wasted and decayed Blanche's ancestral home Belle Reve.…